scholarly journals Application of Deep Neural Networks in the Problem of Obtaining Depth Maps from Two-Dimensional Images

2019 ◽  
Vol 23 (3) ◽  
pp. 113-134 ◽  
Author(s):  
D. I. Mihalchenko ◽  
A. G. Ivin ◽  
O. Yu. Sivchenko ◽  
E. A. Aksamentov
1992 ◽  
Vol 14 (2) ◽  
pp. 159-185 ◽  
Author(s):  
James S. Prater ◽  
William D. Richard

This paper describes a method for segmenting transrectal ultrasound images of the prostate using feedforward neural networks. Segmenting two-dimensional images of the prostate into prostate and nonprostate regions is required when forming a three-dimensional image of the prostate from a set of parallel two-dimensional images. Three neural network architectures are presented as examples and discussed. Each of these networks was trained using a small portion of a training image segmented by an expert sonographer. The results of applying the trained networks to the entire training image and to adjacent images in the two-dimensional image set are presented and discussed. The final network architecture was also trained with additional data from two other images in the set. The results of applying this retrained network to each of the images in the set are presented and discussed.


i-Perception ◽  
2020 ◽  
Vol 11 (3) ◽  
pp. 204166952092509
Author(s):  
Christoph Redies

In recent years, there has been an increasing number of studies on objective image properties in visual artworks. Little is known, however, about how these image properties emerge while artists create their artworks. In order to study this matter, I produced five colored abstract artworks by myself and recorded state images at all stages of their creation. For each image, I then calculated low-level features from deep neural networks, which served as a model of responses properties in visual cortex. Two-dimensional plots of variances that were derived from these features showed that the drawings differ greatly at early stages of their creation, but then follow a narrow common path to terminate at or close to a position where traditional paintings cluster in the plots. Whether other artists use similar perceptive strategies while they create artworks remains to be studied.


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