“5,000 Years of Korean Art”: History and Art History—A Review Article

1981 ◽  
Vol 40 (3) ◽  
pp. 559-565
Author(s):  
Jonathan W. Best

Korea's historical roles as a cultural intermediary and military buffer between China and Japan have been frequently noted, yet as the exhibition “5,000 Years of Korean Art” makes apparent, Korea is also a nation whose distinctive social history Korea's historical roles as a cultural intermediary and military buffer between China and Japan have been frequently noted, yet as the exhibition “5,000 Years of Korean Art” makes apparent, Korea is also a nation whose distinctive social history fostered an equally distinctive art history. Although Korea's arts have repeatedly incorporated influences emanating from China and elsewhere, these influences have always been modified by the unique historical conditions prevailing on the peninsula. It follows, therefore, that the objects appearing in the exhibit—and in its comprehensively illustrated catalogue—can fruitfully be viewed both as lessons in history and essays in art.

2020 ◽  
Vol 27 (1-2) ◽  
pp. 153-162
Author(s):  
F. Kubra Aytac

Abstract In this review article, Graeme Smith, A Short History of Secularism, is reviewed with its main arguments regarding secularisation debate. A radical reconsideration of secularism and its social history, starting with the Greeks and continuing to modernity and the contemporary period, are offered by this book. The book’s attempt to construct a historical narrative of Christianity is an essential contribution to literature. It highlights the changes Christianity is exposed to as it moved across Europe and different mindsets that influenced people during this period. Students who are interested in studies in pastoral psychology, religion, and secularism are the primary audience for this monograph. However, anyone interested in the secularism debate will find it interesting.


2019 ◽  
pp. 110-137
Author(s):  
Christophe Leclercq ◽  
Paul Girard ◽  
Daniele Guido

Experiments in Art and Technology (E.A.T.) is an organization co-founded in 1966 by artists Robert Rauschenberg and Robert Whitman, and engineers Billy Klüver and Fred Waldhauer, in order to support collaboration between artists and engineers. The E.A.T. datascape is a digital instrument for analyzing the digitized traces left by its members via many available resources. Its aim is to study as closely as possible the complexity of collaborative interdisciplinary works. The E.A.T. datascape methodology makes it possible, by means of an anthropological action-centred approach, to go beyond the distinction between art history and art sociology and to renew the social history of art by challenging the notion of authorship and by describing the work as constituted by the intersection between heterogeneous trajectories, rather than an object within a context that would influence it, or constitute its environment. In other words, it allows us to reflect on what digital design does, in turn, to the social history of art, and to put forward hypotheses about what a digital social history of art might be or could offer to the study of complex, interdisciplinary projects that are multiplying in the contemporary art world.


Author(s):  
Caitlín Eilís Barrett

This review article addresses current controversies and opportunities in research on the roles, uses, and meanings of “Egypt” in ancient Roman visual and material culture. Accordingly, the article investigates problems of definition and interpretation; provides a critical review of current scholarly approaches; and analyzes the field’s intersections with current intellectual developments in the broader fields of archaeology and art history. It is argued that research on Roman Aegyptiaca can gain much from, and is poised to contribute substantially to, (1) 21st-century archaeology’s “material turn”; (2) the construction of new interpretive frameworks for cross-cultural interactions and “hybridization”; and (3) increased attention to the relationships among artifacts, contexts, and assemblages. Roman visual representations of Egypt provide a rich testing ground for research on intercultural exchange, the lived experience of empire, and the complex entanglement of people, things, and images.


1998 ◽  
Vol 102 (2) ◽  
pp. 424
Author(s):  
Elizabeth G. Pemberton ◽  
D. A. Amyx ◽  
Patricia Lawrence ◽  
Jurgen Schilbach ◽  
C. M. Stibbe ◽  
...  
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