scholarly journals Translation and adaptation as interpretation and strategy: My seuns by Christo Davids against the background of All My Sons by Arthur Miller

2020 ◽  
Vol 60 (1) ◽  
Author(s):  
HP Van Coller ◽  
A an Jaarsveld
Keyword(s):  
Author(s):  
Yasir M. Abdullah

Idealism is a pivotal motto of the propaganda led and announced by America's pursuit of the dream since its establishment in the new world, but what has emerged as a dream has ended up as an illusion. The aim of this paper is to expose how Arthur Miller portrays the collapse of the ideal father figure in an exemplary American family at the time when the pursuit for personal and familial betterment was used to disguise materialistic corruption and egoistic thirst for social mobility in American society at the expense of values and ethics.


1971 ◽  
Vol 5 (3) ◽  
pp. 307-310
Author(s):  
Ralph Willett

In 1938, a play by Arthur Miller, They Too Arise, won a WPA award. The plot focuses upon the personal and political tensions between two brothers and their father, a middle-class manufacturer. In 1968, the first Broadway performance of The Price demonstrated a remarkable continuity which includes All My Sons and Death of a Salesman. For here, in this Ibsenite domestic tale, the disposal of the family furniture becomes another occasion for revealing the relationships, past and present, of two brothers, and the nature of their respective stances towards their father.


2022 ◽  
Vol 9 (1) ◽  
pp. 1
Author(s):  
Marsela Turku

This paper analyses the amalgam of psychological elements with the social realism where his characters are placed. The paper focuses on the inner conflicts of the characters and points out the literary devices that Miller uses to bring to life. Miller’s drama embodies the Freudian concept of human psychological nature and the father-son conflict which is present at his most successful works. These conflicts are evident in "The Crucible," "All My Sons," "The Death of a Commissioner," "View from the Bridge," "After the Fall," and "Descent from Mount Morgan.” In the plays where this conflict is not the primary conflict, it serves as a bases where other inner conflicts are grown.


Author(s):  
Eileen J. Herrmann

Realism in American drama has proved its resiliency from its inception at the end of the nineteenth century to its transformation into modern theater in the twentieth century. This chapter delineates the evolution of American realistic drama from the influence of European theater and its adaptation by American artists such as James A. Herne and Rachel Crothers. Flexible enough to admit the expressionistic techniques crafted by Susan Glaspell and Eugene O’Neill and leading to the “subjective realism” of Tennessee Williams and Arthur Miller, realism has provided a wide foundation for subsequent playwrights such as David Mamet, August Wilson, and Sam Shepard to experiment with its form and language.


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