Elisabeth Forster, 1919 – The Year that Changed China. A New History of the New Culture Movement. (Transformations of Modern China, Vol. 2.) Berlin/Boston, De Gruyter Oldenbourg 2018

2019 ◽  
Vol 309 (2) ◽  
pp. 533-534
Author(s):  
Sabine Dabringhaus
1960 ◽  
Vol 33 (3) ◽  
pp. 311
Author(s):  
Harriet C. Mills ◽  
Huang Sung-k'ang

Author(s):  
Huiwen Helen Zhang

An expeditionary force soldier. A jungle war survivor. A patriot who traded opportunities in the United States for a tedious journey home to the newly founded People’s Republic of China. A “counterrevolutionary.” A forced laborer who spent the last third of his life translating English and Russian literature.—A poet. Careful study of Mu Dan’s (1918–1977) poetry enables us to explore a string of moments in modern China’s transformation. Twenty-two poems by Mu Dan have been selected as a history of China from the climax of the New Culture Movement (1919) through the end of the Great Proletarian Cultural Revolution (1976). Fusing linguistic audacity, philosophical acumen, and historical vision, they weave a thread of themes illuminating the tortured path of a nation and an individual. Further, they span a spectrum of sentiments ranging from those of ordinary people to those of extraordinary intellectuals. To reveal the turning points in modern China’s history, the twenty-two poems have been contextualized along two axes. A vertical axis, the thread of themes, consists of eleven motifs developed and revisited by Mu Dan from 1940 through 1976; they are: Youth, War, Disillusion, Maturity, Sacrifice, Exposure, Enlightenment, Conversion, Awakening, Anguish, and Reflection. A horizontal axis, the spectrum of sentiments, exhibits Mu Dan’s contradictory attitudes toward modern China’s transformation by identifying him with his countrymen or distancing him from them as a free spirit and cultural critic. This conceptual framework assists in examining the interaction between history and literature. It demonstrates how modern China’s history informs, provokes, and shapes a poet whose life span coincides with it and, at the same time, how poetry can be and is being read as history itself. This reading allows more than new access to the historical events that mold a poet and his poetry. Reading poetry as history uncovers lost sentiments, struggles, observations, and critiques that advance our understanding of modern China.


2021 ◽  
Vol 7 (5) ◽  
pp. 501-519

Under the "weak state" regime of modern China, it was difficult for the country’s modernization process to develop without the effective intervention of a centralized state. In the process of government governance, absorbing social organizations and civil forces as agents had proved to be an effective method. Beiyang government’s governance strategy of ‘using agents to regulate agents’ in the documentary railway billing business could be regarded as typical of the diversity of government management. Qing Dynasty, government departments were not directly responsible for railway freight for various reasons, instead, they allowed railway transshipment companies to act as agents for freight management. Then transshipment companies gradually became an obstacle to Beiyang government’s reform on freight transport. However, under the Republic of China, the new-style bank discovered a benign opportunity to develop documentary railway billing service and created a bottom-up institutional reform model. Through the service, the bank became the new agent for the supervision of the transshipment company, which not only regulated the operation, but also forced railroad bureaus in the Yangzi Delta to be primarily responsible for railway freight. The Central Ministry of Transportation of Beiyang Government decided to promote this agency governance model and billing service nationwide. Received 11th January 2021; Revised 2nd June 2021; Accepted 20th July 2021


2017 ◽  
Vol 2 (1) ◽  
pp. 203-210
Author(s):  
Shellen Wu

It wasn't so long ago that histories of China's rocky transition to modernity featured a small and entirely male cast of characters. In the works of the first generation of American Sinologists, from John King Fairbank to his most famous students such as Joseph Levenson, a few men, from late Qing statesman Li Hongzhang 李鴻章 to reformers and revolutionaries like Kang Youwei 康有為, Sun Yatsen 孫中山, and Liang Qichao 梁啟超, loomed large over the narrative of the Chinese revolution. Into this lacuna Mary Rankin's rediscovery of the late Qing female martyr Qiu Jin 秋瑾 came as a thunderbolt. Her work opened up the possibility that perhaps the problem wasn't the absence of women in China's revolution but the failure of scholars to look for their contribution. Rankin's 1968 article on “The Tenacity of Tradition,” and her subsequent bookEarly Chinese Revolutionariespaved the way for a far more nuanced and complicated new social history of modern China.


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