scholarly journals External evaluation in Roald Dahl’s The BFG

2020 ◽  
Vol 5 (1) ◽  
pp. 126
Author(s):  
Joanna Deborah
Keyword(s):  
Children's Literature ◽  
Children’S Literature ◽  
Narrative Structure ◽  
Close Connection ◽  
External Evaluation ◽  
Narrative Style ◽  
Reading Experience ◽  
The Past

There have been several significant changes in children’s literature in the past few decades; one of them is the change in the narative style. Roald Dahl is one of the most prominent authors of children’s literature that displays this particular change in his works. Dahl is known to utilize a creative narrative style in his works, and this is also seen in one of his children’s novels discussed in this research: The BFG (1982). This research thus aims at analysing one part of the narrative structure called external evaluation which shows the function of narrator in the story as well as the effects of the use of such narrative style on children as the target readers. Using Labov’s theory of narative structure and Genette’s theory of narratology, the results of the analysis shows that Dahl utilizes the function of narrator in the external evaluations to help children as his target readers to get a better understanding of the story as well as to build a close connection with them, resulting in the more enjoyable reading experience for the children.

“Houses are alive. No?”The image of a “revived” house in English literaturein the late XIX — early XX century

2020 ◽  
pp. 298-312
Author(s):  
Georgy A. Veligorsky ◽  
Keyword(s):  
Children's Literature ◽  
Children’S Literature ◽  
Gothic Literature ◽  
The Novel ◽  
The Past ◽  
Howards End ◽  
Edwardian Literature ◽  
Horror Literature

In this article we will talk about the unusual topos that occurs in Victorian and Edwardian literature — the “revived” estate. Indirectly going back to Gothic literature and the “horror literature” that inherited it (where the house can come to life literally, become harmful, frightening and even mortally dangerous for the inhabitant), however, it develops in a completely different way. The ghosts that inhabit the rooms of such a mansion are the guardians of a good and bright memory, “hidden joy”; embodied by the past, who lives in a shaky, invisible world. These ghosts have many hypostases: sometimes they turn out to be just a figment of the tenant’s imagination, and sometimes they are a real poltergeist, but not frightening, but protecting and preserving (W. Woolf, “A Haunted House”). Another manifestation of this topos can be called a house that comes to life, when the hero distinguishes between the beating of his heart (as happens in the novel by E.M. Forster “Howards End”) or hears a whisper of voices in the curtains shaken by the wind. The combination of these two motives (poltergeist and living house) is also found in the works of modernists (W. Woolf, “Orlando: A Biography”). Of particular interest is the image of a revived estate house in children’s literature; in this vein, we will consider the novel by Ph. Pierce, “Tom’s Midnight Garden”.

scholarly journals THE ARTISTIC WORLD OF MODERN CHILDREN'S PROSE

2020 ◽  
pp. 200-205
Author(s):  
A. Ashimbaeva ◽  
◽  
Z. Tursynali ◽  
S. Sabigazina ◽  
◽  
...  
Keyword(s):  
Children's Literature ◽  
Children’S Literature ◽  
Mutual Understanding ◽  
Main Task ◽  
Growing Up ◽  
Main Character ◽  
The Past ◽  
Ethical Education ◽  
Parents And Children ◽  
The One

The article tells that the main character traits are laid in childhood. It is during this period of growing up that a worldview and ideas about morality are formed, one of the main sources of which, of course, is children's literature. It is for this reason that, over time, people began to understand the need for the existence of works especially for children. Modern children's prose is developing, transforming, no worse than the one that was before. The problems of the past are being replaced by more urgent and fresh ones. The works of the latest children's literature are a treasure trove of the most important diverse information that you need to be able to reveal, discern, and read between the lines. Thus, the latest literature pushes us ourselves to seek morality, hidden meaning, which leads to the development of various spheres of personality. Today children's literature begins to return to its main task - the ethical education of the younger generation. Writers talk about morality, morality, mutual understanding between parents and children.

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