Tangibility-Intangibility on UNESCO World Heritage Baroque Philippine Churches: the Spirit of Place and Its Collective Memory

Author(s):  
Hee Sook Lee-Niinioja

The churches (Manila, Santa Maria, Paoay, Miagao) built in the Spanish period of the Philippines (16-18C) exemplify the reinterpretations of the European Baroque style by Chinese and Philippine artisans. Symbolising the fusion of the West with local materials and motifs, they have formed an innovative building tradition. Characteristics of these churches are monumental and massive to protect against intruders or natural harm. The iconographic-decorative Miagao facade underlines the regional understanding of Christianity and Saint Patron among contemporary Catholics. This paper discusses the tangibility-intangibility of Baroque Philippine churches through the spirit of place and collective memories among churchgoers-inhabitants-visitors, reinterpreting sacred buildings.

2018 ◽  
Vol 49 (1) ◽  
pp. 84-104 ◽  
Author(s):  
Kathrine Ann D. Cagat

This article concerns divergent visualisations about the Ifugao Rice Terraces, a UNESCO World Heritage Site in the Philippines, which remain central to the economy and lives of the indigenous Ifugao. It focuses on the contrast between the Ifugao internal notion of ‘good’ and the visual emphasis on ‘beautiful’ associated with heritage bodies’ management and conservation of the terraced landscapes. These divergent visualisations frame various actors’ expectations of the terraces. In particular, this article features the community involvement in forums on mapping of core and buffer zones of the World Heritage clusters, and their responses to and criticisms of conservation initiatives in relation to their perceived impact on their livelihoods.


2016 ◽  
Vol 5 (1) ◽  
pp. 1-10
Author(s):  
Caroline Jaeger Klein

In 2015, Kosovo tried to join UNESCO and failed by three quotes. Is Kosovo ready for its UNESCO membership? At least for its national architectural heritage, this question is to answer with no. The intensively discussed issue of the medieval monuments of Kosovo inscribed as UNESCO World Heritage by Serbia and Montenegro before the declaration of independency in 2008 and their further management through Kosovo is just one aspect. More troubling is that the rather young state not yet could establish sufficient structures to gain a systematic inventory of its monuments, sites and historic ensembles, nor to extract a tentative list for UNESCO out of such an encompassing inventory. This article intends to clarify the definitions of World Heritage, the institutions and NGO’s involved, the mechanisms and philosophies behind. What is the urgent homework for Kosovo? Which national and international groups of experts Kosovo has to name and make responsible for the systemic inventory of its architectural heritage and for creating a tentative list? What is the role and importance of ICOMOS in that process? Which other stakeholders have to be Identified and educated towards that issue?</p><p>Based on such general considerations the author tries to design finally a preliminary tentative list for the architectural heritage of Kosovo. Hence, not the list itself is of importance but the discussion of the pro and contra arguments for single candidates.


Author(s):  
Leila Mahmoudi Farahani ◽  
Marzieh Setayesh ◽  
Leila Shokrollahi

A landscape or site, which has been inhabited for long, consists of layers of history. This history is sometimes reserved in forms of small physical remnants, monuments, memorials, names or collective memories of destruction and reconstruction. In this sense, a site/landscape can be presumed as what Derrida refers to as a “palimpsest”. A palimpsest whose character is identified in a duality between the existing layers of meaning accumulated through time, and the act of erasing them to make room for the new to appear. In this study, the spatial collective memory of the Chahar Bagh site which is located in the historical centre of Shiraz will be investigated as a contextualized palimpsest, with various projects adjacent one another; each conceptualized and constructed within various historical settings; while the site as a heritage is still an active part of the city’s cultural life. Through analysing the different layers of meaning corresponding to these adjacent projects, a number of principals for reading the complexities of similar historical sites can be driven.


ARCHALP ◽  
2018 ◽  
pp. 174-179
Author(s):  
Francesca Bogo

The Province of Belluno is home of great human and landscape quality and of the beautiful Dolomites, UNESCO World Heritage. How experiences of contemporary architecture fit and how are promoted in this context? It can be said that contemporary architecture does not attract a big audience. This is despite the constant efforts by various bodies and associations to promote its diffusion and development through competitions, conferences, workshops and case studies. In the Belluno region, apart from the extraordinary extant historical heritage, there are widespread examples of new architecture known as “false alpine models” or architecture that has erroneously become typical of the Province’s image. This is the reason why this new architecture with its range of peculiarities is widely reiterated, from north to south of the area. Even though buildings of this type lack any real ties with history or tradition, they find widespread approval by institutions and commissions. They are the result of repetitive practices deriving from constraints imposed by local regulations and a limited aptitude in the use of contemporary language of architecture. Even if the barometer of the vitality of contemporary architecture in the region of Belluno is rather lukewarm, dampened by cultural resistance and by regulatory constraints affecting its growth and diffusion, there is no lack of experiences, initiatives and achievements. The latter is evidence of the fact that where research and the use of contemporary languages are accompanied by the opinions of enlightened patrons, good architecture is born, which find space in the arena of national and international architectural debate. Examples of good architecture, even though limited in number, are distributed across the Province and constitute heritage and the focus for promoting and consolidating the growth and dissemination of contemporary architecture throughout the area.


2015 ◽  
Vol 7 (2) ◽  
pp. 10-28 ◽  
Author(s):  
Meenakshi Chhabra

This article is an epistemological reflection on memory practices in the construction, deconstruction, and reconstruction of collective memories of a historical event involving collective violence and conflict in formal and informal spaces of education. It focuses on the 1947 British India Partition of Punjab. The article engages with multiple memory practices of Partition carried out through personal narrative, interactions between Indian and Pakistani secondary school pupils, history textbook contents, and their enactment in the classroom by teachers. It sheds light on the complex dynamic between collective memory and history education about events of violent conflict, and explores opportunities for and challenges to intercepting hegemonic remembering of a violent past.


2018 ◽  
Vol 16 (5) ◽  
Author(s):  
Rohayah Che Amat

This research presents the value of historic urban landscape (HUL) elements in influencing the character of George Town UNESCO World Heritage Site (WHS), Penang, Malaysia. The values were perceived by the local community of different social-cultural groups that occupied the study area. The historic urban landscape elements constitute towards the protection of its townscape. The identification of the heritage elements influenced by the community interaction with their environment. This study also helps to define the character of a place, as well as reflecting its historical significance. The study adopted four techniques to gather both qualitative and quantitative data, including questionnaire survey, in-depth interview, visual survey and content analysis. In general, the local community has the capability in valuing the historic urban landscape values. The outcomes of their perceptions became the statement of the historic urban landscape values, which are expected to lead to the development of the areas. The community evaluation and perception can be expanded in implementing any development of the historic urban area by the authority.


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