CONTEXTUALIZING PALIMPSEST OF COLLECTIVE MEMORY IN AN URBAN HERITAGE SITE: Case Study of Chahar Bagh, Shiraz - Iran

Author(s):  
Leila Mahmoudi Farahani ◽  
Marzieh Setayesh ◽  
Leila Shokrollahi

A landscape or site, which has been inhabited for long, consists of layers of history. This history is sometimes reserved in forms of small physical remnants, monuments, memorials, names or collective memories of destruction and reconstruction. In this sense, a site/landscape can be presumed as what Derrida refers to as a “palimpsest”. A palimpsest whose character is identified in a duality between the existing layers of meaning accumulated through time, and the act of erasing them to make room for the new to appear. In this study, the spatial collective memory of the Chahar Bagh site which is located in the historical centre of Shiraz will be investigated as a contextualized palimpsest, with various projects adjacent one another; each conceptualized and constructed within various historical settings; while the site as a heritage is still an active part of the city’s cultural life. Through analysing the different layers of meaning corresponding to these adjacent projects, a number of principals for reading the complexities of similar historical sites can be driven.

2021 ◽  
Author(s):  
◽  
Elise Caddigan

<p>Old St Paul’s is an iconic New Zealand heritage site managed by Heritage New Zealand.¹ It is a site that tells both national and local stories and draws a wide range of international and domestic visitors. Key recommendations made by the New Zealand Ministry of Tourism in their 2010 and 2015 strategies were that the country is no longer automatically perceived as ‘authentic’² by international visitors, and that heritage in New Zealand should be striving to deliver engaging, educational and rich cultural and social experiences.  Using Old St. Paul’s as a case study, this research asks if New Zealand heritage sites are providing exhibitions, interpretation and stories that successfully communicate the site management’s presentation goals to visitors. This relationship is evaluated through the exhibitions and interpretation used by site management, and compared with visitor understanding and their experience of these.  This research uses interviews and visitor surveys to gauge the management/visitor relationship at Old St. Paul’s. An in-depth interview with the site’s manager is analysed and presented comparatively against the results gained from conducting visitor surveys. This research provides an investigation into contemporary heritage practice in New Zealand and offers a pilot study for future development in the heritage sector. Furthermore, it is suggested that heritage sites could adopt similar summative practices to those used in the museum sector in order to monitor visitor satisfaction and the perception of quality.</p>


Author(s):  
Kathrin Bachleitner

This chapter shows how collective memory channels a country’s international behaviour. To that end, it first lays out the nexus between memory and state behaviour put forward by the temporal security concept. It then goes on to distinguish it from international relations’ classical realist and ontological security approaches and their predictions on state behaviour. To keep their temporal security intact, countries are assumed to enter into an ‘in-between-time’ conversation with their ‘significant historical others’. Through the emotional trigger of shame, policymakers avoid potential disconnects with their country’s ‘narrated self in the past’, thus bringing their courses of action in line with collective memory. To illustrate this process, the empirical case study looks at the reaction of West Germany and Austria to two wars in the Middle East. It contrasts their support for either of the warring parties during the Six Day War of 1967 and the Yom Kippur War and international oil crisis of 1973. The qualitative analysis demonstrates that West Germany and Austria’s different collective memories of the Nazi legacy channelled their behaviour along diverse reasonings to support either the Israeli or the Arab side.


Author(s):  
Kathrin Bachleitner

This chapter places collective memory at the source of a country’s values. In that regard, it enquires into the nature of normative obligations arising from memory. Based on moral-philosophical considerations, it finds normativity in the ‘processes surrounding memory’ described in the temporal security concept. Over time, the relationship between collective memory, identity, and behaviour generates a ‘duty to act’ for countries in the sense of ‘ought’. This last and most diffuse impact of collective memory unfolds and persists into the long run. Through it, collective memory, entirely outside the realm of conscious choice, channels behaviour towards one good course of action. To illustrate this, the empirical study picks up the case countries, Germany and Austria, at a late point in time. In 2015, large numbers of refugees arrived at their borders during what became known as the ‘European refugee crisis’. In this ‘critical situation’, both countries were required to react and thus position themselves vis-à-vis the highly normative issue of asylum. With the help of a content analysis of official speeches, the case study demonstrates how German and Austrian politicians came to identify different versions of what a good response entails based on their country’s diverse collective memories.


