scholarly journals A Critique and Discussion of the View That Shi Miyuan Proposed the Five-Mountain, Ten-Monastery System

2014 ◽  
Vol 5 (1) ◽  
pp. 45-66
Author(s):  
Lan Jih-chang

Abstract When Japan, during the Kamakura (1180-1333) and Muromachi (1336-1573) periods, imported Zen 禪 Buddhism from Song (960-1279) and Yuan (1279- 1368) China, it not only continually dispatched Zen monks on pilgrimages to China to seek materials for transmitting sectarian doctrine, but also introduced Zen temple architecture and monastic discipline to Japan, established the Five Mountain, Ten Monastery 五山十剎 system of government temples, and developed Five Mountain 五山 literature. This system of government temples is believed to have imitated the Song system of government temples of the same name. Moreover, it is the best example of Sino-Japanese cultural interaction in the field of Buddhism. In contrast with the ample materials we have on the operation of the Japanese system of the Five Mountain, Ten Monastery government temples, we lack sufficient materials to determine the time and impetus of the Song system of Five Mountain, Ten Monastery government temples and are at a loss to give a detailed accurate account of the Song system. Among the many views in circulation, the view most accepted by modern scholars is that Shi Miyuan 史彌遠 proposed to the court to establish this system of government temples during the reign of Emperor Ningzong (r. 1194-1224) of the Southern Song dynasty. But this theory comes down to us from Song Lian 宋濂 (1310-1381) of the early Ming dynasty, and no Song or Yuan sources mention this matter. Moreover, no Japanese Five Mountain Zen monks touch on this matter in any of their writings. Hence, whether Shi Miyuan actually proposed this system of government temples is a topic worth revisiting. This paper discusses whether Shi Miyuan proposed the Five Mountain, Ten Monastery system from the vantage point of materials related to Shi Miyuan and observations of Japanese Zen monks, and it reaches the conclusion that it is not credible that Shi Miyuan proposed the system to the court.

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Yihang Zhou ◽  
Kai Wang ◽  
Jian Sun ◽  
Yong Cui ◽  
Dongbo Hu

AbstractNanhai I is a highly valuable shipwreck of the Southern Song Dynasty for studying various topics, including the shipbuilding techniques. The sealing materials are of significant importance to ensure the ship’s reliability during the voyage across the ocean and they were rarely analyzed. Therefore, the sealing materials of this ship were analyzed by several analytical approaches. The sealing materials included two types, i.e., gap filler with jute fibers and surface coating without any oakum. The main components of both types of putty are calcite with minor Tung oil. The weight ratio of Ca(OH)2/Tung oil range from 4.3:1 to 7.9:1 for surface coating samples and the weight ratio of Ca(OH)2/organics is 3.1:1 for the gap filler sample. Additionally, we first find that the surface coating has a layered structure, where outer layers contain more Tung oil than inner layers. The innermost layer of the surface coating sample might be altered by organic acids from wood deterioration, causing its loose structure and grey color. The composite layers with different formula might be a result of balancing the costs and performances of the putty.


2019 ◽  
Vol 45 (3) ◽  
pp. 3081-3087 ◽  
Author(s):  
Bin Zhang ◽  
Meng Zhang ◽  
Yu Li ◽  
Huansheng Cheng ◽  
Jianming Zheng

2020 ◽  
Vol 4 (6) ◽  
Author(s):  
Zhenglong Qiang

“Emperor’s Edict" refers to the writing of emperor himself. In the context of serving as official document, it refers to the special writ issued by emperor for sake of administering national affairs. In the official document system of Song Dynasty, "Emperor’s Edict" had always been an attention of the scholars and officials at that time due to its unusual functions in terms of drafting, promulgation and power. The Southern Song Dynasty was generally conceived by academic circles as a period when the "Administration by Emperor’s Edict" was gradually phased out. We did observe, however, with “Emperor’s Edict” placed in historical panorama of the early years of Southern Song Dynasty, an ever-strengthened power and prowess of “Emperor’s Edict” as backlit by several historical incidents such as Emperor Gaozong’s controlling and manipulating by “Emperor’s Edict” of the national armies. It reflects the political truth of strengthened imperial power in the Southern Song Dynasty. Hence, we can have access to another facet of the politics of the Southern Song Dynasty.


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