The Culture of Social Problems: Observations of the Third Reich, the Cold War, and Vietnam

2005 ◽  
Vol 52 (1) ◽  
pp. 1-14 ◽  
Author(s):  
KATHLEEN J. FERRARO
Author(s):  
Alice Weinreb

This chapter analyzes occupied Germany between 1945 and 1949, the years that saw the transition from the Second World War to the Cold War. During this time, the country was divided into four zones, each occupied by an Allied power (the United States, the USSR, France, and Great Britain.) This chapter argues that these years, known in Germany as the Hunger Years, played a key role in shaping modern discourses of human rights through assertions of the right of all individuals to food. Specifically, in the wake of the Third Reich, the hunger of German civilians acquired a moral weight that effectively depoliticized the category of “rights.” Analyzing civilian and medical debates about the causes and consequences of German hunger, the chapter explores the ways in which the different Allied rationing programs interpreted responsibility for Nazi crimes, and the ways in which Germans reacted to, challenged, and appropriated these categories.


Author(s):  
Simon Unger-Alvi

Abstract This collection of essays evaluates the relations between Eugenio Pacelli and Germany from the beginning of his career as a papal nuncio in Munich in 1917 until his pontificate during the wartime and post-war periods. The contributions to this volume do not provide a complete overview of this topic. Instead, they should be understood as case studies on certain aspects of Vatican-German history. At the core of this work are the complexities and ambiguities of papal politics between four political systems from the Kaiserreich to the West German Federal Republic. Ultimately, this volume thus touches upon very diverse subjects ranging from Pacelli’s ‚concordat diplomacy‘ in the Weimar Republic and the Third Reich to his silence during the Holocaust and the German occupation of Italy, the anti-communism of the Cold War, and the Vatican’s path towards reform in the post-war period.


2016 ◽  
Author(s):  
Joes Segal

In Art and Politics, Segal explores the collision of politics and art in seven enticing essays. The book explores the position of art and artists under a number of different political regimes of the twentieth and twenty-first centuries, traveling around the world to consider how art and politics have interacted and influenced each other in different conditions. Joes Segal takes you on a journey to the Third Reich, where Emil Nolde supported the regime while being called degenerate; shows us Diego Rivera creating Marxist murals in Mexico and the United States for anti-Marxist governments and clients; ties Jackson Pollock's drip paintings in their Cold War context to both the FBI and the CIA; and considers the countless images of Mao Zedong in China as unlikely witnesses of radical political change.


2019 ◽  
pp. 096834451983290
Author(s):  
Charlie Hall

In the period immediately following the Second World War, during which Germany was occupied by the four victorious Allies, fierce competition erupted between them over the spoils of German military science and technology. Among this four-power squabbling, the British and Soviet authorities engaged in a particularly desperate struggle, especially over recruitment of expert German personnel, which they felt might give them the edge in any future conflict. This article explores the policies which arose from this struggle and shows that the first act of the Cold War arms race played out most vividly amongst the ruins of the Third Reich.


2021 ◽  
pp. 266-282
Author(s):  
Catriona Kelly

This chapter explores the production and reception history of a notable Cold War Soviet thriller, The Dead Season, directed by Savva Kulish, a former cameraman and collaborator of Mikhail Romm and Maiya Turovskaya on a famous documentary about life in the Third Reich, Ordinary Fascism. Kulish’s background and his own Jewish descent prompted him to adopt a highly serious approach to the story of a former Nazi war criminal who is now resident in “a certain Western country.” Rather than an exciting adventure story, the film became an exploration of psychological tension, as the discussion here makes clear.


Author(s):  
Steven Michael Press

In recognizing more than just hyperbole in their critical studies of National Socialist language, post-war philologists Viktor Klemperer (1946) and Eugen Seidel (1961) credit persuasive words and syntax with the expansion of Hitler's ideology among the German people. This popular explanation is being revisited by contemporary philologists, however, as new historical argument holds the functioning of the Third Reich to be anything but monolithic. An emerging scholarly consensus on the presence of more chaos than coherence in Nazi discourse suggests a new imperative for research. After reviewing the foundational works of Mein Kampf (1925) and Myth of the Twentieth Century (1930), the author confirms Klemperer and Seidel’s claim for linguistic manipulation in the rise of the National Socialist Party. Most importantly, this article provides a detailed explanation of how party leaders employed rhetorical language to promote fascist ideology without an underlying basis of logical argumentation.


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