Lu Hsün and the New Culture Movement of Modern China. By Huang Sung-k'ang. Amsterdam: Djambatan, Ltd., 1957. 158.

1959 ◽  
Vol 18 (2) ◽  
pp. 288-289
Author(s):  
Harriet C. Mills
1960 ◽  
Vol 33 (3) ◽  
pp. 311
Author(s):  
Harriet C. Mills ◽  
Huang Sung-k'ang

1960 ◽  
Vol 23 (2) ◽  
pp. 309-322
Author(s):  
J. D. Chinnery

Lǔ xùn's first story Kúangrén rìjì ‘Diary of a madman’ was published in the review Xīn Qīngnián (La Jeunesse) in May 1918. This was during the New Culture Movement when the editors of the review were engaged in their onslaught on Confucian morality, the literary language, and other aspects of the Chinese tradition. Lǔ Xùn's story was intended as a contribution to this movement and was written, according to the author's own account, at the request of one of his friends and fellowprovincials on the editorial board, Qián Xuán-tóng .


Author(s):  
Jason Wang

The New Culture Movement (Xīn Wénhuà Yùndòng 新文化运动) originated at Peking University during the 1910s. The movement’s ideologies were reflected in the phrase Old China (Jiu Zhong Guo旧中国), referring to the rejection of traditional Chinese culture, especially orthodox Confucianism and conventional gender inequality, and the promoting of Western cultural modernity (particularly democracy and science).


China Report ◽  
2018 ◽  
Vol 54 (1) ◽  
pp. 25-47
Author(s):  
Lin Shaoyang

In the late 1920s, cultural nationalism in Hong Kong was imbedded in Confucianism, having been disappointed with the New Culture Movement and Chinese revolutionary nationalism.1 It also inspired British collaborative colonialism. This study attempts to explain the link between Hong Kong and the Confucius Revering Movement by analysing the essays on Hong Kong of Lu Xun (1881–1936), the father of modern Chinese literature and one of the most important revolutionary thinkers in modern China. The Confucius Revering Movement, which extended from mainland China to the Southeast Asian Chinese community and then to Hong Kong, formed a highly interrelated network of Chinese cultural nationalism associated with Confucianism. However, the movements in these three places had different cultural and political roles in keeping with their own contexts. Collaborative colonialism’s interference with the Confucius Revering Movement is one way to understand Lu Xun’s critical reading of Hong Kong. That is, Hong Kong’s Confucius Revering Movement was seen as an endeavour of the colonial authorities to co-opt Confucianism in order to deal with influences from China. This article argues that Hong Kong’s Confucius Revering Movement should be regarded as one of the main perspectives through which to understand Hong Kong’s educational, cultural and political histories from the 1920s to the late 1960s. Lu Xun enables us to see several links. The first link is the one connecting the Confucius Revering Movement in Mainland China, Hong Kong and the Chinese community in Southeast Asia. This leads to the second link, that is, Lim Boen Keng (Lin Wenqing), the leading figure of the Confucius Revering Movement in the Southeast Asian Chinese community who later became the President of Amoy University, where Lu Xun had taught before his first visit to Hong Kong. The third link is the skilful colonial administrator Sir Cecil Clementi, who came to British Malaya in February 1930 to become Governor after being the Governor of Hong Kong. We can observe a network of Chinese critical/resistant and collaborative nationalism from these links.


1974 ◽  
Vol 33 (2) ◽  
pp. 193-223 ◽  
Author(s):  
Arif Dirlik

Historical materialism entered Chinese thought as part of the new wave of socialism during the New Culture movement. By the late 1920's, during the ebb of communism as a political movement, it had gained a foothold in the consciousness of many Chinese intellectuals. Its application to the analysis of Chinese history reached its peak in the “social history controversy” of the late twenties and early thirties.1 After the mid-thirties interest in the Marxist discussion of history dwindled, not reaching a comparable degree of intensity until its revival after 1949.


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