scholarly journals Prikaz Korčule na ikoni iz Bizantskog muzeja u Ateni

Ars Adriatica ◽  
2015 ◽  
pp. 81
Author(s):  
Zoraida Demori Staničić

The icon of Miracle by the Virgin attributed to the circle of Theodore Poulakis from Byzantine Museum in Athens is known and published. It is divided in twohorizontal registers: the upper depicts Virgin Hodegetria with venerating angels under adorned pointed arch, while in the lower one there is a shipwreck in frontof the fortified town. Virgin is accompanied by the eloquent epithet „The Hope of Sinners”. The wreck below this celestial scene is realistically presented withpassengers of the ship perishing in the rough sea. Two of them clinging to wooden boards swim to nearby land with fortified city which Greek inscription „Kurzula”. This town is, actually, Korčula on the epinomous island in the Croatian part of the Adriatic which was Venetian territory and important port, and not Kurzulari islands at the western entrance to the Corinthian gulf, as hadbeen suggested. Icon has Greek votive dedication to the „Virgin of the Venetians”, made by obviously saved Ioannis Ardavanis, which is a Greek name from Kefallinia, who was either passenger or owner of the ship. The image of the Virgin may be identified as venerated icon from Hvar Franciscan monastery, parallel to island of Korčula, a well known medieval sanctuary, situated on the way to Holy Land. Hvar icon with the epithet „Hope of the Sinner” was painted in the second half of 16th century and has the same iconography and a similar epithet as the Virgin in the Byzantine Museum.

Ars Adriatica ◽  
2015 ◽  
pp. 81
Author(s):  
Zoraida Demori Staniči

The icon of Miracle by the Virgin attributed to the circle of Theodore Poulakis from Byzantine Museum in Athens is known and published. It is divided in two horizontal registers: the upper depicts Virgin Hodegetria with venerating angels under adorned pointed arch, while in the lower one there is a shipwreck in front of the fortified town. Virgin is accompanied by the eloquent epithet „The Hope of Sinners”. The wreck below this celestial scene is realistically presented with passengers of the ship perishing in the rough sea. Two of them clinging to wooden boards swim to nearby land with fortified city which Greek inscription „Kurzula”. This town is, actually, Korčula on the epinomous island in the Croatian part of the Adriatic which was Venetian territory and important port, and not Kurzulari islands at the western entrance to the Corinthian gulf, as had been suggested. Icon has Greek votive dedication to the „Virgin of the Venetians”, made by obviously saved Ioannis Ardavanis, which is a Greek name from Kefallinia, who was either passenger or owner of the ship. The image of the Virgin may be identified as venerated icon from Hvar Franciscan monastery, parallel to island of Korčula, a well known medieval sanctuary, situated on the way to Holy Land. Hvar icon with the epithet „Hope of the Sinner” was painted in the second half of 16th century and has the same iconography and a similar epithet as the Virgin in the Byzantine Museum.


AJS Review ◽  
1997 ◽  
Vol 22 (2) ◽  
pp. 199-221 ◽  
Author(s):  
Miriam Bodian

In their rhetoric, the ex-conversos who settled in “lands of freedom” outside the Iberian Peninsula tended to emphasize the anguish and lack of freedom they had endured while in the orbit of the Inquisition–in stark contrast to the free and thriving Jewish collective life they had now built outside it. If the Peninsula had been a swamp of “Egyptian idolatry,” the Jewish ex-converso communities in Amsterdam, Venice, Livorno, and London (to name only the most vibrant) were, by implication, encampments on the way to the Holy Land. Yet one aspect of their new condition subtly undermined the ex-conversos' confidence as Jews vis-a-vis the gentile world. Ever sensitive to their image, they were exquisitely aware of their now unambiguous identification in Christian eyes, not with conviction rewarded, not with faith triumphant, but with a defeated and exiled people.


2019 ◽  
Vol 27 ◽  
pp. 29-41
Author(s):  
Piotr Zbróg

The beginnings of the shaping of social representations of borrowings in the public sphereThe article presents an initial phase of the process of shaping of social representations of borrowings. The aim was to obtain a view of the way in which participants of the public sphere talked about these elements of language, how they perceived them as well as what common sense image was created on this basis in the communication sphere and how it was modified. The first judgements and opinions on the matter of foreign words appeared around the 16th century and evolved from that moment. The theory of social representations developed by Serge Moscovici was applied as a theoretical and methodological basis of the description. Its research tools allow us to see the way in which societies construct meanings of matters important to them. On the basis of the analysis of the material it was established that from the beginning there were rather antagonistic elements of social representations of borrowings. The functionality of borrowings was noticed. Yet it was postulated that they should be eliminated from texts on account of the necessity to develop the native language, the incomprehensibility of statements as well as the excessive trend of foreignness.


