Botanical Drawings as Key to Understanding the Scholarly Life and Personality of the Outstanding Japanese Natural Scientist Udagawa Yoan (1798—1846)

Author(s):  
T. Tchernaja ◽  
Keyword(s):  
2014 ◽  
Vol 96 (2) ◽  
pp. 206-221
Author(s):  
Jane Apostol

Natural scientist Charles Frederick Holder settled in Pasadena in 1885. As a prolific author, lecturer, and editor, Holder was a key promoter of the region, sport fishing, and natural science. He wrote popular children’s books as well. He is also remembered as an influential figure in education and the arts and as a founder of the Tuna Club on Santa Catalina Island and the Valley Hunt Club in Pasadena and its Tournament of Roses.


2021 ◽  
Vol 43 (1) ◽  
pp. 130-136
Author(s):  
Valeriy SNAKIN

Anatolij Nikiforovich Tyuryukanov (1931-2001), Dr.Sci (Biol.), professor was a remarkable Russian natural scientist, who made a signifi contribution to soil science and the theory of the biosphere. Investigation of Tyuryukanov’s works shows both evolution of the author’s scientifi interests and development of natural history in Russia in 20th century. He formulated the biosphere natural history principle founded on a new fundamental category of sciences foundation in 20th century. Th principle is based on genetic soil science, biogeocenology, landscape geochemistry and main branches of the Earth biosphere and vitasphere study. Interesting and sometimes unexpected assertions of A.N. Tyuryukanovs provide food for thought about both further studies of nature, development of biosphere study and refl on the human and biosphere relationships.


2017 ◽  
Vol 2 (3) ◽  
pp. 288-313 ◽  
Author(s):  
Ann Thomson

Louis Bourguet (1678–1743) was a Huguenot natural scientist from Nîmes who, after studying in Switzerland and Italy, became professor of philosophy and mathematics in Neuchâtel and founded two learned journals. This article, based on his archive in Neuchâtel, looks first at his erudite, scientific, philosophical and religious interests as expressed in his extensive learned correspondence, which also reveals a mixture of curiosity about, and opposition, to irreligious writings, some of which he may, however, have helped to circulate. We then study a document found among his papers, consisting of a commentary written in French in the margins of a manuscript copy of the last two of John Toland’s Letters to Serena (1704). Bourguet combines criticism of Toland’s view of matter, identified with Spinozism, with a defence of Leibniz’s philosophy, presented as the only one capable of demonstrating the need for a god. This manuscript throws new light on interest in Toland’s philosophical works in the years following his death, and the posthumous continuation of his debate with Leibniz. More generally, Bourguet’s learned interests and networks underline the difficulty of classifying scholars of this period into neat categories and the complex relationship between science, theology and philosophy, and between religious orthodoxies and heterodoxies.


Author(s):  
Wolfgang Schneider

It has been generally accepted in art history that nature ranks as master and ideal of the arts. Everybody knows examples of nature-related artworks created over centuries and decades in a conventional manner. Most of the contemporary readers witnessed the invention of the computer as a tool used in natural sciences, and later, in the arts as well. As a natural scientist and curator of art exhibitions, the author of this chapter was continually involved in this contemporary development which raised a fundamental question: Would the computer as a tool be a means to generate new representations of nature related art? This would demand results that ought to be different from conventional works of art as to the conceptional creation processes as well as the output. Some theoretical backgrounds and categorizing of such creations are discussed in this chapter and then illustrated by several examples from artists participating in a series of ´Computerkunst/Computer Art’ exhibitions during the quarter of the last centuries (1986-2010). Though it might be too soon to judge computational art works concerning their importance in Art History, a closer investigation in the creational processes and social contexts seems helpful and worthwhile.


Author(s):  
Alister E. McGrath

This final chapter focusses on the question of how insights gained from multiple disciplines can be brought together or colligated into a deeper and more satisfying vision of the world. It specifically engages the question of whether it is irrational to hold beliefs which are developed through the use of different rational strategies and criteria—for example, the scientist who is also a socialist, or a theologian who is also a natural scientist. It is argued that any form of interdisciplinary or transdisciplinary engagement requires working with multiple rationalities and learning to live with the tensions this creates. In arguing for the need for integration and dialogue, the chapter criticizes the influential approach to consilience developed by E. O. Wilson on the grounds that it it is excessively dependent on the intellectual framework provided by the Enlightenment, and gives too prominent a place to the natural sciences. A more open approach is suggested in its place.


Author(s):  
Jonathan Barnes

Aristotle had a teleological view of nature. Natural behaviour and natural structure usually have final causes, but these are constrained by necessity: nature does the best she can ‘in the circumstances’. Aristotle’s teleology is sometimes summed up in the slogan ‘Nature does nothing in vain’, and he himself frequently uses similar aphorisms. ‘Nature does nothing in vain’ is a regulative principle for scientific enquiry. ‘Teleology’ asserts that, even though Aristotle knew that some aspects of nature are functionless, he recognized that a grasp of function is crucial to understanding nature. References to the prudence of nature are not childish superstition, but reminders of a central task of the natural scientist.


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