scholarly journals RACISM TOWARDS AFRICAN AMERICAN COMMUNITY AS REFLECTED IN MAYA ANGELOU’S I KNOW WHY THE CAGED BIRD SINGS: BLACK AESTHETIC CRITICISM

2021 ◽  
Vol 8 (2) ◽  
pp. 78
Author(s):  
Gisa Maya Saputri
Keyword(s):  
African American ◽  
Critical Race Theory ◽  
American Literature ◽  
African American Literature ◽  
African American Community ◽  
Black Aesthetic ◽  
Critical Race ◽  
Race Theory ◽  
Childhood Experiences ◽  
Interest Convergence

The study of the African American community always circulates among the issues of race, racism, discrimination, slavery, and oppression. All these issues become the grand themes of African American literature. These literary works could be studied and covered under the scope of Black Aesthetic criticism. One of the prominent works of African American literature is an autobiography of Maya Angelou entitled I Know Why the Caged Bird Sings (1969). This autobiography portrays Angelou’s childhood experiences which brings up the issues of race, racism, and oppression. This paper aims to analyze the kinds of racism experienced by the African American community and their struggle against it as depicted in the book. To provide a thorough discussion of the matter, critical race theory was employed as the method of analysis. The result is drawn based on the basic tenets of critical race theory proposed by Richard Delgado and Jean Stefancic (2001); everyday racism, interest convergence, the social construction of race, differential realization, intersectionality, and voice of Color. The findings show the struggle of African American community against racism which are expressed through the act of ignorance, promoting intelligence, communal efforts, resistance, promoting social movement, and stepping forward to voice their experience through African American literature.

Introduction

2020 ◽  
pp. 3-40
Author(s):  
Eden Wales Freedman
Keyword(s):  
African American ◽  
Critical Race Theory ◽  
American Literature ◽  
African American Literature ◽  
Reception Studies ◽  
Critical Race ◽  
Race Theory ◽  
Testimonial Literature ◽  
And Gender ◽  
Gender Criticism

The introduction explicates theories of dual-witnessing and Venn liminality and introduces the reader to the terminology the author developed to address readerly engagement of (African) American traumatic and testimonial literature. The introduction also explains how the author’s modes of reading trauma intersect with American literature, critical race theory, and gender criticism and unpacks what (and how) this Venn conversation contributes to the fields of trauma, race, gender, and reception studies and (African) American literature.

[Re]conceptualizing Inclusion: Can Critical Race Theory and Interest Convergence be Utilized to Achieve Inclusion and Equity for African American Students?

2011 ◽  
Vol 113 (10) ◽  
pp. 2186-2205 ◽  
Author(s):  
Shelley Zion ◽  
Wanda Blanchett
Keyword(s):  
Social Justice ◽  
African American ◽  
Critical Race Theory ◽  
Inclusive Education ◽  
Students Of Color ◽  
African American Students ◽  
Critical Race ◽  
Race Theory ◽  
Interest Convergence ◽  
American Students

Background/Context Even though not fully realized, in legislation and theory, the requirements of the Individuals With Disabilities Education Improvement Act and the No Child Left Behind Act have created pressure to address the historical inequity in educational opportunity, achievement, and outcomes, as well as disparities in achievement between students of color and White students; disproportionality in special education referral, identification, and placement; high dropout rates for students of color; and disproportionate discipline and referrals for students of color, students from lower socioeconomic backgrounds, students from immigrant families, and students in urban areas. Purpose/Objective/Research Question/Focus of Study The authors argue that inclusive education never had the potential to be truly inclusive because it is built on the premises of an inferiority paradigm. Issues of race, class, and privilege have rarely been incorporated into the inclusive education definitions or debates in the United States, and certainly not in practice. The purpose of this article is to examine: (a) the historical context of public schooling in America; (b) inclusive education in practice: segregation of African American and other students of color; (c) [re]conceptualizing inclusion: the importance of a social justice lens and critical theory; and (d) the relevance of interest convergence. Research Design Analytic essay. Conclusions/Recommendations The authors contend that the inclusive education movement has not resulted in positive outcomes or inclusion in general education for African American students because the movement was built on faulty assumptions that centered on ability and placement and did not look at the intersection of ability/disability with race, class, culture, and language. More important, the movement did not address issues of racism, White privilege, White dominance, and social class dominance. The authors assert that social justice, critical race theory, and interest convergence are powerful tools with which to [re]conceptualize inclusion and inclusive education in America.

scholarly journals Critical Race Theory and Caring as Channels for Transcending Borders between an African American Professor and Her Latina/o Students

2018 ◽  
Vol 20 (2) ◽  
pp. 101 ◽  
Author(s):  
Jacqueline B. Koonce
Keyword(s):  
African American ◽  
Critical Race Theory ◽  
Effective Teaching ◽  
Student Learning ◽  
Critical Reflection ◽  
Participant Observation ◽  
Archival Data ◽  
Critical Race ◽  
Race Theory ◽  
Reflective Essay

This reflective essay uncovers ways in which critical race theory and caring are key to crossing racial, cultural, and linguistic borders between professors and their students. Many scholars have noted how critical reflection relates to effective teaching, especially when taking into account student learning. Reflecting upon archival data and participant observation, the author describes, through various stories, how she uses critical race theory and caring to connect with her students in spite of their differences. The author also provides examples of how her students reciprocate her care in extravagant ways.

scholarly journals The Emperor Jones is the Reflection of the Black White Struggle: Modern American Drama

2021 ◽  
Vol 7 (2) ◽  
pp. 101-104
Author(s):  
Haider Ibrahim Khalil ◽  
Abdullah Mohd Nawi ◽  
Ansam Ali Flefil
Keyword(s):  
Critical Race Theory ◽  
American Literature ◽  
Human Beings ◽  
Critical Race ◽  
Race Theory ◽  
White People ◽  
The Social ◽  
Analyse Data ◽  
Clash Of Cultures ◽  
American Society

The Emperor Jones is the best viewpoint of O’Neill’s plays in depicting the black white people. This play exposes the portraying of black white conflict as modernism ideology. This play is focused on the suffering and the oppression of people. In this study, the scholar uses the qualitative method as storytelling type. In theoretical framework, the critical race theory is related to this study to analyse the speech which tackles the plot, characters and setting according to the concepts of clash of cultures. This study/ this paper also shows the clashes of culture in American society. Furthermore, the implication of this paper will be presented/ indicate the social, educational, linguistic and cultural style. In fact, this paper will add something to American literature by generalizing this study to other studies about black white people. In sum, this paper is to reflect the philosophy of O’Neill in portraying the black white people. The scholar uses the critical race theory to explain the struggles/ conflicts among the human beings. The researcher also uses the qualitative approach and narrative technique to analyse data. In the same way, the data/ material is collected by textual methods and analyse by the narrative approach. This study can be generalized to another study about O’Neill’s perspectives in depicting the black white people. 

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