scholarly journals Collecting Canadian Expeditionary Force (CEF) Badges and Medals Related to the Yukon During the First World War

2017 ◽  
pp. 163-208
Author(s):  
Timothy J. Popp
2017 ◽  
Vol 109 (2) ◽  
pp. 184-212
Author(s):  
Brook Durham

Speedwell Military Hospital was a hospital for veterans of the Canadian Expeditionary Force located in the newly-built Ontario Reformatory in Guelph. Speedwell was part of a nation-wide program administered by the Department of Soldiers’ Civil Re-Establishment (DSCR) during the First World War intended to neutralize some of the social dangers associated with demobilization. As the health of individual veterans at Speedwell became closely associated with the nation’s economic strength, the ultimate goal of hospitals like Speedwell was the transformation of sick and wounded veterans into healthy and productive workers. However, as the needs of patients changed after the war, the initial promise of Speedwell as a site of rehabilitative labour made it clearly unsuitable for veterans in need of long-term convalescence care.


Author(s):  
Eric Story

Living in the trenches during the First World War, Canadian soldiers experienced extreme levels of stress. There were unending days of monotony, mud craters filled with water, and food tins stuffed with all-­‐too-­‐familiar consumable goods. Soldiers responded to this seemingly unbearable environment by adopting a number of practices that helped ease the stresses of daily life. One of these practices was the publication of their very own newspapers. ‘Trench newspapers’ featured stories, poems and cartoons, laden with humour, irony and sarcasm. For its part, the 7th Battalion of the Canadian Expeditionary Force published its own newspaper called The Listening Post. This essay examines the eighth edition of The Listening Post, published in November 1915, to shed light upon soldier culture during the Great War. The essay reveals that trench newspapers provided soldiers with an invaluable means of dealing with life in the trenches. 


2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.


2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.


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