scholarly journals Paul Bocking, Public Education, Neoliberalism, and Teachers: New York, Mexico City, Toronto

Author(s):  
Josh Cole
Alive Still ◽  
2019 ◽  
pp. 59-70
Author(s):  
Cathy Curtis

In 1956, Nell joined the new Poindexter Gallery. Reviewers praised her first show. The following year, she was awarded a residency at Yaddo (the artists’ colony in Saratoga Springs, New York), meeting poets Jane Mayhall and May Swenson. Afterward, she traveled to Mexico City and Oaxaca, where she worked at night by the light of an oil lamp. On her return, she spent several weeks at the MacDowell Colony in New Hampshire, followed by another stay at Yaddo in December, when her fellow residents were poets Barbara Guest and Jean Garrigue. Nell spent the summer of 1958 in a rented studio in Gloucester. It was there that ARTnews writer Lawrence Campbell visited her to write a major piece about her work on Harbor and Green Cloth, illustrated with photographs by her friend Rudy Burckhardt. A second version of this painting was purchased by the Whitney Museum of American Art.


Author(s):  
Jocelyn Olcott

This chapter examines how the IWY conference, originally planned to take place in Bogota, Colombia, came to be held in Mexico City. It considers both Mexican president Luis Echeverría’s personal ambitions as a global leader as well as the burgeoning feminist movement within Mexico. The Mexican government agreed to host not only the intergovernmental conference but also a parallel NGO tribune, creating the conditions for a transformative aspect of the International Women’s Year. The last-minute relocation to Mexico City also resulted in the New York–based NGO leaders taking charge of the tribune, drawing heavily on their involvement with the 1974 UN Population Conference and the World YWCA.


Author(s):  
Deborah Caplow

Leonora Carrington was a painter, sculptor, poet and novelist who drew on mythology, fantasy and the occult to create images of a dreamlike world. She grew up in a wealthy family in England, educated by governesses, and was deeply influenced by the fairy tales her Irish nanny told her. Her parents sent her to convent schools, and although they expected her to become a socialite, they allowed her to attend Mrs. Penrose’s Academy of Art in Florence, Italy. Once back in London in 1936, Carrington enrolled in Amédée Ozenfant’s Academy of Fine Arts. She attended the 1936 International Surrealist Exhibition in London, and was impressed by the work of Max Ernst, whom she met the following year. Carrington moved to France in 1937 to be with Ernst and joined the Surrealist circle in Paris; however, the two of them were separated at the beginning of World War II, and Carrington made her way to Mexico City, where she joined a group of exiled Surrealists. She based her Self Portrait of 1938 on Celtic myths, and after moving to Mexico, she included Pre-Columbian imagery in many of her works. In later years she divided her time between New York and Mexico City. She received the Order of the British Empire in 2000.


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