Review: Justice & Faith: The Extraordinary Men and Women of Hartford’s First Black Church, 1819–2019, The Shoeleather History Project Walking Tour

Henry Beverhout looked out over the West African village of Freetown in 1792 with misgivings. From his own experience and from the complaints he received from other townspeople, he now recognized that the black men and women of Sierra Leone were not being afforded the equal treatment they had been promised. Exploited and discriminated against for most of their lives by white masters in America, these expatriates had arrived in West Africa determined to chart a new course for themselves. But the path to economic, civil, and religious freedom was littered with obstacles. They soon encountered problems with white Sierra Leone Company officials over low pay, high prices, and the slow pace at which land was apportioned to the new settlers. Just as important, the black émigrés were dismayed by the company's system of justice, whose juries Beverhout said did not “haven aney of our own Culler in” them. Having absorbed the British and American legal traditions of trial by a jury of one's peers, he demanded that in any “trial thear should be a jurey of both white and black and all should be equal.” Going even further, he then made the explosive claim that “we have a wright to Chuse men that we think proper to act for us in a reasnenble manner.”

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“All I See Is Your Booty and Cleavage”: Sex and the Contemporary Gospel Song (1988–2017)

Journal of the Society for American Music ◽

10.1017/s1752196321000274 ◽

2021 ◽

Vol 15 (4) ◽

pp. 363-382

Author(s):

Deborah Smith Pollard

Keyword(s):

Black Church ◽

Gospel Music ◽

Sexual Practices ◽

Men And Women ◽

Marital Sex ◽

Contemporary Gospel

AbstractGospel songs traditionally feature lyrics that glorify God. However, there is music by contemporary gospel artists that addresses pre-marital sex, homosexuality, and pornography. The fact that these topics are being lyrically confronted by some of the genre's most recognized performers invites exploration into the content, purpose, and impact of the songs.This article places these lyrics into categories: those that are testimonial narratives about the spiritual deliverance the singer has received after transgressing sexual mores of the Black Church and those that encourage the avoidance of specific sexual practices. These songs contribute to gospel music on several levels, providing a platform through which the artists can testify of their sexual journeys while giving listeners a format through which they can find direction regarding sexual steps, missteps, and spiritual realignment.The article delineates the changes within US culture that led to less silence about sex and support for the LGBTQIA+ community from some within the Black Church. The major analysis involves the lyrics, the differences in what men and women tend to address, and the fact that despite breaking new ground, in virtually every instance, they reflect traditional Biblical interpretations.

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Ultrastructural comparison of prolactin adenomas of pituitary in men and women

Proceedings, annual meeting, Electron Microscopy Society of America ◽

10.1017/s0424820100103796 ◽

1988 ◽

Vol 46 ◽

pp. 346-347

Author(s):

R.C. Caughey ◽

U.P. Kalyan-Raman

Keyword(s):

Endoplasmic Reticulum ◽

Electron Microscope ◽

Phosphate Buffer ◽

Pituitary Adenomas ◽

Osmium Tetroxide ◽

Secretory Granules ◽

Uranyl Acetate ◽

En Bloc ◽

Men And Women ◽

Transmission Electron

Prolactin producing pituitary adenomas are ultrastructurally characterized by secretory granules varying in size (150-300nm), abundance of endoplasmic reticulum, and misplaced exocytosis. They are also subclassified as sparsely or densely granulated according to the amount of granules present. The hormone levels in men and women vary, being higher in men; so also the symptoms vary between both sexes. In order to understand this variation, we studied 21 prolactin producing pituitary adenomas by transmission electron microscope. This was out of a total of 80 pituitary adenomas. There were 6 men and 15 women in this group of 21 prolactinomas.All of the pituitary adenomas were fixed in 2.5% glutaraldehyde, rinsed in Millonig's phosphate buffer, and post fixed with 1% osmium tetroxide. They were then en bloc stained with 0.5% uranyl acetate, rinsed with Walpole's non-phosphate buffer, dehydrated with graded series of ethanols and embedded with Epon 812 epoxy resin.

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Race Difference in Auditory Sensitivity

Journal of Speech and Hearing Research ◽

10.1044/jshr.0704.389 ◽

1964 ◽

Vol 7 (4) ◽

pp. 389-393 ◽

Cited By ~ 3

Author(s):

David C. Shepherd ◽

Robert Goldstein ◽

Benjamin Rosenblüt

Keyword(s):

White Women ◽

White Men ◽

Sensitivity Study ◽

Auditory Sensitivity ◽

Race Difference ◽

Men And Women ◽

Auditory Thresholds ◽

Békésy Audiometry ◽

Method Of Adjustment ◽

Better Than

Two separate studies investigated race and sex differences in normal auditory sensitivity. Study I measured thresholds at 500, 1000, and 2000 cps of 23 white men, 26 white women, 21 negro men, and 24 negro women using the method of limits. In Study II thresholds of 10 white men, 10 white women, 10 negro men, and 10 negro women were measured at 1000 cps using four different stimulus conditions and the method of adjustment by means of Bekesy audiometry. Results indicated that the white men and women in Study I heard significantly better than their negro counterparts at 1000 and 2000 cps. There were no significant differences between the average thresholds measured at 1000 cps of the white and negro men in Study II. White women produced better auditory thresholds with three stimulus conditions and significantly more sensitive thresholds with the slow pulsed stimulus than did the negro women in Study II.

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