Korean Comfort Women "Representation of Nagisa Oshima : Korean Comfort Women in the Post-war Japan Movie and Movie "nihon syunka-ko"

2015 ◽  
Vol 102 ◽  
pp. 247-260
Author(s):  
Choi Eun Ju ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 51-64
Author(s):  
Naoko KUMAGAI

Reconciliation among states tends to be pragmatic, based on cost/benefit national interest calculation. But it can be reflective, involving the perpetrator’s responsibility and remorse and the victims’ forgiveness, thus enhancing their mutual confidence. Japan’s moral compensation for the former Dutch and South Korean comfort women was pragmatic, based on the post-war legal agreements, but its scheme with atonement projects for each survivor had reflective elements. The Netherlands mostly accepted and South Korea mostly rejected Japan’s moral compensation for their distinctive historical and political reasons. However, Japan’s occasional excuse-like denial of coercive recruitment of comfort women based on the absence of public documents significantly reduced their confidence in Japan. This shows that the vindication of the victims’ dignity, anchored with the perpetrator’s consistent acknowledgement of its offense, is at the core of reconciliation. Reflective reconciliation is difficult to achieve but pragmatic reconciliation leaves room for dialogue among all parties concerned toward genuine understanding of the victims and thus to the restoration of their dignity.


Author(s):  
Taey Iohe

This chapter presents a philosophical journey and practical piece of experimentation on spatiality, virtuality and displacement. A series of art practices using photography, installation and art writing form the trajectory for a sequence of conceptual maps. The discussion engages with spacing and displacing as an artistic enquiry on space. The chapter consists of an examination of the typology and meaning of displacement in its translation from Korean, and a discussion of the formation of a gendered and artistically constructed displacement by extending the scope of the theory to the displacement of women in a colonial situation. This chapter explores the way in which displaced women (in the very particular case of Korean “comfort women” during the colonial war with Japan, and through the case of the artist, Hyeseok Na) cannot belong in either their home or a foreign land. Virtual-ness, here, is approached with an artistic understanding, and is found to constitute an unreal living space rather than merely a virtual environment through technology.


2003 ◽  
Vol 17 (6) ◽  
pp. 938-957 ◽  
Author(s):  
Pyong Gap Min

Author(s):  
Yani Yoo

Correlated to the experiences of Korean comfort women, the story of Solomon’s judgment (1 Kgs. 3:16–28) becomes a resistance narrative to hegemonic powers. The interpretation discusses the literary strategies of the women’s identities and naming, the emerging reversal of power, the issues of mimicry, mockery, ambiguity, and the conspiracy of readers. The Japanese military comfort women of World War II serve as the geopolitical context with which the interpretation justifies its focus on the two biblical women. It becomes apparent that colonizing and patriarchal powers ignore victim-survivors of sexual violence and abuse whether in the biblical text or in recent Korean history. Biblical texts and recent wartime events illuminate each other.


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