Author(s):  
Swapan Kumar Sarkar

<div><p><em>Many great hermits throughout the ages have come of on the holy land of India. Swami Vivekananda is one of those who are especially notable in the field of eco-social, religious and history. He was born in a generous aristocratic “Kayastha” family in North Kolkata. From childhood Vivekananda was very gentle. He easily realizes the circumstances of dependent India. He gets the impression of India and its dignity in the history of mankind; the causes for that position and also whether it is necessary to change – where to start and what is the way. The main streams to culture history in India are – analyzing the relevant objects in traditional way, imperialist attitude, nationalist policy and recently the culture of lower classes history that begins in 1970s. The historians named Ranjit Guha, Partha Chatterjee, Gautam Bhadra, Gayatri Chatterjee, Dipesh Chaterjee et al are notable to initiate this kind of method. It is notable that the method is not very ancient. But Swami Vivekananda was enough to be the greatest in …….lower classes’ history in his own time. And it is no doubt that the method is popular and significant. It is my little effort to focus on Vivekananda’s thought for the development of backward classes. My effort is based on Vivekananda’s “speech”, writings, books, and letters and so on.</em></p></div>


2021 ◽  
Vol 18 (1) ◽  
pp. 220-238
Author(s):  
Irina V. Fedorova ◽  

The repertoire of guidebooks to the Holy Land in the Old Russian literary culture of Muscovite Rus’ is significant and diverse. Its basis is texts translated from Greek and Polish. Using the example of the Old Russian translation of a monument preserved in handwritten lists of the 17th–18th centuries entitled “A Tale for the Benefit of Hearing and Reading About the Holy City of Jerusalem and its Surrounding Places”, the article discusses the content and narrative features of guidebooks to the Holy Land. The analysis showed that the studied Tale in terms of composition, principles of material selection and organization is close to similar monuments of the Byzantine tradition, which to one degree or another are associated with the 15th century proskynetarian Anonymous Allyatsiya. Comparison of the text of the Tale with this proskynetarian suggested that the original of its Old Russian translation was one of the alterations of this guide, dating no earlier than the 16th century, when the Turks mentioned in the text ruled Palestine. The relevance of guidebooks to Palestine for the Old Russian book culture is also demonstrated by the original monuments of this genre, the creation of which began in the 15th century. The article names and briefly describes several such texts of the 15th–18th centuries, found in manuscripts under the titles “The Wanderer of Jerusalem”, “The Legend of the Jerusalem Way”.


2013 ◽  
Vol 52 (3-4) ◽  
Author(s):  
Mihály Balázs

Although in recent years there has been an upsurge in the research of the history of early modern spirituality, this research has paid hardly any attention to the Unitarian denomination. The reasons for this lie beyond the scope of the present study: between the late 16th century and the late 18th century the denomination had to refrain from the use of printing, and thus, the manuscript versions of prayer texts were threatened by loss and destruction. It is a unique paradox, however, that the first edited protestant Hungarian prayer book of considerable length was published precisely by this denomination in 1570/1571. The first part of the paper explores the concept of the prayer book based on Johann Habermann’s famous Gebetbüchlein, and compares it to the greatest achievements of the same sort within this period, the Catholic Péter Pázmány’s and the Calvinist Albert Szenci Molnár’s works. This section is followed by a survey of the vivid reception of Heltai’s work, with particular focus on the way the Unitarian author’s work was used in the Lutheran community of Lőcse. The concluding part argues that building on the foundations of this tradition, as well as on the heritage of Calvinist prayer culture, an unparalleled Unitarian prayer literature developed in the 17th-18th centuries, which deserves the attention of comparative research.


Exchange ◽  
2013 ◽  
Vol 42 (2) ◽  
pp. 125-142
Author(s):  
Naoko Frances Hioki

Abstract This paper explores the potential of Japanese tea ceremony to be an aesthetic space for inter-religious dialogue. Through a study of historical encounters that took place between European Jesuit missionaries and Japanese tea masters in the late 16th century, this paper elucidates the missionaries’ experiences of tea ceremonies and discusses the validity and limitation of a tea house as a space for cross-cultural and interreligious dialogue. The fruit of tea ceremony in terms of interreligious dialogue includes a shared sense of aesthetic communion that is attained through communal enjoyment of the beauty of nature and drinking a cup of tea in an isolated tea house, where guests are invited to cast away worries of everyday business, as well as their social and religious differences; whereas its limitation pertains to marked indifference toward verbal communication that is characteristic to the way of tea, and thus the historical missionaries’ experience was limited to aesthetic paradigm and did not lead to logical understanding of doctrinal differences between Buddhists and Christians.


IJOHMN ◽  
2020 ◽  
Vol 6 (2) ◽  
pp. 65-86
Author(s):  
Muhammad Javed

In this study, the researcher has mentioned the writers and their major works in Elizabethan age (1558-1603).  The researcher has mentioned almost nineteen writers and their famous works. By reading this research paper, any general reader can easily understand that who are the major writers of the age and what are their famous works. The language and method of presenting the data are very easy. The researcher also has mentioned the major contributions of this era’s writers. As we know that University Wits also fall in this era, thus the researcher has mentioned them and their works too.  S. Dutta (2014) declared that The University Wits is a phrase used to title a group of late 16th-century English pamphleteers and playwrights who were studied at the universities Cambridge and Oxford. They appeared famous worldly writers. This era has reminisced for its richness of drama and poetry. This era ended in 1603. Elizabeth turns out to be one of the greatest prominent royals in English history, mainly after 1588, when the English beat the Spanish Armada which had been sent by Spain to reestablish Catholicism and defeat England. All the way through the Elizabethan age, English literature has changed from a shell into a delightful being with imagination, creativeness, and boundless stories. It was not about mystery or miracle plays and the poetry was not nearby religion and the principles addressed in the Church.


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