Korean Traditional Make-up of the Act Applies and the Holographic Digital Video Production for Basic Research

Author(s):  
Keejung Barng ◽  
2011 ◽  
Vol 71-78 ◽  
pp. 3967-3970
Author(s):  
Hua De Huang

The paper briefly sums up the digital video panorama stitching steps, core issues and common registration algorithm on the base research of panoramic digital video technology. Also image registration algorithm based on feature line segment ratio is applied to educational panoramic digital video production. Examples have shown that the algorithm has good results in convergence rate, accuracy, and workload and so on, which has proved valuable in the digital video research. The advantages and disadvantages of the algorithm are summarized for the further study.


2015 ◽  
Vol 59 (3) ◽  
pp. 255-274 ◽  
Author(s):  
Laura Palmgren-Neuvonen ◽  
Maarit Jaakkola ◽  
Riitta-Liisa Korkeamäki

Author(s):  
Kodai Miyamoto ◽  
Taketo Kamasaka ◽  
Kenji Sakoma ◽  
Makoto Sakamoto ◽  
Amane Takei ◽  
...  

Author(s):  
Peter Byrne ◽  
Brendan Tangney

Animation shares many of the educational advantages of digital video production. However, both activities can be time consuming, are non-trivial to implement as whole class activities and there are aspects of the process that are not well scaffolded by currently available software tools. The design, implementation, and evaluation of a mobile learning application called the Stop-Motion Animation and Reviewing Tool (SMART) are described. The application enables users to create animations on a mobile phone and is part of a larger generic suite of open-system software we are developing to facilitate the development of cross platform applications in the area of digital narrative production.


Author(s):  
Christopher Essex

This chapter describes how digital video (DV) production can be integrated into K-12 education. It describes how recent technological developments in digital video technology provide an exciting new way for teachers and students to collect, share, and synthesize knowledge. It argues that DV can provide tangible, real-world benefits in student learning, as it requires that students work actively and collaboratively on authentic real-world tasks. Furthermore, DV projects can be tied to technology literacy and curriculum standards. The reader is guided through the stages of the DV production process, and specific K-12 projects are described. Guidelines for choosing hardware and software are provided. Parent and administrative concerns about the use of DV are discussed. The goal of this chapter is to provide K-12 teachers and administrators with the information they need to integrate digital video production into the curriculum.


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