scholarly journals Cost and Access to Drug Treatment within the United States Prison System

Author(s):  
Grant Voyles CCS
2019 ◽  
pp. 59-76
Author(s):  
Sharon Shalev

This chapter looks at the use of solitary confinement in three jurisdictions where the author has conducted research: England and Wales, New Zealand, and the United States. It asks when and why prisoners are placed in solitary confinement in these jurisdictions, and what are the conditions of their confinement. The chapter's main focus is on the long-term use of solitary confinement as a tool for managing individuals classified and labeled as the most dangerous or troublesome in the prison system, including in New Zealand's Management Units and England and Wales’s Close Supervision Centres. Finally, it examines recent developments and asks what learning there might be for other jurisdictions.


2015 ◽  
Vol 125 ◽  
pp. 70S-71S
Author(s):  
Lindsay Faith Appel ◽  
Nyaradzo Longinaker ◽  
Mishka Terplan

2007 ◽  
Vol 18 (6) ◽  
pp. 475-485 ◽  
Author(s):  
Samuel R. Friedman ◽  
Barbara Tempalski ◽  
Joanne E. Brady ◽  
Judith J. Friedman ◽  
Hannah L.F. Cooper ◽  
...  

MaRBLe ◽  
2019 ◽  
Vol 2 ◽  
Author(s):  
Max Grönegräs

This paper examines the differences between the architecture of prisons in Germany and the United States (US). While in Germany, prison design is employed to maximize the privacy of the inmates as well as their freedom of movement, in the US, the close surveillance of the prisoner is regarded as a necessary component of his strict punishment. Several American politicians, academics, activists and journalists regard the German approach towards incarceration as a model that could potentially contribute to an improvement of the prison system in the US. A major obstacle on the way towards betterment are, however, the owners of numerous private American prisons, who employ their inmates under inhumane working conditions that are comparable to slavery. Within the context of this debate, I have interviewed three architects, Edgar Muth, Michael Eschwe and Michael Wächter, who all have either been or currently still are involved in the structural design of German prisons. Their descriptions of generously equipped cells, common residential groups and modernly designed showers draw an image of a prison system the United States could have one day, if the country would be willing to learn some lessons from the German example.


MaRBLe ◽  
2019 ◽  
Vol 2 ◽  
Author(s):  
Max Grönegräs

This paper examines the differences between the architecture of prisons in Germany and the United States (US). While in Germany, prison design is employed to maximize the privacy of the inmates as well as their freedom of movement, in the US, the close surveillance of the prisoner is regarded as a necessary component of his strict punishment. Several American politicians, academics, activists and journalists regard the German approach towards incarceration as a model that could potentially contribute to an improvement of the prison system in the US. A major obstacle on the way towards betterment are, however, the owners of numerous private American prisons, who employ their inmates under inhumane working conditions that are comparable to slavery. Within the context of this debate, I have interviewed three architects, Edgar Muth, Michael Eschwe and Michael Wächter, who all have either been or currently still are involved in the structural design of German prisons. Their descriptions of generously equipped cells, common residential groups and modernly designed showers draw an image of a prison system the United States could have one day, if the country would be willing to learn some lessons from the German example.


2018 ◽  
Vol 72 (1) ◽  
pp. 50-57
Author(s):  
Scott MacDonald

Canadian Brett Story's most recent film, The Prison in Twelve Landscapes (2016), explores the American prison system, as well as the traditional sense of “landscape,” in an unusual way: except for the film's final shot, a drive-by of Attica State Prison nestled in the countryside of west-central New York State, we see no prisoners and no prison buildings—and few spaces we could call landscapes. Story's panoramic film reveals the multitude of ways in which the prison system is hidden in plain sight throughout the United States. In Scott MacDonald's interview with Story, the filmmaker explains the film's unusual approach and structure—as well as the struggle involved in getting the film made. Story's modest budget is the ultimate irony of The Prison in Twelve Landscapes, given the fact that the American prison system is the world's most extensive, and no doubt most expensive, system of incarceration on the planet.


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