narrative production
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Author(s):  
Juan VARO ZAFRA

La relación entre mitología y ciencia ficción es paradójica: si, teóricamente, la ciencia ficción se presenta como opuesta del mito; en su producción narrativa recurre frecuentemente a personajes y esquemas míticos, materializando su dimensión prospectiva a través de la actualización evemerista o alegórica de mitos. Este trabajo revisa críticamente los presupuestos teóricos que escinden la literatura de ciencia ficción de los relatos míticos y la literatura fantástica. A continuación, analizaremos el modo en que James G. Ballard afronta esta cuestión en su narrativa breve, particularmente en Myths of the Near Future, que sobrepasa estas diferencias y plantea un nuevo marco teórico común entre literatura fantástica y mítica y la ciencia ficción. Abstract: The relationship between mythology and science fiction is paradoxical: if, theoretically, science fiction is presented as the opposite of myth; in its narrative production, science fiction frequently resorts to mythical characters and schemes, materializing their prospective dimension through the evemerist or allegorical updating of myths. This work critically reviews the theoretical assumptions that divide science fiction literature from mythical stories and fantasy fiction. Next, it analyzes the way in which James G. Ballard addresses this question in his short narrative, particularly in Myths of the Near Future, which goes beyond these differences and raises a new common theoretical framework between fantasy and mythical literature and science fiction.


Author(s):  
Bárbara Luzia Malcorra ◽  
Maximiliano Agustin Wilson ◽  
Lilian Cristine Hübner

A presente revisão sistemática tem por objetivo verificar quais as tarefas comumente utilizadas para elucidação da produção discursiva oral do adulto idoso e sua relação com escolaridade e hábitos de leitura e escrita. Para tanto, buscaram-se artigos publicados nas bases de dados Scopus, Web of Science, PubMed, MEDLINE e LILACS. Os termos utilizados foram (“discourse production” OR “oral production” OR “narrative production”) AND (aging OR elderly OR “older adults”) AND (education OR schooling OR “reading habits” OR “writing habits”). Os critérios de seleção incluíram: (a) artigo original avaliado por pares; (b) com foco na produção discursiva oral no envelhecimento típico; (c) publicado entre 1990 e 2019. Foram encontrados, no total, 456 registros, dos quais 393 foram excluídos pelo título e 12 após leitura na íntegra, por não se relacionarem ao tema. De acordo com os critérios de seleção, 19 artigos foram selecionados. Verificou-se que grande parte das pesquisas utiliza tarefas baseadas em estímulos visuais, sobretudo em seu formato sequencial, enquanto uma pequena parte utiliza tarefas baseadas em eventos autobiográficos, conversações livres ou descrição de procedimentos. Algumas pesquisas compararam a produção discursiva oral da amostra em questão em diferentes tarefas. Poucos estudos incluíram a variável escolaridade em seus experimentos, enquanto nenhum estudo investigou o efeito dos hábitos de leitura e escrita. Devido à sua complexidade, estudos no nível do discurso precisam considerar a influência do tipo de tarefa para a elucidação do processamento, assim como fatores sociodemográficos e culturais dos seus participantes.


Author(s):  
Sarah Mazin Qahtan Muhammad Sarah Mazin Qahtan Muhammad

This study aimed to highlight the historical story directed at child in Iraq during 1980s, a decade that witnessed a remarkable prosperity and development of children's literature. The study also focused on the role of Children's Culture House, the official sponsor of child's culture in Iraq, in presenting and enriching this kind of story. Moreover, the study explained the circumstances of that historical phase and its implications on the child's story in general and the historical story in particular. The study also covered the methods and means of writers in dealing with facts and events of history and presenting them to the child in line with the requirements of children's literature. The study then supported the theory with an artistic analysis of a historical story published at that point.


Projections ◽  
2021 ◽  
Vol 15 (1) ◽  
pp. 88-105
Author(s):  
Jessica Bay ◽  
Alaina Schempp ◽  
Daniela Schlütz ◽  
R. Colin Tait

Smith, Anthony N., Storytelling Industries: Narrative Production in the 21st Century. London: Palgrave MacMillan, 2018, 266 pp., $59.99 (eBook), ISBN: 978-3-319-70597-2. Harrod , Mary, and Katarzyna Paszkiewicz, eds., Women Do Genre in Film and Television. New York: Routledge, 2018, 266 pp., $39.16 (paperback), ISBN: 9780367889845.García, Alberto N. ed., Emotions in Contemporary TV Series. New York: Palgrave Macmillan, 2016, 253 pp., $89.00, ISBN: 978-1-137-56885-4.Dunleavy, Trisha. Complex Serial Drama and Multiplatform Television. New York: Routledge, 2019, 202 pp., $46.95, ISBN: 9781138927759.


2021 ◽  
Vol 64 (2) ◽  
pp. 579-592
Author(s):  
Manuel Mendoza ◽  
Beatriz Beltran-Navarro ◽  
Esmeralda Matute ◽  
Monica Rosselli

Purpose The aim of the present cross-sectional study was to determine the effects of age, sex, and maternal education of monolingual Spanish-speaking preschoolers on both macrostructural (oral narrative quality) and microstructural measures (number of different words, communication units, mean length of utterance in both words and morphemes, and number of conjunctions) of their oral narrative production. Method A total of 277 monolingual Spanish-speaking Mexican children aged 2;06–5;11 (years;months) and divided into four age groups (ages 2, 3, 4, and 5 years) were asked to retell a fictional story from the oral narrative ability task of the Evaluación Neuropsicológica Infantil–Preescolar . Results Appropriate internal consistency and interrater reliability were demonstrated. Pearson correlations between macro- and microstructural measures showed a positive association. A multivariate analysis of variance revealed a main effect for age, but not for sex, maternal education, or between-variables interactions. Partial eta-squared showed that age had a medium effect size on oral narrative quality and the number of different words and conjunctions, with a small effect size on communication units and mean length of utterance in words and morphemes. Hierarchical multiple regression analyses indicated that age explained the largest percentage of variance across the oral narrative measures. Conclusions The measures found to be most sensitive to the effect of age (number of different words, oral narrative quality, communication units, conjunctions) are also those most easily assessed by clinicians with limited training in linguistics. Results obtained for the number of different words and communication units were similar to those reported previously for English-speaking children.


Author(s):  
Takashi Ogata

The author's narrative generation study is based on two types of systems: the integrated narrative generation system (INGS) as a single narrative generation and reception mechanism and the Geinō information system (GIS) as a multiple narrative production and consumption mechanism. The first theme of the chapter is to introduce an idea that deals with narrative phenomena as the integration of both systems. This theme is tied to the topic of narrative content creation by presenting kabuki narrative generation or kabuki-oriented narratology and Watakushi Monogatari as a collection of narrative content to be created by the author. Hence, the second objective is to describe kabuki-oriented narrative generation and the third is to explain the ideas, thoughts, and design underlying Watakushi Monogatari in the context of internal and external narrative generation to create and distribute narrative content. Through these three themes, this chapter bridges the gap between narrative generation systems and narrative content with kabuki-oriented narratology and Watakushi Monogatari.


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