Unemployed Workers: A Social History of the Great Depression in Adelaide

1980 ◽  
pp. 121
Author(s):  
Stuart MacIntyre ◽  
Ray Broomhill
2014 ◽  
Vol 38 (1-2) ◽  
pp. 79-87 ◽  
Author(s):  
Miriam Cohen

Working out large-scale processes through close attention to local-level analysis remained central to Louise Tilly's approach to social history. An ongoing commitment to agency and strategy undergirded her vision for a global history that made connections between large-scale processes across space, between human agency and structure, and between the past and present. Her vision remains an important influence in my coauthored comparative history of the welfare state in England, France, and the United States. This is illustrated by a discussion of unemployment policies in the three countries at one particular moment of crisis, the Great Depression, concentrating on the United States, where the Depression hit first and hit the hardest. Important differences in demography, the mobilization of ordinary citizens, the responsiveness of state structures to democratic pressure, and public attitudes about the legitimate role of government all affected the history of unemployment policy in each country.


2021 ◽  
Vol 59 (1) ◽  
pp. 244-264
Author(s):  
Joshua K. Hausman

Taylor (2019) details heterogeneity in the effects of the National Industrial Recovery Act (NIRA) across industries and across time. Through first the President’s Reemployment Act (PRA) and then industry-specific “codes of fair competition,” the NIRA raised wages and restricted working hours. In some—but far from all—cases industries also used a NIRA code to collude, raising prices and restricting output. The effect of the NIRA peaked in fall 1933 and winter 1934; thereafter, compliance declined. I review the intellectual history of the NIRA, the implementation of the PRA and the NIRA codes, and Taylor’s econometric evidence on their effects. I end with a discussion of the implications of Taylor’s book for understanding the effect of the NIRA on US recovery from the Great Depression. (JEL D72, G01, H50, N32, N42)


Author(s):  
Brian Neve

This chapter revisits and explores the production history of director King Vidor’s independently made movie, Our Daily Bread (1934), its ideological and aesthetic motifs, and its exhibition and reception in the United States and beyond, not least its apparent failure at the box office. It further considers the relationship between the film and contemporary advocacy of cooperative activity as a response to the Great Depression, notably by the California Cooperative League, Franklin D. Roosevelt’s New Deal, and Upton Sinclair’s End Poverty in California campaign for the state governorship. It also assesses the movie in relation to Vidor’s own cooperative vision through its emphasis on individuals and community as a solution to the Great Depression and the significant absence of the state in this agency.


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