Burning with Reverence: The Economics and Aesthetics of Words in Qing (1644–1911) China

PMLA ◽  
2006 ◽  
Vol 121 (1) ◽  
pp. 139-155
Author(s):  
Alexander Des Forges

Educated individuals in Qing-dynasty China frequently organized “word-cherishing” societies to collect and dispose of paper with writing on it respectfully. This practice, which was found in Jiangnan-area centers of culture as well as in Chinese communities in diaspora as far removed as San Francisco, reveals a preoccupation among the literati with questions of commensurability between potentially incompatible registers of social meaning. In its emphasis on individual written words (zi) rather than a more general concept of writing (wen), this practice is also indicative of the challenges that literati faced in attempting to compose civil service examination essays in parallel form. It further suggests that the concept of the book and the concept of the fragment of text develop in mutually reinforcing fashion, and it hints at the new significance accorded concrete questions of technique in Chinese literary criticism of the late eighteenth and nineteenth centuries. (AD)

Author(s):  
Bing Yan

This chapter overviews Chinese reception of Milton, with an emphasis on some of the most well-known Chinese translations of Paradise Lost. Close readings of these translations against Milton’s original demonstrate the difficulties of and resolutions for rendering Milton’s verse specific to Chinese. The subsequent discussion of the paratexts accompanying Chinese translations and of ‘introduction to world literature’ series gives a sense of the collaborative context that has shaped and continues to shape today’s general reception of Milton in China. That politically charged reception, eager to view Milton’s Satan as the embodiment of the poet’s revolutionary spirit, also dominates some recent works of Chinese literary criticism. The chapter ends by conceding that, while Milton scholarship in China has been relatively univocal and is still young, recent developments in world literature promise that innovative and intriguing work on Milton can be expected from China in the near future.


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