david walker
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2020 ◽  
pp. 1-10
Author(s):  
Christopher Cameron

In September 1829, David Walker published the first edition of his Appeal to the Coloured Citizens of the World, a pamphlet that became a stirring call to arms for both slaves and free blacks alike. Walker's audience was blacks in the United States and his aim was to foster black unity and education, combat racial stereotypes, and make the case for the abolition of slavery. Like most abolitionists, black and white, Walker hoped that the end of slavery could come about through peaceful means. Unlike most other abolitionists, however, Walker openly called for slaves to violently resist their bondage, stating, “it is no more harm for you to kill a man, who is trying to kill you, than it is for you to take a drink of water when thirsty.” While advocates of pacifism and nonviolence often based their positions on their Christian faith, it was Walker's Christianity which lent support to his calls for revolutionary violence. “Does the Lord condescend to hear their cries and see their tears in consequence of oppression?” he asked. “Will he let the oppressors rest comfortably and happy always? Will he not cause the very children of the oppressors to rise up against them, and oftimes to put them to death?” Walker firmly believed that God would have his vengeance on blacks’ oppressors and that the vehicles for that vengeance might very well be the slaves themselves.


2020 ◽  
Vol 29 (1) ◽  
pp. 6-17
Author(s):  
Jane Duran

This article argues that Maria Stewart is an underappreciated abolitionist, and a worthy exponent of the Black views of the 1830s. Her work is compared with that of David Walker, Charlotte Forten, and Anna Julia Cooper. A focal point of much of her work is her exhortation to the high moral ground—she remains concerned, throughout her career, about the temptations faced by many during the nineteenth century that might lead them to a non-Christian path. As is the case with Charlotte Forten, who frequently moved for more formal education, Stewart worked ceaselessly to impel Black Americans to a worthy and virtuous life.


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