2021 ◽  
Vol 13 (5) ◽  
pp. 2720
Author(s):  
Diwakar Bista ◽  
Aayush Bista ◽  
Ashish Shrestha ◽  
Lambros T. Doulos ◽  
Pramod Bhusal ◽  
...  

Nepal houses many traditional and cultural sites rich in historical cultural diversity. These sites are also economically important to the nation. These monuments show the culture and the living beliefs of the communities; hence, people from all over the world are attracted to such place to observe the beauty and to feel the spirit and the conservational perspectives behind these articulated edifices. In today’s context, artificial light is a basic necessity for human activities and has been used in various applications: one such application being night-time illumination of historical sites and monuments. Most of the historic monuments in Nepal were constructed during the 15th to 18th century and are designed to incorporate oil-based wick lamp as the light source. Recently with the availability of modern luminaires and lack of technical expertise and scientific approach, most of the historic sites are being filled up with uneven, exaggerated, and inappropriate illumination. This inappropriate illumination practice may lead to negative consequences that may create disturbance to human and the surrounding environment. Scope of this paper is to identify the special needs for illuminating cultural and heritage sites with Pagoda-style architecture and introduce a methodology for a case study in Nepal. As a first step, this paper analyzes lighting malpractices in the temples of Nepal at different geographical locations and cultural values. As a next step, a prototype LED luminaire that enhances the unique type of architecture of Nepalese heritage sites was built, installed, and demonstrated in one of the temples. The work presents the design process of the lighting system and the results of a new lighting installation. The study also discusses possible problems that may arise while designing lighting for cultural and heritage site and provides recommendations on considerations to be taken during the design.


Author(s):  
Mohamed Saleh Amer ◽  
Abdullah Saeed Karban ◽  
Mohammad Rafee Majid ◽  
Abdulrahman Abdulaziz Majrashi ◽  
Abba Saleh

Enriching visitors' experiences at religious, historical sites (RHS) is getting more attention than before. This research aims to identify and investigate the influential factors enriching the visitors' experience at such a site, using Al-Khandaq battle site as the case study. Forty-two respondents were interviewed at the site and NVivo 12 pro software was used to code and analyze the responses. The study explored tourist motivations, expectations, and perceptions as the guiding constructs in detailed qualitative analysis.  Foremost, learning, reliving the experience of the events of the battle, and Islamic values were the primary motivation to the historic site visitation. Next, findings reveal the extent to which tourists' expectations can be met through the availability of an open museum, accessibility, and the spatial and experiential simulation of the ancient Al-Khandaq path.  Lastly, the need to reconstruct the historical site in spatial planning and experiential dimensions formed the main thrust of the element of visitors' perception.  Based on the foregoing, the study recommends that Al-Khandaq site should be developed traditionally as an open museum, displaying both religious and historical elements of the battle with emphasis on the visual connection to the Prophet's mosque


Author(s):  
Azizul Hassan ◽  
Mizan Rahman

Purpose – The purpose of this paper is to argue that the World Heritage Site (WHS) status as a label plays an important role in branding, creating awareness among the tourists and promoting a specific place – be it natural or cultural. Design/methodology/approach – The study is based on qualitative research and utilised interviews and explanatory case study method, taking Maritime Greenwich WHS as a case. Findings – It is found that the status of WHS motivates the tourists in general and heritage tourists in particular to visit the case study site. Also, the status helps in boosting the level of confidence of the tourists while selecting the site. Overall, it helps to reinforce the identity of a place. However, sustainability and conservation should not take a back seat when the very purpose of branding a site as WHS is this. Originality/value – It is ideal to have a balance in managing the demand and supply side of place management and marketing making sure that the heritage value and trust is kept intact.


