Textual Expression and Discourse Characteristics of Modern Novels - Focusing on the Narrative Construction and Receptive Meaning of Vegetarian

2021 ◽  
Vol 43 (9) ◽  
pp. 511-523
Author(s):  
Youngrock Ou
Author(s):  
Mikhail Tarasov

The article deals with the narrative text construction. The study thoroughly analyzes cognitive models that can become the basis of this process. Firstly, the author is studying the theory of rhetoricalcommonplaces. The article shows that this theory is suitable for constructing a rhetorical text, but not a narrative one. The second model discussed is the concept model. The article argues that this model is most convenient for text analysis, but not for its formation. Marvin Minsky's frame theory is analyzed in detail. It is stated that the theory of frames and individual narrative concepts, in particular those formulated by R. Barth, have much in common. It is concluded that the theory of frames can be perceived as the ontological basis of the narrative scientific description. In addition, the article briefly discusses the cognitive model by R. Quillian and R. Langacker. Their essence is to highlight the main and secondary content in the text. The possibility of using these models in the text analysis and its synthesis is proved by their conceptual similarity with G.Y. Solganik’s analysis of the novel by L. Tolstoy. Special attention is paid to the theory of R. Abelson. It is argued that the proposed hierarchy of cognitive structures has a generalizing character and is adequate to the text. The article gives an example based on a local narrative figure analysis undertaken by V.V. Vinogradov. The paper indicates the possibility to describe this figure within Abelson's theory. As a result of different cognitive models and narrative conceptscomparison, the article formulates the sequence of stages in the analysis and synthesis of text units found at different levels. The first stage of this sequence is the narrative figures analysis. The second one is the analysis of episodes, which are narrative figures associations. The third one is the analysis of the text plot structures. It is proposed to consider text units as realizations of cognitive structures. It is argued that the cognitive approach to the narrative provides its holistic and detailed adequate description.


Author(s):  
Jocelyn Rodal

Between 1915 and 1923, Virginia Woolf published her first three novels (The Voyage Out, Night and Day, and Jacob’s Room) as well as some of her most iconic essays and stories. This chapter examines that work with particular attention to how Woolf’s early fiction describes modern novels, placing it in conversation with her essays on the modern novel. Woolf turned repeatedly to the problem of how to achieve the freedoms of a new modernity, and her early work struggles to imagine a new kind of novel while acknowledging that this new kind of novel does not exist: not quite yet. This chapter examines Woolf’s deliberately undetermined vision of modernity, tracing how her early work persistently ponders and imagines what a new era of writing will offer even as she refuses to specify and delimit what has yet to come to pass.


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