scholarly journals The contracting world of girls at puberty: Violence and gender-divergent access to the public sphere among adolescents in South Africa

Author(s):  
Kelly Hallman ◽  
Nora Kenworthy ◽  
Judith Diers ◽  
Nick Swan ◽  
Bashi Devnarain
2014 ◽  
Vol 10 (3) ◽  
pp. 279-295 ◽  
Author(s):  
Kelly K. Hallman ◽  
Nora J. Kenworthy ◽  
Judith Diers ◽  
Nick Swan ◽  
Bashi Devnarain

Author(s):  
Bongani C Ndhlovu

This chapter analyses the influence of the state in shaping museum narratives, especially in a liberated society such as South Africa. It argues that while the notion of social cohesion and nation building is an ideal that many South African museums should strive for, the technocratisation of museum processes has to a degree led to a disregard of the public sphere as a space of open engagement. Secondly, the chapter also looks at the net-effect of museums professionals and boards in the development of their narrative. It argues that due to the nature of their expertise and interests, and the focus on their areas of specialisation, museums may hardly claim to be representative of the many voices they ought to represent. As such, the chapter explores contestations in museum spaces. It partly does so by exploring the notion “free-spokenness” and its limits in museum spaces. To amplify its argument, the chapter uses some exhibitions that generated critical engagements from Iziko Museums of South Africa.


2020 ◽  
Vol 2 (2) ◽  
pp. 68-106
Author(s):  
Débora Machado Visini

O presente artigo investiga as intervenções urbanas – pertencentes a um grupo composto por muitas manifestações artísticas realizadas no espaço público – que dialogam com a cidade. Compreendidas como práticas artísticas e socioespaciais, as intervenções urbanas do coletivo lesbiano Velcro Choque (Brasil) são analisadas a partir das potências que surgem com a ocupação das ruas da cidade e da esfera pública, já que tal ato coloca em cheque normas e narrativas históricas, que serão apontadas a partir do viés da crítica feminista da cultura. Conforme mostra a prática do coletivo, o artivismo associado aos feminismos e às dissidências sexuais e de gênero podem oportunizar a criação de subjetividades libertárias e formas de existência e resistência através das produções coletivas nas artes visuais.Palavras-chave: Cidade. Intervenção Urbana. Feminismos. Artivismo. AbstractThis paper investigates urban interventions – belonging to a group composed of many artistic manifestations carried out in the public space – that dialogue with the city. Understanding the urban interventions as an artistic and socio-spatial practice, the production of the lesbian collective Velcro Choque (Brazil) will be analyzed based on the potency that emerges with the occupation of the streets and the public sphere, since this act can put in check historical norms and narratives, which will be pointed out from the bias of the feminist critic of the culture. As the practice of the collective shows, artivism associated with feminism, sexual and gender dissidences can create opportunities for the creation of libertarian subjectivities and forms of existence and resistance through collective productions in the visual arts.Keywords: City. Urban Interventions. Feminisms. Artivism.


Author(s):  
Lee Skinner

This chapter argues that towards the end of the nineteenth century in Spanish America the acceleration of technological innovation and the development of a middle class created new opportunities for middle-class women to enter the labor market. Although women increasingly worked outside the home, writers typically sent the message that women’s work is not valuable or important, that women should avoid work, especially paid work, as much as possible, and that men should help them stay out of the labor force and the capitalist job market. This chapter reads these statements as contesting certain discourses of modernity from the metropolis that privileged women’s entry into the public sphere via paid employment as a vital component of the modernizing project and as taking advantage of modernity’s newfound emphasis on domesticity. Technologies of transportation (trains) and communication (telephones) in Matto de Turner’s Aves sin nido, Manuel Gutiérrez Nájera’s La novela del tranvía, the Chilean journals Zig-Zagand Familia, and the Guatemalan La Ilustración Guatemalteca. Depictions of work, consumer culture, and gender in Gorriti’s La oasis en la vida, César Duáyen’s Mecha Iturbe and Federico Gamboa’s Santa are also analysed.


KIRYOKU ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 265-271
Author(s):  
Ni Luh Putu Ari Sulatri

The head of the Tokyo Olympics, Yoshiro Mori, was criticized for making sexist remarks. He gave opinion about the Japanese Olympic Committee's goal of increasing the number of female board directors from 20% to more than 40%, Mori stated that it would affect the length of the meeting because women talking too much. Mori's sexist remarks show that patriarchy and gender equality are still a problem in Japan.  This paper examines Yoshiro Mori’s sexist remarks through a feminist approach. Data culled from newspaper reports about Mori's sexist remarks. This research is qualitative research with an interactive analysis method.  The results of the study show that Mori's sexist remarks are gender stereotypes that are concluded by essentialism. These gender stereotypes limit the role of women in the public sphere. Collective action needs to be promoted to confront sexism in society and build gender awareness.


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