scholarly journals THE FORMATION OF THE “OPEN VERANDA” (“EMPER TERBUKA”) IN FRIEDRICH SILABAN’S PRIVATE HOUSE PROJECTS

2021 ◽  
Vol 86 (785) ◽  
pp. 2021-2031
Author(s):  
Dahniar ◽  
Shoichiro SENDAI
Keyword(s):  
1988 ◽  
Vol 83 ◽  
pp. 363-373
Author(s):  
K. A. Sheedy

The head of an archaic marble statue was removed from the wall of a private house on Siphnos in 1936, during the excavations of J.K. Brock and G. Mackworth Young. It was placed in the local museum. It is argued that the modelling of the head dates it to the middle of the sixth century BC. The hair shows that it comes from a sphinx, probably one of the earliest examples of the type, of Cycladic origin, and it has the head turned to one side. It probably comes from the acroterion of a temple.


Author(s):  
Yulia V. Chumakova ◽  
Sofia E. Dubrova ◽  
Natalia S. Muranova ◽  
Olga M. Popova ◽  
Vladimir A. Klevno

Introduction: The article deals with the criteria, forensic and radiological "life tests", difficulties in assessing the results of live birth and stillbirth of the fetus. An excursion into the history of the development of X-ray, including pre-sectional, examination of the corpses of newborns is made. Cases from the practice of two corpses of newborns which underwent pre-section computed tomography are presented. Case presentation: Case № 1: examination of the corpse of a baby found in a cardboard box on the unheated terrace of a private house after a secret self-birth. Case № 2: examination of the corpse of an infant with massive injuries and the division of the body into two fragments, found on a sorting tape in the premises of the waste sorting shop. Conclusion: Postmortem CT of newborn corpses was an evidence-based and visual addition to the traditional forensic medical study, which allowed even at the pre-dissection stage to speak about the maturity of fetuses, to identify injuries and anatomical variants of the structure, to refute the presence of congenital deformities; to establish and record evidence-based CT signs of live birth and stillbirth.


Author(s):  
Jacqueline de Romilly

This chapter looks at two grave matters which erupted in Athens between when the Sicilian expedition had been approved and the day of departure. On a beautiful morning, it was discovered that all the herms in the city had been mutilated. These herms were simplified statues of the god Hermes. They appealed to the god for protection; they had religious significance. The fact that such a blow had struck all the herms implied intention. An air of panic swept through the city; something sinister was believed to be threatening Athenian democracy. Clearly, one of their fears was that people would band together to bring about a less democratic regime, one that was openly oligarchic. If there was someone considering tyranny, who was a more likely object of suspicion than Alcibiades? His enemies would immediately exploit these very natural fears and accusations about him spread. Meanwhile, a slave named Andromachus was presented by his master and swore that he had been present, in a private house, for a parody of the sacred mysteries, in which Alcibiades, among others, had also participated. Soon, there were numerous allegations that this double sacrilege was a prelude to overthrowing the democracy. From that time on, things began to go badly for Alcibiades.


Author(s):  
Ushashi Dasgupta

This chapter explores the significance of rented spaces in the nineteenth-century Bildungsroman, reading David Copperfield and Great Expectations alongside novels by Catherine Gore and WM Thackeray. Some of the most memorable characters in these coming-of-age narratives are landlords and landladies, who act as mentors to the protagonist as he tries to find his place in the world. Dickens interrogates the idea that it is a rite of passage for a young man to take lodgings before he moves into a private house. The chapter reveals that Dickens uses spatial and architectural metaphors, including images drawn from the world of tenancy, to articulate the process of growing up. It ends with a section on the window tax debate of the 1840s and 1850s and the traces it leaves in the fiction of the period; the window is a site charged with symbolism for characters preoccupied with their ‘prospects’.


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