Participating in Divine Nature

2021 ◽  
pp. 92-111
Keyword(s):  
2001 ◽  
pp. 3-12
Author(s):  
Anatolii M. Kolodnyi

Ukrainian religious studies have deep roots. We find the elements of it in the written descendants of the writings of Kievan Rus. From the prince's time, the universal way of vision, understanding and appreciation of the world for many Ukrainian thinkers becomes their own religious experiences. The main purpose of their works is not the desire to create a certain integral system of theological knowledge, but the desire to convey their personal religious-minded perception of the divine nature, harmony, beauty and perfection of God created the world.


2010 ◽  
Vol 39 (2) ◽  
pp. 27-29
Author(s):  
Athanasios Koutoupas

The article examines the relation that is developed between the policy and the religion in Hellenistic Egypt during the period of the first four Ptolemies. It presents two levels of promotion of the practice of deification of the king: on the one hand the recognition of divine nature from the descendants of each king when he or she dies and on the other the recognition of divine nature from their subjects and the various civic communities during their life.


Author(s):  
Torstein Theodor Tollefsen

The concept of circumscription is central to the iconoclast argument against the icons: if the icon is a true image of Christ, it must represent his divine as well as his human nature. If it cannot do that, the image is an idol. The divine nature is uncircumscribed, therefore an image cannot be made of it. This is the challenge Theodore tries to counter. He develops a detailed Christological position in order to show that Christ somehow must appear in this world in a concrete (circumscribed) and visible form. The chapter presents an interpretation of both iconoclast Christology and Theodore’s Christology. Theodore manages to define his Christological position in such a way that he can show how Christ may be a subject of painting. The concepts of the eidos (appearance) and likeness allow Theodore to work out a doctrine of painting that is almost phenomenological, to use a modern term.


Pro Ecclesia ◽  
2021 ◽  
pp. 106385122110167
Author(s):  
Scott R. Swain

In chapter 4 of his book, God in Himself, Steven Duby grounds theology’s use of metaphysical language and concepts in Scripture’s prior usage of such language and concepts. The following article seeks to fortify Duby’s argument by showing how the discourse of the gospel subversively fulfills the quest of Greco-Roman philosophy and religion to ground divine worship in a proper understanding of the divine nature.


2011 ◽  
Vol 72 (4) ◽  
pp. 888-889
Author(s):  
David Vincent Meconi
Keyword(s):  

2012 ◽  
Vol 4 (3) ◽  
pp. 15-31 ◽  
Author(s):  
John Cottingham

This paper questions the idea that theism can function as an explanatory hypothesis to account for the nature and origins of the cosmos. Invoking God cannot dissolve the mystery of existence, and the characteristic religious response here is one of awe and humility. I then address David E. Cooper’s challenge of showing how a ‘doctrine of mystery’ can have any discursible content. It is argued that certain aspects of our human experience (of the wonders of nature and art and the demands of morality) afford us glimpses of the divine nature – intimations of the transcendent, which shine through from the ineffable source of our being to the human world we inhabit.


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