Kepribadian  Dalam Teori Sigmound Freud Dan Nafsiologi Dalam Islam

Syaiful Hamali

doi:10.24042/ajsla.v13i2.3844

Kepribadian Dalam Teori Sigmound Freud Dan Nafsiologi Dalam Islam

Al-Adyan: Jurnal Studi Lintas Agama ◽

10.24042/ajsla.v13i2.3844 ◽

2018 ◽

Vol 13 (2) ◽

pp. 285-302

Author(s):

Syaiful Hamali

Keyword(s):

Human Nature ◽

Living Environment ◽

Personality Structure

Personality possessed by a person shows the totality of the individual's human nature, both in physical and psychological form as a distinction between one person and another, personality is formed from the results of the interaction of individuals with the individual's living environment. While in nafsiologi personality describes the overall character possessed by individuals who are Muslim, both those displayed in the form of visible and invisible behavior. The personality displayed by all Muslims as a result of the influence of his religion. In other words, personality is a mechanism that works in an individual because of how to think, behave, react and behave inseparably from his beliefs or beliefs, due to the beliefs he adheres to, including the personality structure

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The Question of Disclosure in Photography

Glimpse ◽

10.5840/glimpse20212217 ◽

2021 ◽

Vol 22 (1) ◽

pp. 33-38

Author(s):

Junichiro Inutsuka ◽

Keyword(s):

Human Nature ◽

Social Environment ◽

Living Environment ◽

Epistemic Value ◽

Human Consciousness ◽

Human Beings ◽

Technological Environment ◽

Cognitive Transformation ◽

The World ◽

The Relationship

Keeping aside discussions about theories of depiction of photography and the epistemic value of photography from the viewer’s perspective, I reconsider this techne from the photographers’ entire act of photographing. It presents the quest of the possibility to regain the world by the art of photography, especially in a situation where human consciousness of the living environment is overwhelmed by the photographic effects. The nature of the current technological environment—while disguising the manifestation of pure humanity, in the sense that it is the externalization of technology due to human nature—is completely destructive. Today, trying to save or regenerate philosophy should be nothing more than seeking a way for human beings to refuse being incorporated as an automaton in an endless track of automated reproduction processes. As one of those who wish to find a way to reconstruct the relationship between humans and nature or to reveal that human existence can only be established in such correlation, I seek a way of breathing human freedom, momentarily disputing this automated living and social environment. In other words, to regain or to play the art of photography, to unsettle what usually works as concrete support for the cognitive transformation making us unconsciously think of the technological environment as something inevitable and natural. It would be presenting a temporary retreat and a more positive way forward.

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