balkan wars
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2021 ◽  
Vol 12 (2) ◽  
pp. 135-152
Author(s):  
Jarosław Rubacha

The effect of rapid socio-economic development in Europe in the 19th century was, among others the creation of newspapers targeted at specific groups of recipients, including the boulevard press, addressed to the less affluent part of society. One of them was the “Ilustrowany Kuryer Codzienny” founded in 1910 in Kraków. Although these types of magazines were not highly valued on the press market, their volume, and especially their big edition, incline to a closer look at the content presented in them. Even a cursory reading of individual issues of the newspaper leads to the conclusion that “Ilustrowany Kuryer Codzienny” is an interesting source of information about the then reality. This is particularly evident during the Balkan wars, when materials on diplomatic activities were published very often and occupied a leading place before scandals, rumors and criminal reports.


2021 ◽  
Vol 70 (4) ◽  
pp. 247-253
Author(s):  
Ivan Kalivoda

Antonín Přecechtěl was born on 6 November 1885 in the village of Srbce in the Prostějov region (Moravia) in a peasant’s family. He graduated from the secondary grammar school in Kroměříž and studied medicine at the Czech Medical Faculty of the Charles-Ferdinand University in Prague. After graduating in 1910, he started his career as a surgeon at prof. Kukula’s surgery clinic in Prague. As a surgeon, he participated in the Balkan Wars and the First World War. In 1918 he began to work at prof. Kutvirt’s ear clinic in Prague. Here he obtained habilitation in otology and pharyngology in 1920, and in 1924 he was appointed associate professor. After Kutvirt’s death, he became the head of the clinic in 1930, and in the same year, he also received habilitation in rhino-laryngology, thus completing the process of unifying the teaching of otorhinolaryngology as one field. He held the position of head of the Otolaryngology Clinic for 30 years. He was a founding member of the Czech Otolaryngological Society (1921) and in the period 1935–1951, he was its chairman. In 1926, as a founding member, he participated in the founding of the prestigious organization Collegium Oto-Rhino-Laryngologicum Amicitiae Sacrum. He also participated in the establishment and management of the international journal Otolaryngologia Slavica, and the journal Czechoslovak Otolaryngology began to be published in 1952 on his initiative. The results of his scientific work have been published in almost 400 publications in both domestic and foreign journals. Přecechtěl was also involved in laboratory and experimental research, especially on the vestibular apparatus. In 1954 he was appointed a full member of the Czechoslovak Academy of Sciences, in which he founded the Otolaryngological Laboratory. Professor Přecechtěl created his own otorhinolaryngology school and trained many experts. He died on 5 February 1971, at the age of 85. Keywords: history – Antonín Přecechtěl – remembrance – commemoration – Czech otorhinolaryngology – ENT


2021 ◽  
pp. 81-106
Author(s):  
Emily Greble

The Balkan Wars of 1912–1913 and World War I shattered the social fabric of Ottoman Europe and led to a radical revision of the region’s political boundaries. How did experiences of successive traumas—expulsions, famine, disease, massacres, and new occupation regimes—shape Muslims’ understandings of the European project and their experiences within it? This chapter analyzes this catastrophic era from diverse Muslim perspectives. It reveals how many Muslims found legal promises of political equality and rights ambiguous and intangible, and instead sought to define their own terms of political belonging. They wanted autonomy, confessional sovereignty, and the protection of Islamic institutions and property.


Turkology ◽  
2021 ◽  
Vol 3 (107) ◽  
pp. 57-74
Author(s):  
Kamil PARIN

With the Ottoman-Russian War of 1877-1878, also known as the 93 War, the Ottoman Empire began to lose its power in the Balkans and subsequently to lose territory. Then, with the Tripoli and Balkan Wars, Rumelia was almost completely lost, and the Balkan nations declared their independence. During the Balkan Wars, the Turks, so to speak, experienced national debacle and depression, and were exposed to intense oppression and persecution. These negativities left deep wounds in the memory of the Turkish nation and caused trauma. The suffering in question has also been the subject of many literary works. One of these works is the novel of Balkan Acısı (Balkan Misery). In the novel, the depression caused by the painful loss of the Balkans, the traces of the debacle and the persecutions which were suffered have clearly found their place. However, the ideas of Ottomanism, Islamism, Turkism - especially Turkism - that emerged alongside modernization in order to save the Ottoman Empire from its situation and return it to its old days, were reflected in the novel. In the novel of Balkan Acısı, a way similar to the course of these currents of thought in the Ottoman Empire was followed, and it was emphasized that Turkism was the only solution when Ottomanism and Islamism failed. In this study, the above-mentioned issues are discussed and reflections on Turkism, which constitutes the thought ground of the novel, are revealed.


