scholarly journals Toni Morrison and African American Literature: The Mission of the Re-Imagined Community of Black America

2015 ◽  
Vol 15 (3) ◽  
pp. 103-125
Author(s):  
김준년
2020 ◽  
Vol V (IV) ◽  
pp. 45-53
Author(s):  
Fayaz Ahmad Kumar ◽  
Colette Morrow

This paper analyzes the influence of the Black Power movement on the AfricanAmerican literary productions; especially in the fictional works of Toni Morrison. As an African-American author, Toni Morrison presents the idea of 'Africanness' in her novels. Morrison's fiction comments on the fluid bond amongst the African-American community, the Black Power and Black Aesthetics. The works of Morrison focus on various critical points in the history of African-Americans, her fiction recalls not only the memory of Africa but also contemplates the contemporary issues. Morrison situates the power politics within the framework of literature by presenting the history of the African-American cultures.


2016 ◽  
Vol 69 (4) ◽  
pp. 47-56
Author(s):  
Terri Francis

FQ Contributing Editor Terri Francis interviews filmmaker Christopher Harris, situating Afrosurrealist filmmaking within a constellation of African American artists and writers that includes the painter Kerry James Marshall, novelist Toni Morrison, poet Elizabeth Alexander, and composer Roscoe Mitchell. The discussion revolves around the experimental poetics of African American literature that provide Harris with flares of revelation that light the path for his diverse projects. Harris's oeuvre is in dialogue with the nature of the film medium and with what it means to work, observe, and think, as an artist, living between the ideals of American happiness and the realities of American inequality.


2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.


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