scholarly journals Using Clothing to Unify a Country: The History of Reza Shah’s Dress Reform in Iran

Author(s):  
Elahe Saeidi ◽  
Amanda Thompson
Keyword(s):  
2021 ◽  
Author(s):  
Adib Rifqi Setiawan

The 2019 Met Gala’s theme was based on the Susan Sontag essay “Notes on Camp,” and the celebrity attendees had a broad range of interpretations. The look that caused the most controversy was worn by the reality TV star Kim Kardashian, in a Thierry Mugler dress and Mr. Pearl corset. Rather than focus on the design, the first for Mugler since 2002, or how the dress fit into the theme, critics instead chose to focus on the corset and repeat a rhetoric about the controversial garment that has been recurrent for over a hundred years. There is a long tradition of opposition to corsets, including claims that the accessory is bad for the health of the wearer, that corsets are unnatural, and that they are anti-feminist. This article explores the history of corsets, health, popular culture, and fashion, using Kardashian as a contemporary source of examination. Kardashian’s body is a site of controversy, much like corsets, as she wears and sells shapewear. The critique of Kardashian’s use of modern shapewear reflects a long tradition of controlling women’s bodies through dress reform and medical intervention, a debate the Met Gala dress reignited.


Costume ◽  
2020 ◽  
Vol 54 (2) ◽  
pp. 175-201
Author(s):  
Robyne Calvert

This article presents a short biography of the Healthy and Artistic Dress Union, a dress reform society formed in 1890 with the aim of ‘teaching both men and women how to discriminate by choosing and rejecting, and so gradually moulding the exigencies of our climate and situation, the claims of artistic arrangement of drapery, and harmony of colour’. It presents a new account of the group that goes beyond previous discussions, which have been solely gleaned from the group's journal Aglaia. A brief history of the organization under the leadership of artists such as Henry Holiday, Walter Crane and G. F. Watts will precede an examination of their 1896 Exhibition of Living Pictures, and a discussion of their educational journal Aglaia and its later iteration The Dress Review, illustrating the creative production and philosophy of Artistic Dress from this later period in its history.


2020 ◽  
Vol 3 (1) ◽  
Author(s):  
Alanna McKnight

The 2019 Met Gala’s theme was based on the Susan Sontag essay “Notes on Camp,” and the celebrity attendees had a broad range of interpretations. The look that caused the most controversy was worn by the reality TV star Kim Kardashian, in a Thierry Mugler dress and Mr. Pearl corset. Rather than focus on the design, the first for Mugler since 2002, or how the dress fit into the theme, critics instead chose to focus on the corset and repeat a rhetoric about the controversial garment that has been recurrent for over a hundred years. There is a long tradition of opposition to corsets, including claims that the accessory is bad for the health of the wearer, that corsets are unnatural, and that they are anti-feminist. This article explores the history of corsets, health, popular culture, and fashion, using Kardashian as a contemporary source of examination. Kardashian’s body is a site of controversy, much like corsets, as she wears and sells shapewear. The critique of Kardashian’s use of modern shapewear reflects a long tradition of controlling women’s bodies through dress reform and medical intervention, a debate the Met Gala dress reignited.


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