Cold War Fears

2021 ◽  
pp. 266-282
Author(s):  
Catriona Kelly

This chapter explores the production and reception history of a notable Cold War Soviet thriller, The Dead Season, directed by Savva Kulish, a former cameraman and collaborator of Mikhail Romm and Maiya Turovskaya on a famous documentary about life in the Third Reich, Ordinary Fascism. Kulish’s background and his own Jewish descent prompted him to adopt a highly serious approach to the story of a former Nazi war criminal who is now resident in “a certain Western country.” Rather than an exciting adventure story, the film became an exploration of psychological tension, as the discussion here makes clear.

Muzikologija ◽  
2019 ◽  
pp. 203-220
Author(s):  
Aleksandar Vasic

Pavle Stefanovic (1901-1985) is one of the most prominent Serbian music critics and essayists. He created extensive musicographic work, largely scattered in periodicals. A philosopher by education, he had an excellent knowledge of music and its history. His style was marked by eloquence, associativity and plasticity of expression. Between 1938 and 1940 he published eighteen music reviews in The Music Herald, the longest-running Belgrade music magazine in the interwar period (1928-1941, with interruption from 1934 to 1938). Stefanovic wrote about concerts, opera and ballet performances in Belgrade, performances by local and eminent foreign artists. His reviews include Magda Tagliaferro, Nathan Milstein, Jacques Thibaud, Enrico Mainardi, Bronis?aw Huberman, Alexander Uninsky, Alexaner Borovsky, Ignaz Friedman, Nikita Magaloff and many other eminent musicians. Th is study is devoted to the analysis of the Stefanovic?s procedure. Pavle Stefanovic was an anti-fascist and left ist. He believed that the task of a music critic was not merely to analyze and evaluate musical works and musical interpretations. He argued that the critic should engage in important social issues that concerned music and music life. That is why he wrote articles on the occasion of German artists visiting Belgrade, about the persecution of musicians of Jewish descent and the cultural situation in the Third Reich. On the other hand, Stefanovic was an aesthetic hedonist who expressed a great sense of the beauty of musical works. Th at duality - a socially engaged intellectual and a subtle ?enjoyer? of the art - remained undisturbed. In these articles he did not go into a deterministic interpretation of the structure of musical composition and the history of music. And he did not accept the larpurlartistic views.


2020 ◽  
Vol 17 (4) ◽  
pp. 72-88
Author(s):  
Jarosław Dybek ◽  

The topic of the article is one of the German SS regiments stationed in occupied Poland and its role in The German occupation policy. While the history of the SS formation is very well known in both academic and popular science literature, its cavalry has not been elaborated in great detail thus far. Although this topic seems interesting, it has not yet been discussed in any book in the Polish language. Most of the literature related to this topic was published in German and English. The 1st SS Death’s Head Cavalry Regiment operated primarily in the General Government and was under the Higher SS and Police Command. Some of its squadrons also operated in areas annexed to the Reich, i.e. the Warta Voievodship (Reichsgau Wartheland). From this article we will learn about the formation of the SS Death’s Head cavalry and its gradual inclusion in the brutal occupation policy of the Third Reich in Poland. In the case of its formation, we are dealing with tasks such as combating the early partisan units, searching for weapons, participating in the creation of ghettos, or helping to eliminate Polish levels of the intelligentsia. Noteworthy is the participation of this unit in the production of the propaganda film “Kampfgeschwader Lützow”, in which Polish cavalrymen were presented attacking German tanks with sabres. This false image was reproduced after the war in some movies or books, and contributed to the distorted presentation of Polish soldiers in the defensive battles of 1939.


Gesnerus ◽  
1997 ◽  
Vol 54 (3-4) ◽  
pp. 194-218
Author(s):  
Cay-Rüdiger Prüll

Textbooks on German medical history are a valuable source when analyzing the discipline's view on the foundation of scientific medicine. This paper deals with descriptions of the history of pathology found in textbooks between 1858 and 1945: In particular, pathological anatomy and Rudolf Virchow's "cellular pathology" were the cornerstones of the foundation of modern medicine in the 19"* century. The way textbooks deal with the history of pathology mirrors the development of German history of medicine: Since the turn of the century the latter felt devoted to an ahistoric teleological approach which did not change in the "Third Reich". This situation hampered a critical histonography which would show relations of the history of pathology to cultural, social and political history.


2021 ◽  
pp. 268-287
Author(s):  
Helen Roche

Following Austria’s annexation by the Third Reich, the NPEA authorities were eager to pursue every opportunity to found new Napolas in the freshly acquired territories of the ‘Ostmark’. In the first instance, the Inspectorate took over the existing state boarding schools (Bundeserziehungsanstalten/Staatserziehungsanstalten) at Wien-Breitensee, Wien-Boerhavegasse, Traiskirchen, and the Theresianum. Secondly, beyond Vienna, numerous Napolas were also founded in the buildings of monastic foundations which had been requisitioned and expropriated by the Nazi security services. These included the abbey complexes at Göttweig, Lambach, Seckau, Vorau, and St. Paul (Spanheim), as well as the Catholic seminary at St. Veit (present-day Ljubljana-Šentvid, Slovenia). This chapter begins by charting the chequered history of the former imperial and royal (k.u.k.) cadet schools in Vienna, which were refashioned into civilian Bundeserziehungsanstalten by the Austrian socialist educational reformer Otto Glöckel immediately after World War I. During the reign of Dollfuß and Schuschnigg’s Austrofascist state, the schools were threatened from within by the terrorist activity of illegal Hitler Youth cells, and the Anschluss was ultimately welcomed by many pupils, staff, and administrators. August Heißmeyer and Otto Calliebe’s subsequent efforts to reform the schools into Napolas led to their being incorporated into the NPEA system on 13 March 1939. The chapter then treats the Inspectorate’s foundation of further Napolas in expropriated religious buildings, focusing on NPEA St. Veit as a case study. In conclusion, it outlines the ways in which both of these forms of Napolisation conformed to broader patterns of Nazification policy in Austria after the Anschluss.


2010 ◽  
Vol 45 (3) ◽  
pp. 628-648 ◽  
Author(s):  
Christian Goeschel

Too often histories of the concentration camps tend to be ignorant of the wider political context of nazi repression and control. This article tries to overcome this problem. Combining legal, social and political history, it contributes to a more thorough understanding of the changing relationship between the camps as places of extra-legal terror and the judiciary, between nazi terror and the law. It argues that the conflict between the judiciary and the SS was not a conflict between ‘good’ and ‘evil’, as existing accounts claim. Rather, it was a power struggle for jurisdiction over the camps. Concentration camp authorities covered up the murders of prisoners as suicides to prevent judicial investigations. This article also looks at actual suicides in the pre-war camps, to highlight individual inmates’ reactions to life within the camps. The article concludes that the history of the concentration camps needs to be firmly integrated into the history of nazi terror and the Third Reich.


2012 ◽  
Vol 5 (1-2) ◽  
pp. 120-247 ◽  
Author(s):  
Thomas Schneider

Abstract The history of Egyptology in the Third Reich has never been the subject of academic analysis. This article gives a detailed overview of the biographies of Egyptologists in National Socialist Germany and their later careers after the Second World War. It scrutinizes their attitude towards the ideology of the Third Reich and their involvement in the political and intellectual Gleichschaltung of German Higher Education, as well as the impact National Socialism had on the discourse within the discipline. A letter written in 1946 by Georg Steindorff, one of the emigrated German Egyptologists, to John Wilson, Professor at the Oriental Institute Chicago, which incriminated former colleagues and exonerated others, is first published here and used as a framework for the debate.


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