Chapter 4. Family Ties as Political Obligation: Oscar Hammerstein II, South Pacific, and the Discourse of Adoption

2019 ◽  
pp. 143-190
Author(s):  
Dominic Symonds

This chapter explores some of the influence Sondheim’s mentor Oscar Hammerstein II may have had on the composer. With close analysis of the ways in which lyric patterning guided the structure of the music in several Rodgers and Hammerstein shows, the chapter suggests that one of their primary contributions to musical theater was to structure the dramatic dynamic of a show into the score through a use of extended song-form. I note in particular the way this works inCarousel(1945),Allegro(1947), andSouth Pacific(1949). The chapter then speculates about how Sondheim has developed this technique through a modular montaging of scenes and through the creation of palindromic trajectories within a whole show inA Little Night Music(1973) andSunday in the Park with George(1984).


2014 ◽  
Vol 73 (4) ◽  
pp. 243-248 ◽  
Author(s):  
Annick Darioly ◽  
Ronald E. Riggio

This study examines how applicants who are relatives of the company’s executives are perceived when they are being considered for a leadership position. In a 2 (Family ties: with vs. without) × 2 (Applicant qualifications: well-qualified vs. underqualified) experimental design, 165 Swiss employees read the applicant’s job application and evaluated the hiring decision, the perceived competence, and the perceived career progress of the target employee. This research showed that even a well-qualified potential employee received a more negative evaluation if the candidate had family ties to the company. Despite their negative evaluation of potential nepotistic hires, the participants nevertheless believed that family ties would boost the career progress of an underqualified applicant. Limitations and implications are discussed.


PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (26) ◽  
Author(s):  
Mary Ann Norfleet
Keyword(s):  

2009 ◽  
Author(s):  
Anthony R. Paquin ◽  
Reinout E. de Vries ◽  
Raghuvar D. Pathak ◽  
Rafia Naz
Keyword(s):  

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