scholarly journals How can I use, develop and improve a collaborative music therapy practice to enhance the sense of community at a day programme for adults with learning disabilities?

2021 ◽  
Author(s):  
◽  
Sophie Sabri

<p>Everyone needs to belong. People with disabilities often experience belonging to restricted communities of people who usually have similar needs. The purpose of this study is to investigate how music therapy could enhance the sense of community at a day program for adults with learning disabilities. The project focuses on exploring and improving my own collaborative music therapy practice in order to reach the goal of this research.  This action research follows three cycles of planning, acting and reflecting. The different cycles observe my own collaborative skills, moments of togetherness as an expression of a sense of community and relationship building with different communities of people. The data analysis involves a thematic analysis of my clinical and reflective notes taken during each cycle. I have used song composition for each cycle as a tool for integrating meaning and summarising my learning.  The process of this action research helped me understand that:  1) Effective collaboration with staff required working genuinely as a team, sharing goals and acknowledging individual skills. 2) A sense of community was about connecting with others but also about self- realisation in a group. 3) Building relationships between people, staff, whānau, the local community and communities of musicians contributed to enhance the sense of community at the facility.  Collaboration is an essential skill for music therapists aiming at connecting people with their community and to expend connections to a wider horizon.</p>

2021 ◽  
Author(s):  
◽  
Sophie Sabri

<p>Everyone needs to belong. People with disabilities often experience belonging to restricted communities of people who usually have similar needs. The purpose of this study is to investigate how music therapy could enhance the sense of community at a day program for adults with learning disabilities. The project focuses on exploring and improving my own collaborative music therapy practice in order to reach the goal of this research.  This action research follows three cycles of planning, acting and reflecting. The different cycles observe my own collaborative skills, moments of togetherness as an expression of a sense of community and relationship building with different communities of people. The data analysis involves a thematic analysis of my clinical and reflective notes taken during each cycle. I have used song composition for each cycle as a tool for integrating meaning and summarising my learning.  The process of this action research helped me understand that:  1) Effective collaboration with staff required working genuinely as a team, sharing goals and acknowledging individual skills. 2) A sense of community was about connecting with others but also about self- realisation in a group. 3) Building relationships between people, staff, whānau, the local community and communities of musicians contributed to enhance the sense of community at the facility.  Collaboration is an essential skill for music therapists aiming at connecting people with their community and to expend connections to a wider horizon.</p>


2021 ◽  
Author(s):  
◽  
Tzu-ya Wang

<p>This study examines the researcher's music therapy intervention with hospitalised adolescents within a paediatric hospital The hospital is located in a New Zealand city serving a broad multicultural population of mainly Pakeha, Maori and Pacific Island people. There is a large body of literature showing that experiences of hospitalisation are often unpleasant and that the challenges adolescents encounter during hospitalisation can also be detrimental to their development. The researcher employed an action research model of cycles of planning, action and reflection to explore the potential for practice improvement in meeting the needs of hospitalised adolescents. In addition, young people's feedback on the sessions and input from supervisors also contributed to the researcher's planning. Personal goals in clinical practice and specific planning for the needs of individual participants were the starting points of each cycle. Subsequently, each cycle had a learning analysis to relate planning to action and to collect the knowledge for the next cycle or future practice. The researcher found that through scrutiny of her clinical work she was able to improve her professional practice. The findings also showed that relationship-building through music therapy was able to support the developmental needs of hospitalised adolescents.</p>


Author(s):  
Tessa Watson

This chapter describes music therapy work with adults with learning disabilities. This group of people have a cognitive disability that will not change, bringing with it challenges to living a fulfilled and satisfying life and sometimes associated health issues. A wide range of issues, from severe communication problems, bereavement, mental health problems, challenging behavior, to end-of-life issues require music therapists to bring a wide range of skills and approaches to their work. This chapter presents the diagnosis and history of this population, and the history of music therapy work in the area. The process of therapy is described, treatment models, and methods considered and clinical examples given.


