Public issues in Czestochowa before and after the First World War

2017 ◽  
Vol 43 ◽  
pp. 63-75
Author(s):  
Andrzej Paszta ◽  
Piotr Paszta
2019 ◽  
Vol 10 (1) ◽  
pp. 10
Author(s):  
Ulla Åkerström

This paper aims to explore how the Swedish writer Ellen Key’s ideas on collective motherliness and on the relationship between man and woman were received and reformulated in the articles, poetry and prose of Sibilla Aleramo and Ada Negri before and after the First World War. The ideas in Aleramo’s autobiographical novel Una donna (1906) were close to Key’s theories, but her autobiographical novel Il passaggio (1919) was quite different. Ada Negri’s idealistic view of motherhood, as expressed in her collection of poetry Maternità (1904), corresponded to parts of Key’s conception of motherhood, while Negri’s dream of single motherhood and the realisation of that ideal is emphasized in her autobiographical novel Stella mattutina (1921).


2021 ◽  
Vol VII (1) ◽  
pp. 37-60
Author(s):  
Matthew Moss

During the First World War, the Winchester Repeating Arms Company was one of a number of American small arms manufacturers that played a key role in the Entente’s war effort. Winchester provided not only rifles, but also ammunition and munitions materials to all three of the major Allied nations—Britain, France, and Russia. This article was written following a fresh survey of the available documentation from the period which survives in the Winchester archives, now held by the McCracken Library at the Buffalo Bill Center of the West, in Cody, Wyoming. As may be expected, the available documentation is incomplete and thus the conclusions contained herein are necessarily limited. Nonetheless, it is clear from the magnitude of Winchester’s work—both before and after the United States’ entry into the war—that the company played a significant role in arming the Entente powers during a period when European industrial capacity was at its limits. This article explores the scope of the company’s work and identifies several of the key items supplied to their European customers. The author also sheds new light on some of the difficulties and challenges Winchester faced in carrying out their wartime production.


Author(s):  
Mary Hilson

Drawing on the histories of other international organisations, the chapter explores the practice of co-operative internationalism within the International Co-operative Alliance (ICA) from its foundation in 1895. The chapter traces the development of the ICA’s internal organisation and the conflict that this sometimes generated, especially over the need to balance the diverse interests of different national members. The chapter analyses the role of the International Co-operative Congresses, held triennially in different European cities and how these changed over the period. It asks what the co-operative congresses can tell us about the rituals and practices of inter-war internationalism, including practical matters such as language and the logistics of travel. It also examines the changing geography of international co-operation, tracing the shift in the ICA’s centre of gravity towards northern Europe over the period.


2010 ◽  
Vol 4 (2) ◽  
pp. 285-314
Author(s):  
Arturo Marzano

AbstractThis article sheds light on the way Italian Zionism addressed the so-called “Arab problem” in British Palestine and later in Israel in the years following the Second World War, when a small—yet proportionally relevant—migration took place after an extremely lively revival of Zionist life and activities in Italy. In particular, four different approaches towards the “Arab problem” are presented, i.e. its dismissal, its under-estimation, the formulation of naïve proposals to solve it, the recognition of an inevitable confrontation. These approaches clearly recall the way in which the Zionist movement had already addressed the “Arab problem,” specifically in the decades before and after the First World War. The article also presents what can be considered an alternative discourse to these approaches, carried out by a few individuals who proposed different solutions to the “Arab problem” based on co-existence and cooperation.


2000 ◽  
Vol 21 (1-2) ◽  
pp. 139-148
Author(s):  
Simo Muir

Yiddish has been spoken in Helsinki since 1850s when the Jewish Cantonist soldiers and their families were allowed to settle in the town. The first generations born in Helsinki had the possibility to attend heders and a Talmud-torah where religious subjects were conducted in Yiddish. In the wake of Yiddishizm many Yiddish-speaking societies were founded before and after the First World War. My research attempts an analysis of Helsinki Yiddish and a survey of Yiddish culture in Helsinki. The material used for this paper comprises both written and oral stories. Most Yiddish speakers in Helsinki have been bilingual. The over hundred years of coexistence with Finnish-Swedish has given Helsinki Yiddish its own distinctive character, which deserves to be recorded and studied. Especially unique is the interference of Swedish morphology with its peculiarities.


2021 ◽  
pp. 133-137
Author(s):  
Roman HADJIKOSEV

The article presents a little-known Bulgarian literary work, the play "Balkan Comedy" by Boris Rumenov (Boryu Zevzeka). It was written during the Balkan Wars (1912-1918) and presents the relations between the Balkan states at that time in an allegorical way. The play is the most popular work of Boris Rumenov, who, before and after the wars, was the editor-in-chief of one of the most successful humorous newspapers in Bulgaria called "Drum". He and Stoyan Shakle, one of Rumenov’s closest friends, who wrote for the newspaper, founded a touring theater. They performed all over the country for years and the most popular play was "Balkan Comedy". During the First World War, the play was performed on all fronts of the Bulgarian army, usually by amateur actors, and it generated incredible enthusiasm and patriotic inspiration, thus enjoying a huge success. "Balkan Comedy" was an essential part of the theatrical performances, which also included songs, sketches, recitations and other popular forms of entertainment. As it reflected the actual historical events, the play was presented in its first three acts until 1918, and after the end of the war, the author added a fourth act, which, however, had a different emphasis from the end of the third one.


2009 ◽  
Vol 134 (2) ◽  
pp. 243-269 ◽  
Author(s):  
Zoë Lang

Johann Strauss Sr's most famous composition, his 1848 Radetzky March, was premièred during revolutionary times. The March soon became a standard piece for Habsburg bands in the nineteenth century and was considered ideal for fostering patriotic sentiments at the start of the First World War. After the Great War, however, commentators portrayed the work very differently. No longer a part of contemporary culture, the Radetzky March now belonged to a bygone era. Biographers of the Strauss family found this work to be proof of Strauss Sr's support for the conservatives during the Revolution, a claim not supported by evidence. More generally, treating the piece as a relic from another age transformed it into a marker of nostalgia in the 1930s, as is best demonstrated in Joseph Roth's novel, Radetzkymarsch (1932).


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