A Study on the Direction of Public Theater Operation in Seoul Civic Center – Focusing on the activities of the Seoul Folk Opera Troupe, an inhouse unpaid ensemble of the Seoul Civic Center

2020 ◽  
Vol 81 ◽  
pp. 31-72
Author(s):  
InGyeong Yu
Keyword(s):  
Author(s):  
Hélène Visentin

This article focuses on the practice of machine theater that originated from courtly spectacles in Italy during the Renaissance and developed throughout Western and Central Europe during the seventeenth century. Defined by rapid scene changes and special effects, machine plays reflect the Baroque fascination with both mechanical devices and the law of optics—or scenery perspective—to produce wonder while displaying royal power and prestige. The aim of this article is threefold: to provide an overview of the origins and development of machine theater, to examine the transmission and dissemination of stagecraft knowledge, and to look at the changing nature of machine plays performed by public theater companies, which took advantage of stage machinery innovations to broaden their repertoire, attract a larger audience, and remain competitive.


PEDIATRICS ◽  
1976 ◽  
Vol 57 (3) ◽  
pp. 436-438

WHO WORKS FOR CHILDREN: THE REALITIES: 11th Annual Conference sponsored by the Association for the Care of Children in Hospitals, Hilton Hotel, Denver, Colorado, March 24 to 27. Preregistration is required. For information write: Ms. Lynn Moulthrop, ACCH Colorado Affiliate, P.O. Box 613, Aurora, Colorado 80010 PSYCHOSOMATIC MEDICINE AND FAMILY THERAPY: Symposium sponsored by the Family Therapy Training Center, Philadelphia Child Guidance, Clinic, May 1 and 2. Fee $100. For information write: Ms. Helene Davis, Philadelphia Child Guidance Clinic, 34th St. & Civic Center Boulevard, Philadelphia, Pennsylvania 19104.


2015 ◽  
Vol 74 (4) ◽  
pp. 485-504 ◽  
Author(s):  
Shima Mohajeri

Locating modernity’s unfinished project in the historical matrix of Iran, Louis Kahn’s Silent Space of Critique in Tehran, 1973–74 examines Louis Kahn’s master plan for a new civic center in Tehran. The 1970s witnessed a period of contention between political and cultural visions of modernity in Iran: as the shah’s state fabricated progress through a series of development plans, the queen’s reformist second court sponsored cultural and preservationist projects. This strife over modernity in Iran was reflected in Kahn’s design as form, space, and program. Shima Mohajeri shows that Kahn’s layout for a modern public space in Tehran concerned the development of an ethical attitude toward architectural modernity in a non-Western context as well as constituted a silent resistance to Iran’s sociopolitical reality and its spaces of representation.


2005 ◽  
Vol 40 (0) ◽  
pp. 152-152
Author(s):  
Emiko Kakiuchi ◽  
Hiroyuki Iwamoto ◽  
Takeshi Hayashi
Keyword(s):  

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