2021 ◽  
Author(s):  
◽  
Tzu-ya Wang

<p>This study examines the researcher's music therapy intervention with hospitalised adolescents within a paediatric hospital The hospital is located in a New Zealand city serving a broad multicultural population of mainly Pakeha, Maori and Pacific Island people. There is a large body of literature showing that experiences of hospitalisation are often unpleasant and that the challenges adolescents encounter during hospitalisation can also be detrimental to their development. The researcher employed an action research model of cycles of planning, action and reflection to explore the potential for practice improvement in meeting the needs of hospitalised adolescents. In addition, young people's feedback on the sessions and input from supervisors also contributed to the researcher's planning. Personal goals in clinical practice and specific planning for the needs of individual participants were the starting points of each cycle. Subsequently, each cycle had a learning analysis to relate planning to action and to collect the knowledge for the next cycle or future practice. The researcher found that through scrutiny of her clinical work she was able to improve her professional practice. The findings also showed that relationship-building through music therapy was able to support the developmental needs of hospitalised adolescents.</p>


2018 ◽  
Vol 32 (2) ◽  
pp. 74-85
Author(s):  
Stuart Wood ◽  
Fiona Crow

This article presents a small Participatory Action Research project involving music therapists working in a care home company, creating a documentation tool (The Music Matrix) that is fit for purpose. The project emerged out of a commonly held dissatisfaction with existing documentation among the Music Therapists in the care home company’s national team. The Music Matrix tool uses graphic notation to record observations of client participation, systematised into 10 dimensions of activity. The tool was developed in a cycle of practice and reflection between members of the music therapy team and stakeholders in the wider organisation. This was systematised in a three-stage trial process of profiling, peer review and thematic synthesis of feedback. Findings suggest that the tool was viewed to be useful in a number of aspects. First, it enabled insights for Music Therapists, in seeing patterns and recognising unacknowledged habits in their own practice. It helped show complex experience in an immediate graphic way. This was useful for reporting to stakeholders and was flexible in applying to numerous formats of practice. However, this flexibility also created a level of uncertainty for some research respondents, as the tool’s wide applicability does not have the appearance of objectivity afforded by other methods. Stakeholders saw applications beyond music therapy, particularly for non-musical care work and activities. Insights emerged regarding how Music Therapists can usefully meet the many demands that care documentation serves.


2017 ◽  
Vol 17 (1) ◽  
Author(s):  
Jane Gosine ◽  
Deborah Hawksley ◽  
Susan LeMessurier Quinn

The objective of this project was to expand the boundaries of regular music therapy sessions at a non-profit organization to include performances and workshops with community musicians. The goals and practices used for persons with physical disabilities prepared participants to benefit from inclusive music-making with local community musicians who had no previous music therapy experience, but whose performing styles were closely aligned with the musical preferences of our participants. The four collaborative workshops, which were held over six months, involved music therapy participants, accredited music therapists, local musicians, and volunteers engaging in music making together where teaching and learning was shared amongst all involved. The workshops were also an important mechanism for raising greater awareness of the needs and abilities of the music therapy participants.


2021 ◽  
Author(s):  
◽  
Meg Stone

<p>Using Action Research, I explored my experience as a music therapy student in the process of developing relationships in a Youth Justice Residence in Aotearoa New Zealand. I reviewed a body of literature on therapeutic relationships within arts therapies and broader therapeutic traditions, music therapy with at-risk-youth, and social-justice perspectives in music therapy. Data was generated by means of journals and supervision notes and was analysed using thematic analysis through three cycles of action research. All names of the young people were changed to protect their anonymity. Findings showed that building relationships in this context involved having knowledge about the context and the population, self-knowledge and reflexivity, an ability to work across difference, and shared music-making.  While the research was primarily being undertaken to improve practice, student research can offer a valuable addition to the field of music therapy, which is a relatively new field that requires more research to fully understand its benefits and challenges in various contexts and with different populations. This study may support other practitioners in their own process of relationships building with youth-at-risk within the local context of Aotearoa New Zealand, and may illustrate strategies that support this within the context of youth justice residence, as well as barriers and challenges involved.</p>


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