Submission to Australian Department of Communication and the Arts, Copyright Modernisation Consultation: Contracting out of Copyright Exceptions

2018 ◽  
Author(s):  
Adrian Aronsson-Storrier
Keyword(s):  
Communication And The Arts ◽  
Contracting Out ◽  
The Arts ◽  
Australian Department

My Grandfather's Spoon

Public Voices ◽  
2017 ◽  
Vol 1 (1) ◽  
pp. 31
Author(s):  
Russell Ayres
Keyword(s):  
World War Ii ◽  
Short Story ◽  
World War ◽  
Generational Change ◽  
Administrative Services ◽  
The Arts ◽  
Public Servant ◽  
Father And Son ◽  
Australian Department

This short story is about a public servant with the Australian Department of the Arts and Administrative Services, Ayres writes of generational change in the professional and persona} lives of a father and son working in the Service. They hold the last of their 1raditional chess games on the father's final day of his career. The prize for the winner is a family "heirloom" --a spoon stolen by the father's father from a U.S. Navy warship during World War II.

From the Artificial to the Art: A Short Introduction to a Theory and Its Applications

Leonardo ◽  
1999 ◽  
Vol 32 (3) ◽  
pp. 183-189 ◽  
Author(s):  
Massimo Negrotti
Keyword(s):  
Communication And The Arts ◽  
Communication Process ◽  
Short Introduction ◽  
Natural Objects ◽  
The Arts ◽  
Reproduction Process

The author presents the idea that all human attempts to reproduce natural objects (“exemplars”) or their functions—that is, to build artificial objects or processes—unavoidably result in a transfiguration of the exemplars. After introducing the main concepts of a theory of the artificial, the author extends the theory to communication and the arts, both of which provide compelling examples of the generation of artificial objects or processes. The author conceives of art as a paradoxical communication process by which transfiguration does not represent a failure of the reproduction process but, rather, the true objective of the artist.

Communication and the Arts

1969 ◽  
pp. 100-113
Author(s):  
DEREK INGRAM
Keyword(s):  
Communication And The Arts ◽  
The Arts

Corporate communication and the arts

2020 ◽  
pp. 311-346
Author(s):  
Giulia Miniero ◽  
Christian Holst
Keyword(s):  
Communication And The Arts ◽  
Corporate Communication ◽  
The Arts

Music and Naturoids: The Third Reality

Leonardo ◽  
2012 ◽  
Vol 45 (3) ◽  
pp. 269-273 ◽  
Author(s):  
Massimo Negrotti
Keyword(s):  
Communication And The Arts ◽  
Musical Composition ◽  
Natural Phenomena ◽  
Musical Work ◽  
Natural Object ◽  
Human Communication ◽  
Observation Level ◽  
The Arts ◽  
Technological Field ◽  
High Level

At a high level of abstraction, it can be shown by analogy that attempts to reproduce natural phenomena occur not only in technological endeavors but also in human communication and the arts, including music. This paper presents the parallel development of artificial devices—or “naturoids”—in the fields of technology, message communication and musical composition, highlighting the transfiguration that unavoidably affects the resulting device, message or musical work. In the technological field and, to an extent, in the communications field, the transfiguration of the natural object is taken as a more or less unsatisfying outcome. By contrast, in the arts, and mainly in music, the transfiguration effect is exactly what the artist pursues through placing him- or herself at a nonordinary observation level.

Electron Microscopy in Molecular Biology

1967 ◽  
Vol 25 ◽  
pp. 2-3
Author(s):  
Cecil E. Hall
Keyword(s):  
Electron Microscopy ◽  
Molecular Biology ◽  
Noise Level ◽  
Molecular Structures ◽  
Material Structure ◽  
The Arts ◽  
Shadow Casting ◽  
Electron Image ◽  
High Degree ◽  
Very High

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.

Performance and Authenticity in the Arts

1999 ◽  
Keyword(s):  
The Arts

Constructing a Sociology of the Arts

1990 ◽  
Author(s):  
Vera L. Zolberg
Keyword(s):  
The Arts
Sign in / Sign up

Export Citation Format

Share Document