A Modest Proposal: That We Use Alternatives to Borrowing (Renaissance, Baroque, Golden Age) and Leveling (Early Modern) in Periodization

Hispania ◽  
2001 ◽  
Vol 84 (3) ◽  
pp. 406 ◽  
Author(s):  
James A. Parr
Author(s):  
Dmitri Levitin

What effect did the structural process of religious confessionalisation have on the production, publication, and dissemination of works of erudition, and on shaping those aspects of European intellectual activity that have come to be known as the ‘humanities’? This introductory overview offers a comparative assessment of that question, focussing separately on each confessional space: Catholic, Reformed, and Lutheran, and the individual regions within each. It stresses the importance of confessional investment in erudite practices for stimulating their growth and development. At the same time, it emphasises the importance of trans-confessional emulation as an agent of intellectual change. It is suggested that early modern erudition and the conditions in which it developed should be conceptualised on their own terms, rather than as a triumphant precursor of the ‘modern’ humanities or a pale remnant of the golden age of a pre-confessional Renaissance humanism.


2017 ◽  
Vol 21 (5) ◽  
pp. 433-444
Author(s):  
Ahmed Ragab

Abstract The history of pre- and early-modern science, medicine, and technology in the Islamicate world has been traditionally charted around certain signposts: Translation, Golden Age, and Decline. These signposts tethered the history of Islamic sciences to a European story that culminates in the Scientific Revolution and that links European colonial expansion (causally and chronologically) to modernity. This article looks at the roots of the classical narrative of the history of Islamic sciences and explores its connections to the production of colonial sciences and the proliferation of colonial education. Moving beyond the validity or accuracy of the Golden-Age/Decline narrative, it asks about the archives that such a narrative constructs and the viability of categories and chronologies, such as the “early modern,” in thinking about histories of the Global South, in general, and of the Islamicate “world” in particular.


2018 ◽  
Vol 71 (2) ◽  
pp. 610-644 ◽  
Author(s):  
David J. Amelang

AbstractComparative studies have revealed uncanny similarities between the theatrical cultures of Shakespearean England and Golden Age Spain, and in particular between the Elizabethan amphitheaters and the Spanishcorrales de comedia(courtyard playhouses). Contrary to conventional wisdom, however, Spain’s (and, in particular, Madrid’s) courtyard theaters may have resembled the English indoor public playhouses, especially London’s Blackfriars, more than the Globe-like amphitheaters with which they are so often matched. That thecorralescould simultaneously play the part of both Globe and Blackfriars also helps account for the absence of indoor public playhouses in Habsburg Spain.


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