scholarly journals Trevor Royle, The Flowers of the Forest: Scotland and the First World War and Derek Young, Forgotten Scottish Voices from the Great War

2007 ◽  
Vol 32 ◽  
Author(s):  
Kris Gies
2020 ◽  
Vol 44 (1) ◽  
pp. 137-153
Author(s):  
Anastasia Yiangou

This article examines relations between the Orthodox Church of Cyprus and the British colonial government during the First World War. I argue that the Great War constituted the first turning point in Church-State relations during colonial rule in Cyprus which, following other developments, finally collapsed during the 1950s. I discuss how the dynamic of the Enosis movement for the union of Cyprus with Greece was bolstered during the Great War. This in turn, the article will show, had significant repercussions on the attitudes of the Orthodox Church and the British authorities, transformed their relationship and opened the way for future developments.


2020 ◽  
Vol 27 (4) ◽  
pp. 590-604
Author(s):  
Holger H. Herwig

Sir Hew Strachan of the University of St Andrews is the doyen of World War I studies. He approached his work from a serious multinational, multilingual, and comparative perspective. He was never afraid to challenge well-established interpretations and to add fresh analyses of concepts ranging from total war to trench warfare. He was always keen to include diplomacy, politics, imperialism, industrialization, and the sinews of war in his writings. From ‘origins’ to ‘consequences’, Strachan led his readers through the challenging shoals of Great War studies. One can hardly wait for the second instalment of his opus, The First World War: No Quarter.


Author(s):  
Freud ◽  
Proust

Peter Brooks’s essay is on the Great War and its effect on Freud and Proust, in particular on their interpretations of sadism. Brooks argues that after the First World War, both Freud and Proust came to view sadism as independent of pleasure. Brooks contends that sadism is a crucial notion, one that forced writers in the post-World War I era to grapple with the destructive potential of humanity.


2017 ◽  
Vol 14 (3) ◽  
pp. 283-297 ◽  
Author(s):  
Taylor Downing

This article considers the making of the BBC2 series, The Great War, and examines issues around the treatment and presentation of the First World War on television, the reception of the series in 1964 and its impact on the making of television history over the last fifty years. The Great War combined archive film with interviews from front-line soldiers, nurses and war workers, giving a totally new feel to the depiction of history on television. Many aspects of The Great War were controversial and raised intense debate at the time and have continued to do so ever since.


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