scholarly journals Nobres leitores: recepção de romances pela família imperial brasileira

2021 ◽  
Vol 17 (2) ◽  
pp. 4-29
Author(s):  
Larissa de Assumpção ◽  
Márcia Abreu
Keyword(s):  

Este trabalho analisa a recepção de romances por membros da Família Imperial Brasileira com o objetivo de compreender como obras desse gênero foram lidas e entendidas por parte da elite oitocentista. Para tanto, foram considerados os relatos de leitura presentes no diário da imperatriz Teresa Cristina, escrito entre 1856 e 1887,  e nas cartas trocadas entre o imperador Pedro II, a princesa Isabel e a imperatriz, entre 1854 e 1889. Suas práticas de leitura são apresentadas e analisadas por meio do exame de três aspectos principais: de que forma os romances eram lidos e como circulavam; quais opiniões foram externadas sobre o gênero romanesco; e que conceito foi formulado sobre Ivanhoé, romance de Walter Scott, objeto de discussões literárias entre o Pedro II e a princesa Isabel. Conclui-se que a família imperial reagiu aos romances de maneira semelhante à dos leitores comuns e que é falsa a ideia de que romances eram destinados a públicos pouco instruídos, formados por mulheres, jovens e pobres. 

Romanticism ◽  
2018 ◽  
Vol 24 (3) ◽  
pp. 266-277
Author(s):  
Graham Tulloch

Walter Scott responded very quickly to the defeat of Napoleon at Waterloo and within a few weeks he was at the site of the battle. Even before he left Britain, publicity about his projected poem The Field of Waterloo had appeared in the British press and it was soon followed by publicity for his prose account, Paul's Letters to his Kinsfolk. Faced with a battle quite unlike anything he had written about before, Scott tried, with mixed success, to find a new way of writing about this new kind of warfare. Media coverage of the poem was extensive but most critics disliked the poem and believed he should stick to medieval topics. Paul's Letters were also covered extensively in the print media but were well received, partly because they looked forward to new ways of memorialising war which would dominate the remembering of Waterloo for the coming century.


Romanticism ◽  
2015 ◽  
Vol 21 (1) ◽  
pp. 59-71
Author(s):  
Padma Rangarajan
Keyword(s):  

Author(s):  
Sean Moreland

This essay examines Poe’s conception and use of the Gothic via his engagements with the work of earlier writers from Horace Walpole through Ann Radcliffe, William Godwin, Charles Brockden Brown, Mary Shelley, and E. T. A. Hoffmann. Poe’s uses of the Gothic, and his relationship with the work of these writers, was informed by his philosophical materialism and framed by his dialogue with the writings of Sir Walter Scott. Tracing these associations reveals Poe’s transformation of the idea of “Gothic structure” from an architectural model, the ancestral pile of the eighteenth-century Gothic, to one of energetic transformation, the electric pile featured in many of Poe’s tales.


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