Der ›Weg‹ der Erzählung

2020 ◽  
Vol 142 (3) ◽  
pp. 330-353
Author(s):  
Christoph Huber

AbstractHow do narrators of courtly romance use the semantics of ›Weg‹ (path, journey)? Building on numerous publications on the Weg-topic, this study ›The Path of Narration. Observations on Hartmann von Aue and Courtly Literature‹ discusses how authors, particularly Hartmann von Aue, use ›Weg‹ as code for storytelling. This can be linked to forms of semantic usage which reflect the process of reception, particularly in the case of Wolfram von Eschenbach, and those which describe a change in the semantics of value, particularly in the case of Gottfried von Straßburg.

2020 ◽  
Vol 79 (4) ◽  
pp. 517-546
Author(s):  
John M. Jeep

Abstract This study presents a first-time complete accounting and analysis of the alliterating word-pairs in Wolfram’s “Willehalm,” “Titurel,” and his poetry, representing the completion of a project to survey Wolframs’ complete oeuvre. Each pair is described philologically within the work in which it appears, relevant earlier or parallel occurrences are noted, and on occasion the further life of the pair is discussed. A complete listing integrates the 98 pairs from “Parzival.” This rounds out studies of the major Middle High German classical works of courtly literature, cataloguing Wolfram’s use of the rhetorical device following similar studies of Hartmann von Aue and Gottfried von Strassburg.


2020 ◽  
Vol 80 (3) ◽  
pp. 303-320
Author(s):  
John M. Jeep

Abstract Building on studies on alliterating word-pairs in Old and Early Middle High German (including early Minnesang poets, Gotfried von Straßburg, Hartmann von Aue, Walther von der Vogelweide und Wolfram von Eschenbach), this study collects and analyses the remaining Minnesang poets of the Classic Period (Des Minnesangs Frühling), tracing the use of extant and the emergence of new alliterating word-pairs while establishing their literary rhetorical context. Thus, the early history of the German alliterating word-pairs is extended within the Middle High German era.


PMLA ◽  
1970 ◽  
Vol 85 (5) ◽  
pp. 992-1001 ◽  
Author(s):  
W. T. H. Jackson

Gottfried von Strassburg, in his Tristan, substitutes for a description of the knighting of his hero a digression on certain contemporary authors, both of romances and lyrics. This digression has often been called “Gottfried's literary criticism,” but in fact it is a discussion of the various means of literary expression which were available to him for telling the story of a hero whom he believed to be unique and hence set apart from the knights of courtly romance. Gottfried examines both the visual (romance) and aural (lyric) types in a very specific order and finds both wanting, although he sees more potential in musical than in purely verbal forms of poetry. He decide? that the romance, in spite of its deficiencies, is the best available type but only with the proviso that the reader look beneath the surface and not be deceived by the form into thinking that Tristan was a “normal” courtly hero. The literary digression thus proves to be no digression but an integral part of the work, since Gottfried regards it as impossible to think of any story without considering the means by which it is told.


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