scholarly journals AUTOAPRESENTAÇÃO CORPORAL DE LUTADORAS DE ARTES MARCIAIS MISTAS (MMA) NO INSTAGRAM

2021 ◽  
Vol 27 ◽  
pp. e27019
Author(s):  
João Paulo Silva de Oliveira ◽  
Christiane Garcia Macedo ◽  
Alvaro Rego Millen Neto

Objetivamos analisar a autoapresentação corporal de lutadoras de MMA no Instagram. Foram analisadas imagens postadas por lutadoras campeãs do Ultimate Fighting Championship (UFC), considerando a representação midiática da imagem da mulher atleta, a objetificação e a hipersexualização de seus corpos. Para tal, utilizamos um esquema de codificação com categorias para análise de imagens baseado nos estudos de Goffman. Evidenciamos que, em geral, as imagens analisadas não apresentam a tendência, persistente na cobertura da mídia esportiva, de sexualização do corpo das mulheres atletas. As imagens que remetem a essa representação foram observadas nos contextos específicos que envolvem a organização UFC – a marca do UFC aparece com frequência nas imagens postadas por todas as lutadoras. Não evidenciamos representação baseada em normas e expectativas convencionais de comportamento de gênero; as imagens analisadas mostram uma feminilidade plural.

2018 ◽  
Vol 47 (2) ◽  
pp. 205-211 ◽  
Author(s):  
Mohamad Y. Fares ◽  
Jawad Fares ◽  
Youssef Fares ◽  
Joseph A. Abboud

Author(s):  
Paul Bowman

This chapter argues that any attempt to construct a linear history of martial arts in media and popular culture as it exploded after the 1970s cannot but fail. The sheer proliferation of martial arts images, themes, texts, and practices precludes easy linear narrativization. Accordingly, Chapter 5 argues for the need to move ‘From Linear History to Discursive Constellation’ in our approach to martial arts in media and popular culture. The chapter attempts to establish the main discursive contours that appeared and developed through the 1980s—a decade in which ninjas and Shaolin monks explode onto the cultural landscape. This is followed by attention to the 1990s, in which three major events took place in the same year: the first Ultimate Fighting Championship (UFC), the Wu-Tang Clan’s release of their enormously popular album, Enter the Wu-Tang (36 Chambers), and the appearance on children’s television screens around the world of ‘The Power Rangers’—all of which took place in 1993. The chapter then attempts to track the major discursive tendencies and contours of martial arts aesthetics through the first decade of the twenty-first century, up to the mainstreaming of combat sports in more recent years.


2019 ◽  
Vol 36 (3) ◽  
pp. 213-223
Author(s):  
Sharyn G. Davies ◽  
Antje Deckert

Women now compete in the Ultimate Fighting Championship for which Muay Thai is a feeder discipline. It is timely to analyze how the tools of this pugilist trade, women’s bodies, are lived and discursively positioned. We explore how bodily attributes (strength and beauty) are positioned vis-a-vis women fighters by drawing on 17 interviews with women Muay Thai fighters. We argue while women are in control of their bodies and proud of their strength, normative narratives of fighting being unfeminine must be combatted. Theoretically, we expand discussion of gender and the body by deploying the ‘pretty imperative’ to examine how women’s quotidian practices open space for other women fighters and by engaging the notion of ingenious agency to reveal women’s strategic efforts for inclusion and acceptance.


2013 ◽  
Vol 14 (1/2/3/4) ◽  
pp. 96 ◽  
Author(s):  
Michael B. Devlin ◽  
Natalie A. Brown ◽  
Andrew C. Billings ◽  
Stacy Bishop

2020 ◽  
Vol 31 (1) ◽  
Author(s):  
João Paulo Silva de Oliveira ◽  
Christiane Garcia Macedo ◽  
Alvaro Rego Millen Neto

Objetivamos explorar a interpretação de imagens de lutadoras de artes marciais mistas (MMA) postadas no Instagram. Nos apoiamos nos debates pós-estruturalistas, especialmente aqueles que tratam do corpo e gênero. Para a coleta de dados, utilizamos dois grupos focais com estudantes universitários(as), um constituído por mulheres e outro por homens. A partir de uma análise de conteúdo, quatro categorias discursivas emergiram das interações grupais. Evidenciamos a permanência de estereótipos usuais sobre a participação da mulher no esporte, com o olhar dos homens tendencioso para a objetivação do corpo das lutadoras. As mulheres mostraram-se mais sensíveis às feminilidades plurais. A tendência de comparação entre atletas masculinos e femininos foi observada em ambos os grupos. Constata-se que a autoapresentação das lutadoras negocia, em certa medida, com a inconformidade de uma feminilidade hegemônica no espaço do Ultimate Fighting Championship (UFC).


