scholarly journals 'Indispensable Treasures': Misrepresenting Indigenous Design as Inspiration for American Fashion in Illustrated Lectures

2020 ◽  
Author(s):  
Denise Nicole Green ◽  
Lynda May Xepoleas
Keyword(s):  
2021 ◽  
Vol 00 (00) ◽  
pp. 1-20
Author(s):  
Ana Balda

This article interrogates the reputation, prevalent to this day, of Balenciaga as being anti-advertising and anti-media, according to some of his contemporary journalists as well as some of his employees and clients. The study contextualizes Balenciaga in the framework of the influence of the fashion press and the reality of the French couture licensing business in the North American fashion market from 1937 to 1968, his years on the international scene. Based on the analysis of the issues of Vogue, Harper’s Bazaar and Women’s Wear Daily for the same period, the research demonstrates that the designer had not always been so scornful of the media. He really was a discreet man, but this does not mean he hated the press, as his designs often appeared in the most influential fashion magazines. The article argues that the negative view in the media’s perception of him was generalized after his veto to the press in January 1956 – a decision he took for business reasons – and was retroactively attributed to his entire professional life.


2020 ◽  
Vol 3 (1) ◽  
Author(s):  
Lauren Downing Peters

This article explores the curious intersections of stoutwear design, Gestalt Psychology, and architectural discourse in early twentieth-century American fashion media. In doing so, it focuses principally on trade media, style guides and advertisements that grappled with the perceived flaws of the stout woman’s physique and how sophisticated design principles, if properly handled, could create the appearance of bodily slenderness. By moving beyond the biological determinism of contemporary obesity discourse, this article argues that ideas about stoutness and, more specifically, what constituted a stout body, were produced through attempts to contain, control, and correct the fat, female body in fashion design discourse. By further embedding this research within a broader consideration of the relationship between bodies, dress, architecture, and modernist design thinking, this article argues that the mediums and discourses of fashion can open up pathways for thinking about the body itself as “designed.”


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