scholarly journals Echoes of Meaning: Cheap Print, Ephemerality, and the Digital Archive

2020 ◽  
Vol 33 (1) ◽  
pp. 110-112
Author(s):  
Adam James Smith
Keyword(s):  
Digital Archive ◽  
Cheap Print

Archives of the Dance (21): Siobhan Davies Dance Online

2008 ◽  
Vol 26 (2) ◽  
pp. 244-257 ◽  
Author(s):  
SARAH WHATLEY
Keyword(s):  
Research Council ◽  
Research Community ◽  
Limited Resources ◽  
Digital Archive ◽  
Arts And Humanities ◽  
The Uk

In 2006, an Arts and Humanities Research Council (AHRC) grant was awarded to researchers at Coventry University to create a digital archive of the work of Siobhan Davies Dance. The award is significant in acknowledging the limited resources readily available to dance scholars as well as to dance audiences in general. The archive, Siobhan Davies Dance Online, 1 will be the first digital dance archive in the UK. Mid-way through the project, Sarah Whatley, who is leading the project, reflects on some of the challenges in bringing together the collection, the range of materials that is going to be available within the archive and what benefits the archive should bring to the research community, the company itself and to dance in general.

Formation of Inner University Use Digital Archive for Highly Qualified Specialists Training

2009 ◽  
pp. 117-119
Author(s):  
Ivan D. Kotlyarov
Keyword(s):  
Foreign Language ◽  
Philosophy Of Science ◽  
Digital Archive ◽  
Digital Archives ◽  
Highly Qualified

For the purpose of improving the training of highly qualified specialists the author suggests to create the inner university digital archives of translations of texts on a speciality (from within the exam candidate minimum foreign language) and reports on the history and philosophy of science.

Dos momentos en De Ánima de Juan García Ponce: Ecfrasis y apropiacionismo

2020 ◽  
pp. 101-120
Author(s):  
Mildred Castillo Cadenas
Keyword(s):  
Carl Jung ◽  
Digital Archive ◽  
De Anima ◽  
Edouard Manet ◽  
Juan Garcia Ponce

Este artículo analiza dos momentos en la novela De Ánima (1984) de Juan García Ponce, en los cuales se utiliza el recurso de la ecfrasis y el apropiacionismo. Me aproximaré a estas estrategias con el objetivo de observar su funcionamiento en la estructura narrativa, además del efecto de sentido que producen en una lectura que los considere. También pretendo detallar algunas cuestiones de la relación pintura-escritura para observar el tratamiento intermedial establecido por el autor. El primer momento revisa la relación de una obra del pintor Lucas Cranach el Viejo y el procedimiento narrativo utilizado por García Ponce para articular a Paloma, protagonista femenina. El segundo momento contempla el análisis de dos ecfrasis, cuyo origen es Le Déjeuner sur l'Herbe de Édouard Manet, desde dos perspectivas de la misma representación visual. Asimismo, prestaré atención al tratamiento apropiacionista y su efecto de sentido derivado. El artículo se apoya en la noción de ecfrasis de Luz Aurora Pimentel, Irene Artigas y James Heffernan; la estructura abismada de Helena Beristáin; el apropiacionismo de Juan Martín Prada; y el concepto ánima-animus de Carl Jung. Para las imágenes se hace referencia al Cranach Digital Archive.

Pocket Maps and Public Poetry in the English Renaissance

2019 ◽  
Author(s):  
Katarzyna Lecky
Keyword(s):  
Edmund Spenser ◽  
Ben Jonson ◽  
English Renaissance ◽  
Ordinary People ◽  
William Davenant ◽  
Samuel Daniel ◽  
The Government ◽  
Political Agents ◽  
Cheap Print ◽  
Print Industry

If maps are instruments of power, then it matters that in Renaissance Britain they were often found in the pockets of ordinary people. Pocket Maps and Public Poetry in the English Renaissance demonstrates how early modern British poets paid by the state adapted inclusive modes of nationhood charted by inexpensive, small-format maps. It places chapbooks (“cheapbooks”) by Edmund Spenser, Samuel Daniel, Ben Jonson, William Davenant, and John Milton into conversation with the portable cartography circulating in the same retail print industry. Domestic pocket maps were designed for heavy use by a broad readership that included those on the fringes of literacy. The era’s de facto laureates all banked their success as writers appealing to this burgeoning market share by drawing the nation as the property of the commonwealth rather than the Crown. This book investigates the accessible world of small-format cartography as it emerges in the texts of the poets raised in the expansive public sphere in which pocket maps flourished. It works at the intersections of space, place, and national identity to reveal the geographical imaginary shaping the flourishing business of cheap print. Its placement of poetic economies within mainstream systems of trade also demonstrates how cartography and poetry worked together to mobilize average consumers as political agents. This everyday form of geographic poiesis was also a strong platform for poets writing for monarchs and magistrates when their visions of the nation ran counter to the interests of the government.

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