2021 ◽  
Vol 44 (2) ◽  
Author(s):  
Warren Chu

If you were to ask any sports fan whether performance enhancing drugs (“PEDs”) are prevalent in any of the major U.S. sports leagues, the answer would likely be a resounding “yes.” From Barry Bonds to Lance Armstrong, the specter of doping has hung over American sports for decades, and there has been consistent pressure to ramp up efforts to both deter and catch offenders. Yet, while the major U.S. sports leagues—such as Major League Baseball (MLB), the National Basketball Association (NBA), and the National Football League (NFL)—have updated their drug policies, they have not signed on to the World Anti-Doping Agency’s AntiDoping Code. To outside observers, the question arises: If American sports leagues are truly serious about catching athletes who use PEDs, then why not sign on to join the world’s largest anti-doping agency? The International Olympic Committee established the World Anti-Doping Agency (WADA) in 1999, in response to the drug scandal that occurred at the 1998Tour de France. The Agency’s Anti-Doping Code (the “WADA Code” or the “Code”) is designed to be extremely strict and punitive in order to properly deterathletes from doping and affecting the fairness of competitions. The Code has drawn the ire of many athletes and has implicated privacy concerns, but remains in place, governing the Olympics, international sporting competitions, and even the Ultimate Fighting Championship. MLB, the NBA, and the NFL, despite past pressure from Congress and WADA officials, have continued to monitor their own athletes and collectively bargain with their players’ unions to develop drug testing policies that walk a fine line between ensuring effectiveness while minimizing invasiveness. Collective bargaining has been seen as a weakness among proponents of the WADA Code. Proponents argue that collective bargaining fails to address the players’ incentives to negotiate toothless drug policies and the leagues’ incentives to ensure that their star players are not implicated in any scandals. However, these concerns from WADA officials and the American public are overblown. This Note argues that while U.S. sports leagues have some work to do in order to properly combat doping, the WADA Code is far too draconian and overly punitive to be implemented in American sports. As they stand, the U.S. sports leagues’ policies are largely sufficient and should not become any more punitive than they currently are. However, the conflicts of interest involved when leagues and unions develop their own anti-doping policies should be addressed; specifically, the creation of these policies should be entrusted to an independent agency to ensure their unbiased development and implementation. Part I examines the WADA Code, as well as the current anti-doping policies of the NBA, the NFL, and MLB. Part II argues that the major U.S. sports leagues would be ill-advised to adopt the WADA Code to govern themselves because the WADA Code includes significant drawbacksthat place unacceptable burdens on athletes’ privacy and autonomy, the difference in effectiveness is not significant enough justify the imposition of WADA’srestrictions, and doping is not a significant enough problem overall to justify WADA’s many drawbacks. Part III suggests that striking a balance between current U.S. sports league policies and the WADA Code by establishing an independent agency that liaises with each sport’s players’ union and enlists sponsors in the fight against doping. This solution would serve to address some of the issues levied at MLB, the NBA, and the NFL while avoiding the overly punitive and invasive aspects of the WADA Code.


2021 ◽  
Vol 26 (283) ◽  
pp. 18-30
Author(s):  
Luiz Felipe Machado Pinto ◽  
Marcelo Moreira Antunes

O Canal Combate apresentando-se como o maior veiculador de conteúdo voltado às artes marciais no Brasil, se consolida como o grande representante midiático do público interessado pela temática. Assim, os conceitos gerados e a visão proferida sobre as artes marciais, influencia diretamente a visão de seus espectadores e consumidores. O objetivo do presente estudo é analisar a grade de programação semanal do Canal Combate e traçar inferências em relação ao real escopo do mesmo. O estudo analisou sua grade de programação compreendida entre o dia 20/07/2020 e 26/07/2020. Os resultados demonstraram que 34% do conteúdo veiculado pelo canal destina-se a lutas do Ultimate Fighting Championship (UFC), seguido de 19% de anúncios publicitários. O canal combate caracterizou-se como um promotor de lutas de Mixed Martial Arts (MMA), em grande parte relacionadas à empresa UFC, que possui em seu cerne o espetáculo para fins de consumo.


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