Teleology of A. P. Chekhov’s Story “My Life” (Theme and Thematical Motifs)

2021 ◽  
Vol 20 (9) ◽  
pp. 75-84
Author(s):  
Lyudmila N. Sinyakova

Purpose. The study is devoted to main thematical motifs of Chekhov’s story “My Life”. The correspondence between them reveals thematical integrity of the story. Teleology, the philosofical and conceptual aim of literary creative work, gets its manifestation by means of thematic unity. Results. The hero of the story, Misail Poloznev, breaks off relations with his narrow-minded father, an untalented civil architect. Gentry son, Misail would not choose some respectable job and prefers to work as a house-painter. He declares the importance of manual labor, so he feels like a social outcast in the town. The first leading motif of the story is a labor necessity. Another house-painter, Redka, shares its opinion. His credo is no lie, no deceive, technical skills. True and untrue way of living is the next important motif in the plot and thematical structure of the story. It realizes in two subjects: Masha Dolzhikova’s slogan “Everything is being past through” and Doctor Blagovo’s theory of progress indifferent to ethic goals of self-perfection. Misail Polosnev, on contrary, is sure that “nothing gets past through without a trace”, that a man is responsible on his deeds. The motif of life as a play is a derivate of the responsibility motif. Masha plays in life like an actress. She and Dr. Dolzhikov are completely egoistic, so Misail’s father is. Misail, his sister and Redka live for others’ good. Finally, this way is the only right way to live. Conclusion. The general theme of Chekov’s story “Me Life” is free will of the person tied with his or hers sense of responsibility. Motifs of free labor, true living and common duty units the thematical wholeness of the story. Its teleology is a need of ethic existence for everyone.

Author(s):  
Richard E. Ocejo

In today's new economy—in which “good” jobs are typically knowledge or technology based—many well-educated and culturally savvy young men are instead choosing to pursue traditionally low-status manual-labor occupations as careers. This book looks at the renaissance of four such trades: bartending, distilling, barbering, and butchering. The book takes readers into the lives and workplaces of these people to examine how they are transforming these once-undesirable jobs into “cool” and highly specialized upscale occupational niches—and in the process complicating our notions about upward and downward mobility through work. It shows how they find meaning in these jobs by enacting a set of “cultural repertoires,” which include technical skills based on a renewed sense of craft and craftsmanship and an ability to understand and communicate that knowledge to others, resulting in a new form of elite taste-making. The book describes the paths people take to these jobs, how they learn their chosen trades, how they imbue their work practices with craftsmanship, and how they teach a sense of taste to their consumers. The book provides new insights into the stratification of taste, gentrification, and the evolving labor market in today's postindustrial city.


Author(s):  
Елена Дмитриевна Федотова

Статья посвящена повести Н.В. Гоголя Рим , в которой воссоздан образ Вечного города 1840-х годов. В слова героя повести молодого римского князя, возвратившегося в Рим из Парижа, писатель вложил свои мысли и эмоциональные впечатления о Риме: о величии его художественного наследия, об отношении римлян к традиции, о национальном характере. Именно в Риме Гоголь ощутил ту духовную свободу в творчестве, которой был лишен в России. Большой любовью к Италии, ее народу, истории, культуре страны проникнуты строки повести. В Риме сосредоточено множество памятников архитектуры, культуры и искусства. Именно этим интересен предмет художественного изложения и исследования. Являясь эпицентром и источником европейской культуры, Рим в течение тысячелетий привлекал к себе внимание художников в поисках вдохновляющих образов, в том числе образа города. The article is devoted to the novel Rome by Nikolay Gogol, in which the author recreated the image of Eternal town in the year 1840. Into the words of the character of a novel young roman prince, which returned to Rome from Paris, the author put his thoughts and emotional impressions by Rome: about greatness of Roman artistic legacy, about the attitude of the town-dwellers to tradition, about national character. It was in Rome that Gogol felt that spiritual liberty in the creative work, which he was deprived of in Russia. Great love for Italy, its people, history and culture of this country are inherent in the lines of Gogols story. In Rome, many monuments of architecture, culture and art are concentrated. This is what is interesting in the subject of artistic exposition and research. As the epicenter and source of European culture, Rome for thousands of years has attracted the attention of artists in search of inspirational images, including the image of the city.


2013 ◽  
Vol 44 (4) ◽  
pp. 271-277 ◽  
Author(s):  
Simona Sacchi ◽  
Paolo Riva ◽  
Marco Brambilla

Anthropomorphization is the tendency to ascribe humanlike features and mental states, such as free will and consciousness, to nonhuman beings or inanimate agents. Two studies investigated the consequences of the anthropomorphization of nature on people’s willingness to help victims of natural disasters. Study 1 (N = 96) showed that the humanization of nature correlated negatively with willingness to help natural disaster victims. Study 2 (N = 52) tested for causality, showing that the anthropomorphization of nature reduced participants’ intentions to help the victims. Overall, our findings suggest that humanizing nature undermines the tendency to support victims of natural disasters.


1994 ◽  
Vol 49 (2) ◽  
pp. 143-144 ◽  
Author(s):  
A. A. Sappington
Keyword(s):  

PsycCRITIQUES ◽  
2011 ◽  
Vol 56 (6) ◽  
Author(s):  
Simon Boag
Keyword(s):  

2017 ◽  
Vol 4 (3) ◽  
pp. 330-333 ◽  
Author(s):  
Bruno G. Breitmeyer
Keyword(s):  

2012 ◽  
Author(s):  
Takayuki Suzuki ◽  
Koji Tsuchiya ◽  
Makoto Suzuki
Keyword(s):  

2011 ◽  
Author(s):  
D. Rigoni ◽  
M. Brass ◽  
B. Burle
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2014 ◽  
Author(s):  
Michael J. MacKenzie ◽  
Kathleen D. Vohs ◽  
Roy F. Baumeister
Keyword(s):  

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