scholarly journals USING SILK FIBERS TO IMPROVE ERGONOMIC AND AESTHETIC CHARACTERISTICS OF KNITWEAR

2021 ◽  
Vol 92 (11-3) ◽  
Author(s):  
Mavludakhon Umarova
2020 ◽  
Vol 2020 (2) ◽  
pp. 243-248
Author(s):  
Posatskyi B. ◽  
◽  
Mazur T. ◽  
Korol E. ◽  
◽  
...  

The article substantiates the relevance and considered methodological approaches to the architectural and landscape organization of road space as a set of measures aimed at improving its visual and aesthetic characteristics


Author(s):  
Costas N. Karatzas ◽  
Nathalie Chretien ◽  
François Duguay ◽  
Annie Bellemare ◽  
Jiang Feng Zhou ◽  
...  

2020 ◽  
Vol 14 (1) ◽  
pp. 14-20 ◽  
Author(s):  
Dan Tian ◽  
Dan-Ni Yu ◽  
Yi-Ming Xu ◽  
Xu-Yin Ding ◽  
Zhou-Yu Zhang ◽  
...  

Background: Though there are many patents on silk, patents on sea silk are rare. Sea silk is one of the most coveted materials in the world, and the technology to make sea silk is at an extremely high risk of extinction. Unlike spider dragline silk and silkworm silk, this natural silk has been forgotten in the academic commune for millennia, though it has many fascinating properties: high strength, remarkable adhesion, extreme lightweight, and others. Method: Here we report that mussel-derived silk fibers can be fabricated by electrospinning. Instead of extracting proteins from byssus, we directly use the protein solution from alive blue mussels, which are intensely commercially used. The protein solution and the polyvinyl alcohol solution are mixed together to produce mussel-based silk fibers. Results: The mussel-based silk fibers have many special properties like high mechanical strength, remarkable super-contraction and good wetting properties. Conclusion: The electrospinning mussel-based silk fibers have the potential for use as a replacement for the rarest sea silk and as a new bio-inspired material with multi-functions.


2021 ◽  
Vol 27 ◽  
pp. 102369
Author(s):  
Shijun Lu ◽  
Xiaochen Tang ◽  
Qingqing Lu ◽  
Jiwei Huang ◽  
Xinran You ◽  
...  

Author(s):  
Anette Stenslund

In recent decades, research has paid attention to the atmospheric ways computer-generated imagery (CGI) marks the experience of future urban design. What has been addressed in the generic abbreviation CGI has, however, exclusively concerned visualisations that communicate with stakeholders beyond designers and architects. Based on fieldwork within an urban design lab, the paper differentiates among the range of CGI used by urban designers. Focusing on collage, which forms one kind of CGI that has received scant attention in scholarly literature, I demonstrate its key function as an epistemological in-house work-in-progress tool that helps designers to refine their vision and to identify the atmosphere of future urban spaces. Based on New Aesthetics, collaging atmosphere is characterised by a physiognomic approach to urban space that selectively addresses aesthetic characteristics. Hence, the paper tackles a discussion that points towards cautious handling of the communicative scope of collages that can be well complemented by other types of CGI before entering a constructive dialogue with clients.


ACS Nano ◽  
2021 ◽  
Vol 15 (2) ◽  
pp. 1952-1959
Author(s):  
Jan Johansson ◽  
Anna Rising
Keyword(s):  

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