2021 ◽  
pp. 133-137
Author(s):  
Roman HADJIKOSEV

The article presents a little-known Bulgarian literary work, the play "Balkan Comedy" by Boris Rumenov (Boryu Zevzeka). It was written during the Balkan Wars (1912-1918) and presents the relations between the Balkan states at that time in an allegorical way. The play is the most popular work of Boris Rumenov, who, before and after the wars, was the editor-in-chief of one of the most successful humorous newspapers in Bulgaria called "Drum". He and Stoyan Shakle, one of Rumenov’s closest friends, who wrote for the newspaper, founded a touring theater. They performed all over the country for years and the most popular play was "Balkan Comedy". During the First World War, the play was performed on all fronts of the Bulgarian army, usually by amateur actors, and it generated incredible enthusiasm and patriotic inspiration, thus enjoying a huge success. "Balkan Comedy" was an essential part of the theatrical performances, which also included songs, sketches, recitations and other popular forms of entertainment. As it reflected the actual historical events, the play was presented in its first three acts until 1918, and after the end of the war, the author added a fourth act, which, however, had a different emphasis from the end of the third one.


Transilvania ◽  
2021 ◽  
pp. 18-24
Author(s):  
Radu Vancu ◽  
Alex Ciorogar ◽  
Ana-Maria Stoica ◽  
Vlad Pojoga ◽  
Ștefan Baghiu

From the point of view of its internal temporality, the Romanian novel between 1933 and 1947 demonstrates an overwhelming preference for negotiating the present. After 1933 the world had already gone through a World War and a world economic crisis – so that the metabolism of the present in post-1933 Romanian novels can also be explained as a post-traumatic shock, an attempt to process the traumatic information of recent history. But the Romanian novel, in its earlier ages, had been synchronous with historical events of relatively comparable magnitude: the European Revolution of 1848, the Crimean War, the Franco-Prussian War of 1870, the Russo-Turkish War of 1877-78, translated in Romania as the War of Independence, the Romanian economic crisis from 1899-1901, the peasant uprising of 1907, with its bloody repression, the Balkan wars, the Great Union of 1918, etc. And yet, this succession of historical events did not have the effect of establishing the historical present as a preferential time of the Romanian novel. Only the Romanian novelist between 1933 and 1947 clearly prefers “recognition” in the present history, in the immediate actuality; the narrative no longer means for him the construction of a patrimonial memory, but almost exclusively a construction of the historical present. Between 1933 and 1947, the Romanian novel is synchronized with its own present.


2021 ◽  
Vol 69 (2-3) ◽  
pp. 399-411
Author(s):  
Dubravka Stojanović

Abstract The author reflects on the year 1989 when she was a newly hired trainee historian at the Institute for the History of the Serbian Labor Movement in Belgrade. The topic she was assigned in the Institute was the relationship of the Serbian Social Democratic Party to the war goals of Serbia 1912–1918. As her reading and writing progressed, by 1991 what the Serbian social democrats wrote about the Balkan Wars of 1912/13 began approaching her own political views. However, their antiwar positions at the beginning of the twentieth century sounded like a real feat compared to the virtually monolithic support for the war of 1991. This is how the author’s first research left her with the bitter impression that history, the seeming magistra vitae, had really taught nobody anything given that Serbian society was falling into the same trap as some 70 years before.


2021 ◽  
Vol 2021 (08) ◽  
pp. 264-271
Author(s):  
Petr Iskenderov
Keyword(s):  

The article is devoted to the Serbo -Albanian delimitation after the Balkan Wars (1912-1913). The author pays particular attention to the conflict dimension of that issue.


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