Rick Bartow and Barry Lopez at Froelick Gallery

Keyword(s):  
Manoa ◽  
2021 ◽  
Vol 10000 (1) ◽  
pp. 1-2
Keyword(s):  

2019 ◽  
pp. 234-252
Author(s):  
Belden C. Lane

The story of Francis and the wolf of Gubbio occasions the author’s trek into the Absaroka Mountains near Yellowstone, entering a territory where gray wolves have thrived since being reintroduced the 1990s. The inordinate hatred of wolves in Western thought is contrasted with Francis’s concern not to kill (or even to tame) the wolf, but to welcome it into a larger family where all species can thrive. Over the centuries the wolf’s stealthy elusiveness has led us to project a sinister quality onto these extraordinary animals. Barry Lopez speaks of our theriophobia, our irrational, deep-seated fear of the “beast.” It evokes an impulse to kill what we don’t understand. Yet gradually we’re learning to appreciate wolves without demonizing (or romanticizing) them. By the time Aldo Leopold wrote his Sand County Almanac, you could discern a shift in societal perceptions of apex predators. He spoke of grieving as he knelt beside a wolf he had shot, watching “a fierce green fire dying in her eyes.” He also noticed how the absence of wolves allowed the deer population to explode, with every edible tree stripped of its leaves.


Author(s):  
John Gatta

Movement, immigration, and pilgrimage have long been keynotes of American experience. Following the opening chapter’s attention on the spiritual inscape of home dwellings, this chapter concerns itself with the spirituality of motion, re-placement, and pilgrimage as reflected in American works of literary imagination. Lead characters in this story include travelers, explorers, and would-be pilgrims as well as resettlers—that is, those who leave their place of birth to adopt another as their own. The religious implications of these peregrinations and adoptions are considered in relation to prose texts by Carolyn Servid, Barry Lopez, John Muir, N. Scott Momaday, Gary Snyder, and others. These texts often associate their spirituality of place with reverence for what’s found in the going there rather than in the getting there. Developing the theme of localism versus globalism, this chapter concludes by assessing two versions of globally engaged localism as represented in works by Wendell Berry and David Haskell.


2021 ◽  
Vol 134 (4) ◽  
pp. 396-397
Author(s):  
Brent Tegler
Keyword(s):  

Nordlit ◽  
2012 ◽  
Vol 16 (1) ◽  
pp. 29
Author(s):  
Fredrik Chr. Brøgger

The Arctic has often been regarded (its various indigenous groups notwithstanding) as a desolate and silent void to be explored and defined by Euro-westerners, usuallyin terms of a masculine competitive ethos and an ethnocentric rhetoric of WesternEnlightenment and progress. Surprisingly, even many Norwegian arctic expeditionsof our own time tend to embody similar narratives of conquest and athletic prowess.Among contemporary North-American writers, however, this kind of discourse isprofoundly questioned, particularly by focusing on the problematic function oflanguage itself in our constructions of the Arctic. This article focuses on three North-American books in which the issue of the Euro-western linguistic appropriation ofthe Arctic, its natural environment as well as its peoples, is a major concern; they areall reflections on the issues of writing and silence with reference to the far north. Thethree books are: Barry Lopez' Arctic Dreams: Imagination and Desire in a NorthernLandscape (1987), Aritha van Herk's Places Far from Ellesmere (1990), and JohnMoss' Enduring Dreams: An Exploration of Arctic Landscape (1996). Central in allof them is the following issue: how to make the wordless landscape or the alienculture speak from under, as it were, the enormous compilation of centuries of Eurowesterntext. The article discusses four major strategies by which these three booksattempt to counteract and subvert earlier Euro-western ethnocentric and monologicnarratives of the Arctic: by the inclusion of feminine and indigenous voices; by thelegitimation of the sensuous life-world of the Arctic itself; by the self-reflexivesubversion of the authority of the language of their own texts; and by the use of astyle of paradox and contradiction. By way of such techniques, the books above try to create more open, dialogic and pluralistic readings of the Arctic.


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