„Opisywać trzeba tak, jakby się widziało pierwszy raz w życiu”. Językowe środki opisu zwierząt oraz relacji człowiek–zwierzę według Michała Książka

Głównym celem artykułu jest scharakteryzowanie językowych środków opisu zwierząt oraz relacji człowiek-zwierzę. Analiza opiera się na dwóch publikacjach świadczących o rosnącym zainteresowaniu literatury kwestiami ekologicznymi: Droga 816 (2015) oraz Północny wschód (2017) Michała Książka. Obie książki reprezentują tzw. nature writing: tradycję literacką o ugruntowanej pozycji w literaturze angloamerykańskiej, mało znaną w polskim krajobrazie literackim.

How to Become a Mushroom: A New Nature Ethnography of Fungi in Aotearoa

<p>This thesis proposes that the moment of interaction between a person and a fungus is transformative of both subjects. Using new nature writing techniques in tandem with multispecies ethnography, this thesis seeks to present a rich, autoethnographic account of my encounters with fungi in the native forests of the West Coast of Aotearoa. Drawing on five days of ethnographic fieldwork spent at the Fungal Network of New Zealand (FUNNZ) annual Fungal Foray in the township of Moana, I explore the affective, emotional, sensory, intellectual, and corporeal experiences of interacting with fungi. Using new nature writing as an ethnographic medium, I suggest that narratives that pertain to the researcher’s experiences can render new understandings of nonhuman subjects. In doing so, I explore both the transformative potential of multispecies encounters for the researcher and the researched, and the literary potential of multispecies ethnography to illustrate the encounters themselves.</p>

How to Become a Mushroom: A New Nature Ethnography of Fungi in Aotearoa

<p>This thesis proposes that the moment of interaction between a person and a fungus is transformative of both subjects. Using new nature writing techniques in tandem with multispecies ethnography, this thesis seeks to present a rich, autoethnographic account of my encounters with fungi in the native forests of the West Coast of Aotearoa. Drawing on five days of ethnographic fieldwork spent at the Fungal Network of New Zealand (FUNNZ) annual Fungal Foray in the township of Moana, I explore the affective, emotional, sensory, intellectual, and corporeal experiences of interacting with fungi. Using new nature writing as an ethnographic medium, I suggest that narratives that pertain to the researcher’s experiences can render new understandings of nonhuman subjects. In doing so, I explore both the transformative potential of multispecies encounters for the researcher and the researched, and the literary potential of multispecies ethnography to illustrate the encounters themselves.</p>

Thinking Fungi, or Random Considerations

Thinking fungi as a way of considering randomness gives rise, in particular, to thinking about categorization, comparison, as well as creating (more-than-human) communities through strange and unexpected commonalities. These ideas inform comparative literature more broadly, along with the desire to identify and understand culturally codified motifs – that is, meanings as they gather around particular images and generate certain ideas of being in the world. By bringing fungi to the table, this contribution considers agency and ruin with contemporary narrativized deliberations on all kinds of fungi matter(s). Textually, it examines memoirs, (new) nature writing, as well as cultural studies work on fungi; theoretically, it draws on etymology and systems of classification more broadly, impulses from new materialism, as well as STS-informed deliberations on knowledge generation, classification, and circulation.

Imagining Rivers: The Aesthetics, History, and Politics of American Waterways. A Conversation Between Lawrence Buell and Christof Mauch

This contribution features a transatlantic conversation between Christof Mauch, environmental historian and Americanist from Ludwig Maximilian University in Munich, and Lawrence Buell, literary scholar and “pioneer” of Ecocriticism from Harvard University. Buell’s The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture (1995) marked the first major attempt to understand the green tradition of environmental writing, nonfiction as well as fiction, beginning in colonial times and continuing into the present day. With Thoreau’s Walden as a touchstone, this seminal book provided an account of the place of nature in the history of Western thought. Other highly acclaimed monographs include Writing for an Endangered World (2001), a book that brought industrialized and exurban landscapes into conversation with one other, and The Future of Environmental Criticism: Environmental Crisis and Literary Imagination (2009), which provides a critical survey of the ecocritical movement since the 1970s, with an eye to the future of the discipline.

‘And I Listened to the Whistlings and Patterings Outside’

The notion of the wild is one that has developed a richer currency in recent years, simultaneously enrolled as a branding device for leisure activities and employed to account for the potential planetary consequences of a shift towards the Anthropocene. Noting parallel amplifications of wild sound in both the philosophical concept of the sublime and in the literary genre known as nature writing, this chapter critically accounts for the ways in which creative sound practices have deployed listening and recording to manifest the spatial parameters of the wild. These sound art practices are shown to reveal tensions in terms of any strictly demarcated border between the wild and the cultivated, in terms of the technical assemblages that are taken to the wild and that render what is heard there audible, and in terms of the wild as a space that is to be accessed through solitary, silent and arduous effort.