scholarly journals HISTORY OF WOMEN'S DRESS REFORM IN THE CONTEXT OF THE DOCTRINE OF HEALTH IN THE SEVENTH-DAY ADVENTIST CHURCH

Author(s):  
V.V. Kuryliak
2009 ◽  
pp. 249-260
Author(s):  
Roman Anatoliyovych Sitarchuk

After the declaration of independence of our state and the beginning of the change of ideological accents in the scientific historical literature, we trace the revival of interest among contemporary religious scholars to the history of Protestantism, in particular to its later varieties - Baptism, Evangelism, Adventism, Pentecost. This is due primarily to the presence of many "vacant" topics, as well as the emergence in some academic and educational institutions areas and even schools that specialize in this area. Work began to emerge in the study of confessions, which increased the total number of religious and historical literature and prompted its systematization. The purpose of this publication is to analyze above all those works that have advanced new conceptual approaches to working out the history of Seventh-day Adventists in Ukrainian lands.


2020 ◽  
Vol 51 (5) ◽  
pp. 391-410 ◽  
Author(s):  
Benjamin Baker

Lucille Spence Byard is one of the most pivotal figures in the history of the Seventh-day Adventist Church. Her rejection for medical treatment due to her race at an Adventist sanitarium on the Maryland-Washington, D.C., border in 1943 was the major catalyst for the formation of regional conferences, or Black-administered governance units, within the North American administrative structure of the Seventh-day Adventist Church. However, almost since the day Lucy Byard was refused treatment, the major details of the event have been subject to the whim of the teller, and variant versions have become embedded in church lore. What has been particularly problematic, though, is that historians have not made the effort to explore what actually happened to Byard, which would require bypassing the entrenched legends and consulting primary sources. This article reconstructs the Byard event from primary sources, allowing the participants in the event, especially those of color, to be heard. What finally emerges is Lucy Byard the person—much more than just an icon of tragedy—whose last days sparked the most effective grassroots movement in Adventist history.


2021 ◽  
Author(s):  
Adib Rifqi Setiawan

The 2019 Met Gala’s theme was based on the Susan Sontag essay “Notes on Camp,” and the celebrity attendees had a broad range of interpretations. The look that caused the most controversy was worn by the reality TV star Kim Kardashian, in a Thierry Mugler dress and Mr. Pearl corset. Rather than focus on the design, the first for Mugler since 2002, or how the dress fit into the theme, critics instead chose to focus on the corset and repeat a rhetoric about the controversial garment that has been recurrent for over a hundred years. There is a long tradition of opposition to corsets, including claims that the accessory is bad for the health of the wearer, that corsets are unnatural, and that they are anti-feminist. This article explores the history of corsets, health, popular culture, and fashion, using Kardashian as a contemporary source of examination. Kardashian’s body is a site of controversy, much like corsets, as she wears and sells shapewear. The critique of Kardashian’s use of modern shapewear reflects a long tradition of controlling women’s bodies through dress reform and medical intervention, a debate the Met Gala dress reignited.


1993 ◽  
Vol 24 (1) ◽  
pp. 75-89
Author(s):  
Carin Schnitger

ICR Journal ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 314-330
Author(s):  
Habibat Oladosu-Uthman ◽  
Mutiat Titilope Oladejo

In Africa, the culture of veiling by Muslim women is profound. While Muslim societies vary across Africa, several forms of textile and art feature in the use of veil. It is particularly important to state that veiling is historical as it had been embedded as a Muslim culture since the evolution and spread of Islam in Africa. It is also true that the Islamic integration of African cultures is very much alive and visible. The story of veiling became prominent and was influenced by Ottoman rule and cross-cultural intergroup relations through the Trans Saharan trade routes. This paper focuses on the history of veil as a spiritual, artistic, political and economic factors in the identity making of Muslim women in Africa. The historical method is adopted to interrogate the complexities associated with veiling as a Muslim culture using photographic representations, books and journals. Photographic representations of women’s dress in the Ottoman empire gives way to understand how the dress styles diffuse into African societies.    


Costume ◽  
2020 ◽  
Vol 54 (2) ◽  
pp. 175-201
Author(s):  
Robyne Calvert

This article presents a short biography of the Healthy and Artistic Dress Union, a dress reform society formed in 1890 with the aim of ‘teaching both men and women how to discriminate by choosing and rejecting, and so gradually moulding the exigencies of our climate and situation, the claims of artistic arrangement of drapery, and harmony of colour’. It presents a new account of the group that goes beyond previous discussions, which have been solely gleaned from the group's journal Aglaia. A brief history of the organization under the leadership of artists such as Henry Holiday, Walter Crane and G. F. Watts will precede an examination of their 1896 Exhibition of Living Pictures, and a discussion of their educational journal Aglaia and its later iteration The Dress Review, illustrating the creative production and philosophy of Artistic Dress from this later period in its history.


2008 ◽  
pp. 99-108
Author(s):  
Roman Anatoliyovych Sitarchuk

The topic of the study is a component of modern scientific exploration that examines the role of the Seventh-day Adventist Church in building our multi-denominational society. In particular, the issue of determining the place and role of the Adventist Church in society and the state is important. However, today it is possible to unleash it only by summing up the accumulated experience in this field for the whole period of the history of Adventism in Ukraine. The problem of state-confessional relations is important, but it has not been given sufficient importance in terms of theoretical research, which sometimes leads to gross errors in the construction of these relations, which is not beneficial to society. Thus, it is interesting for us to experience the emergence of relations between the state and the Adventist faith in the Ukrainian lands that were part of the Russian Empire, since that is when the formation of the Adventist Church in the domestic territories began.


Costume ◽  
2014 ◽  
Vol 48 (2) ◽  
pp. 193-212 ◽  
Author(s):  
Alex Ward

This paper will focus on an interesting diversion in the history of dress in Ireland: the story of clothing and the Irish cultural revival of the late nineteenth and early twentieth centuries. It will endeavour to address the ideology of so-called Irish costume, and how it was intended to be a visual symbol of an Irish renaissance, one which would help in the effort to counter British influences and establish a strong cultural identity. Although Celtic Revival clothing was worn by both men and women as a signifier of cultural and political sympathies, this paper will look specifically at women’s dress and attempts to promote Irish costume as a tool for nation building, and as a practical solution to the wearing of imported fashions. It will highlight just some examples of where, when and by whom Celtic Revival dress was worn.


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