Creative Conflict in African American Thought: Frederick Douglass, Alexander Crummell, Booker T. Washington, W. E. B. DuBois, and Marcus Garvey

2005 ◽  
Vol 38 (4) ◽  
pp. 555
Author(s):  
Jackie R. Booker ◽  
Wilson J. Moses
Keyword(s):  
African American ◽  
Frederick Douglass ◽  
Marcus Garvey ◽  
American Thought

Slavery and Class in the American South

2019 ◽  
Author(s):  
William L. Andrews
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
African Americans ◽  
American South ◽  
Frederick Douglass ◽  
Harriet Jacobs ◽  
Slave Narrative ◽  
William Wells Brown ◽  
The American South ◽  
Work Family

In this study of an entire generation of slave narrators, more than sixty mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Andrews also reveals how class awareness shaped the views and values of some of the most celebrated African Americans of the nineteenth century. Slave narrators discerned class-based reasons for violence between “impudent,” “gentleman,” and “lady” slaves and their resentful “mean masters.” Status and class played key roles in the lives and liberation of the most celebrated fugitives from US slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. By examining the lives of the most- and least-acclaimed heroes and heroines of the African American slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers’ advantage, but at other times fueling convictions among even the most privileged of the enslaved that they deserved nothing less than complete freedom.

“An Inside Thing to Live by”: Refusal, Conjure, and Black Feminist Imaginaries among Granny Midwives

Hypatia ◽  
2021 ◽  
pp. 1-23
Author(s):  
Lindsey Stewart
Keyword(s):  
African American ◽  
The State ◽  
The Political ◽  
Black Feminist ◽  
Politics Of Recognition ◽  
Black Liberation ◽  
Black Feminists ◽  
Conjure Woman ◽  
Birthing Practices ◽  
American Thought

Abstract “Granny midwives” often based their authority to practice midwifery on the spiritual traditions of rootwork or conjure passed down by the foremothers who trained them. However, granny midwives were compelled to give up their conjure-infused methods of birthing if they wanted to become licensed (that is, to get a “permit”) or be authorized by the state to continue their practice of midwifery. In response, some granny midwives refused to recognize the authority of the state in the birthing realm, willfully retaining rootwork in their birthing practices. In this article, I contrast the response of granny midwives, a politics of refusal, with another major tradition in African American thought, a politics of recognition, such as gaining citizenship and rights, permits, and licenses from the state. Due to the political stakes of the granny midwife's conflict with the state, I argue that black feminists often endow the figure of the granny midwife (or more broadly, the conjure woman) with the political significance of refusal in our emancipatory imaginaries. To demonstrate this, I will analyze the interventions in black liberation politics that two black feminist writers make through their invocation of granny midwives: Zora Neale Hurston's essay, “High John de Conquer,” and Toni Morrison's novel, Paradise.

Emerging Class Awareness

2019 ◽  
pp. 26-62
Author(s):  
William L. Andrews
Keyword(s):  
African American ◽  
Black Americans ◽  
Frederick Douglass ◽  
Black Writers ◽  
Class Consciousness ◽  
Slave Narrative ◽  
Caste Status ◽  
David Walker ◽  
Key Terms

Chapter 1 examines key terms pertaining to socioeconomic distinction, particularly “caste,” “status,” and “class,” as they apply to mid-century narratives. The chapter notes factors that differentiated the enslaved economically as well as socially, among them types of work, kinship, and connections to whites. It explains the importance of class awareness to the slave narrative and differentiates that awareness from standard ideas about class consciousness. Also discussed are commonalities of experience shared by most of the fifty-two African American slave narrators whose life stories are the focus of this book. Concluding the chapter is an overview of discourse involving class critique and social advancement among African Americans as articulated by black writers from David Walker to Martin R. Delany and Frederick Douglass. The widening range of class-inflected ideas expressed in mid-century narratives attests to an emerging class awareness in contemporary essays and journalism, as well as autobiography, by black Americans.

Where Honor is Due: Frederick Douglass as Representative Black Man

Prospects ◽  
1992 ◽  
Vol 17 ◽  
pp. 177-189 ◽  
Author(s):  
Wilson J. Moses
Keyword(s):  
African American ◽  
19Th Century ◽  
Ralph Waldo Emerson ◽  
Abraham Lincoln ◽  
Frederick Douglass ◽  
The Self ◽  
Anglo Saxon ◽  
American Tradition ◽  
African American Tradition ◽  
The 19Th Century

Frederick Douglass may or may not have been the greatest African American abolitionist and orator of the 19th Century, but he was certainly the most accomplished master of self-projection. His autobiographical writings demonstrate the genius with which he seized and manipulated mainstream American symbols and values. By appropriating the Euro-American myth of the self-made man, Douglass guaranteed that his struggle would be canonized, not only within an African American tradition, but within the traditions of the mainstream as well. He manipulated the rhetoric of Anglo-Saxon manhood as skillfully as did any of his white contemporaries, including such master manipulators as Abraham Lincoln, Ralph Waldo Emerson, and Phineas T. Barnum. I mention Douglass along with these wily exemplars of American showmanship, not because I want to drag out embarrassing cliches about making heroes more human, but in order to address the truly monumental nature of Douglass's accomplishments. Douglass, like Lincoln, Emerson, and Barnum, was abundantly endowed with the spiderish craft and foxlike cunning that are often marks of self-made men.

Agonistic Homegoing: Frederick Douglass, Joseph Lowery, and the Democratic Value of African American Public Mourning

2010 ◽  
Vol 104 (4) ◽  
pp. 681-697 ◽  
Author(s):  
SIMON STOW
Keyword(s):  
African American ◽  
African Americans ◽  
Civil Rights ◽  
Significant Role ◽  
Political Thought ◽  
Negative Impact ◽  
Black Population ◽  
Frederick Douglass ◽  
Political Community ◽  
Black Political Thought

What does the furor over the “politicization” of Coretta Scott King's funeral reveal about contemporary black mourning practices? What does it reveal about black political thought, rhetoric, and practice? Identifying two key modes of mourning and their concomitant conceptions of democracy, this article situates the funeral within a tradition of self-consciously political responses to loss that played a significant role in abolitionism and the struggle for civil rights. Tracing the tradition's origins, and employing the speeches of Frederick Douglass as an exemplar, it considers the approach's democratic value and the consequences of its failure. Arguing that the response to the King funeral indicates that the tradition is in decline, the article locates causes of this decline in significant changes among the black population and in the complex consequences of the tradition's previous successes. It concludes by considering the decline's potentially negative impact, both for African Americans and for the broader political community.

Sign in / Sign up

Export Citation Format

Share Document