På Spissen ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 45-63
Author(s):  
Marie-Louise Crawley ◽  
Rosemary Kostic Cisneros

This article responds to the interdisciplinary developments that choreography has undergone in the twenty-first century, in terms of a focus on relationships between dance, architecture, site and cultural heritage. It makes a claim for how choreography within the city manifests itself in the form of a public bodily act, as artistic boundary-crosser and socio-political agent. We explore this through the lens of a central case study: artist Anton Mirto’s Scaffolding (2019), a workshop-performance event for seven dancers sited within The Chapel of Many, an architectural installation by architect Sebastian Hicks and set inside the ruins of Coventry Cathedral (UK) as part of the Coventry Welcomes Festival’s Refugee Week. Grounded in an exploration of dance and architecture in terms of spatiotemporal relations following Rachel Sara’s (2015) framework of a transontology of architecture and dance and Rachel Hann’s (2019) concept of fast architecture, we argue for how the choreographic process of making Scaffolding speaks back to both the architectural space and the urban heritage site in which it is located and addresses a certain experience of temporality, history and memory. In turn, the potential political agency of such a performed conversation between architecture and choreography in the twenty-first century city is revealed.


2021 ◽  
Vol 8 (3) ◽  
pp. 71
Author(s):  
Wan Iskandar Zulkarnain Wan Shamsuddin ◽  
Siti Norlizaiha Harun

The aim of this study is to find out the existing ‘realities’ on storytelling at heritage sites. The gap is visitor’s expectation between storytelling presentation versus perception of heritage visitors. There were instances in the country whereby misrepresentation and/or inappropriate descriptive information in storytelling has resulted in visitors experiencing disappointment, disorientation, and ignorance of heritage significance. The researchers decided to investigate further on this and had selected a site for case study that was the Dataran Medan Bandar, Alor Setar, Kedah Darul Aman. A sequential mixed methodology was employed. The study began with literature review, site inventory and observation activities in order to obtain qualitative information. This was followed by visitors’ survey and a semi-structured interview with stakeholders to obtain their views on historical and cultural values  to validate the quantitative data findings. The explanatory factor analysis was used to analyse the data and the results showed that over 40% of total respondents perceived ‘storytelling’ as extremely important attributes of heritage interpretation during the visit. In terms of the post-experience, the results showed that 18% of the respondents proclaimed of having ‘dissatisfied experience’ after reading the description on interpretive signage, with ‘uninteresting storytelling’ being the main reason. Almost half of total respondents (49%) believe that improvement of ‘Storytelling Content Creation’ was needed at the Dataran Medan Bandar. It is hoped that the findings obtained are expected to inspire conservation stakeholders to start making ‘heritage interpretation’ as a top priority when designing interpretative signs at heritage sites.


2021 ◽  
pp. 1-41
Author(s):  
Lisa Earl Castillo

Abstract The Afro-Brazilian religion of Candomblé arose during the Atlantic slave trade and has unmistakable Yorùbá influences. In the city of Salvador, the term nação ketu [Ketu nation] is used among the oldest temples in describing Yorùbá heritage. This has led some scholars to assume that the founders came from the Yorùbá kingdom by that name. This paper critically examines the idea of Kétu origins, taking as a case study the temple Ilê Axé Iyá Nassô Oká, a national historic heritage site in Brazil that is recognized by UNESCO as a site of diasporic memory. The paper shows that the first generations of leadership were dominated by people from Ọ̀yọ́ and that the term ketu emerged not as an allusion to ethnic origins but perhaps as a metaphor for a heterogeneous cultural context in which Yorùbá speakers from disparate regions lived in close coexistence.


2021 ◽  
Author(s):  
◽  
Elise Caddigan

<p>Old St Paul’s is an iconic New Zealand heritage site managed by Heritage New Zealand.¹ It is a site that tells both national and local stories and draws a wide range of international and domestic visitors. Key recommendations made by the New Zealand Ministry of Tourism in their 2010 and 2015 strategies were that the country is no longer automatically perceived as ‘authentic’² by international visitors, and that heritage in New Zealand should be striving to deliver engaging, educational and rich cultural and social experiences.  Using Old St. Paul’s as a case study, this research asks if New Zealand heritage sites are providing exhibitions, interpretation and stories that successfully communicate the site management’s presentation goals to visitors. This relationship is evaluated through the exhibitions and interpretation used by site management, and compared with visitor understanding and their experience of these.  This research uses interviews and visitor surveys to gauge the management/visitor relationship at Old St. Paul’s. An in-depth interview with the site’s manager is analysed and presented comparatively against the results gained from conducting visitor surveys. This research provides an investigation into contemporary heritage practice in New Zealand and offers a pilot study for future development in the heritage sector. Furthermore, it is suggested that heritage sites could adopt similar summative practices to those used in the museum sector in order to monitor visitor satisfaction and the perception of quality.</p>


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